eric343
Member of the Trade: Audiogeek: The "E" in META42
- Joined
- Jun 23, 2001
- Posts
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Chill, guys.
I've heard the VD Nites. My opinion is that they are as Ebonyks says, euphonically distorted. That's a fancy way of saying that they sound good, but aren't the most transparent cables on the spool... see my review for more details
Now, from a more techincal (scientific?) standpoint, the cables are rather interesting. They have a lot of frequency dispersion, which is a fancy way of saying that if you send a pulse down them, the reflection will be a wider (but shorter) pulse than the one you sent.
Here's a picture of what I mean [a TDR screenshot of the Nites]
http://www.drsue.net/images/TDR/DSCN3450.JPG.jpg
Notice how the second (reflected) pulse is much wider than the first one.
How does that affect audio? Strictly speaking, it shouldn't. However, strictly speaking, cables should be identical at audio frequencies! The TDR trace, however, suggests to me that the cables are "slow" - they have a measurable risetime (compared to the barely-existant risetime of say, microwave-designed coax) and a VERY slow falloff. If you translate this to the audio bands (which, again, strictly speaking you CAN'T do) then one would think the cables would have a smooth character lacking in the high end.
The problem is, this is High Fidelity audio we're talking about- where things like Mapleshade cones and IEC jacks (see the Pink Chiarra thread in the DIY forum) make a difference, even though they by all accounts should have no audible effect at all. So personally, I'm happy to have finally found an instrument that can do in a limited fashion what our ears have been doing for years- tell the difference between audio cables.
Unfortunately, I don't know of anyone who's tried frequency response sweeps on cables, which "should" tell us everything. I'd try it, but the gear to do a proper sweep is pricey enough that I'll get a Wadia (or dCS stack
) first.
I've heard the VD Nites. My opinion is that they are as Ebonyks says, euphonically distorted. That's a fancy way of saying that they sound good, but aren't the most transparent cables on the spool... see my review for more details
Now, from a more techincal (scientific?) standpoint, the cables are rather interesting. They have a lot of frequency dispersion, which is a fancy way of saying that if you send a pulse down them, the reflection will be a wider (but shorter) pulse than the one you sent.
Here's a picture of what I mean [a TDR screenshot of the Nites]
http://www.drsue.net/images/TDR/DSCN3450.JPG.jpg
Notice how the second (reflected) pulse is much wider than the first one.
How does that affect audio? Strictly speaking, it shouldn't. However, strictly speaking, cables should be identical at audio frequencies! The TDR trace, however, suggests to me that the cables are "slow" - they have a measurable risetime (compared to the barely-existant risetime of say, microwave-designed coax) and a VERY slow falloff. If you translate this to the audio bands (which, again, strictly speaking you CAN'T do) then one would think the cables would have a smooth character lacking in the high end.
The problem is, this is High Fidelity audio we're talking about- where things like Mapleshade cones and IEC jacks (see the Pink Chiarra thread in the DIY forum) make a difference, even though they by all accounts should have no audible effect at all. So personally, I'm happy to have finally found an instrument that can do in a limited fashion what our ears have been doing for years- tell the difference between audio cables.
Unfortunately, I don't know of anyone who's tried frequency response sweeps on cables, which "should" tell us everything. I'd try it, but the gear to do a proper sweep is pricey enough that I'll get a Wadia (or dCS stack