peterinvan
1000+ Head-Fier
My experience with the LS50W, 10 days and 150 hours of break-in time... Spoiler alert: these are keepers!
I am a retired grey haired wannabe audiophile. I favor acoustic instruments, Jazz, Blues, Classical, Country, and some Rock. Love acoustic bass. 95% of listening is on Tidal (HI-FI and MASTERS)
SET UP
Set up was OK till I tried to download/install the Windows7 KEF USB driver. I finally realized Norton was flagging the setup.exe file and removing it. Temporarily disabling Norton solved the issue. Using the CCK on my iPad out to the USB input was simple and sounded as good as my PC.
I hard wired the speakers to my router. The set up app works OK on iPad, but the app can only be used when the speakers are set to wireless input. I.e. you can't hear the changes being made in the DSP till you switch back to PC Input (USB). I didn't try playing local music on the iPad via the Wireless app.
There are settings for speaker stands, room size and distance from the front wall. This compensates for my small room and old ears. I used a existing pair of 29" stands filled with 15lbs of sand each.
For my 8x10' den, I have the Bass setup at -6db and the Treble at +2db. I would have liked more leeway at both ends. My den is a bit boomy, and my old ears need help in the treble regions. I have ten 2" Rockwool panels as bass traps and first reflection dampeners.
I consulted KEF support, and they recommended 140 hours for break in. This was accurate, as I did notice a marked improvement overall as I patiently waited, and especially in the Bass area. Now I get clear and taut bass on most tracks, even at lower volumes. I ran a 35Hz test tone (sinegen.exe) through the speakers every night and played music at normal listening levels all day for a week.
The speakers are toed in towards my La-Z-Boy listening spot. I found that sweet spot is wider than expected, so a sofa would be covered in a larger room.
The remote control manages the LS50W volume as well as changing tracks in Tidal. Nice.
TIMING
This is what impressed me the most. I love the accurate timing and resolution with these powered speakers. The placement of the instruments on the sound stage, and the sharp boundaries around the players. Transients on drum solos are crisp. Noticeably better than my old Meridian Explorer2 DAC & tube amp setup. The oft used cliche about "hearing parts I never heard before" applies.
Tracks in my Tidal Playlist for testing soundstage:
Wayfaring Stranger (The New Appellations)
A Touch of Class (Patricia Barber)
High Life (Jazz at the Pawnshop)
BASS
http://www.theaudiobeat.com/music/saint_saens_symphony_3_lp.htm
I was listening to the final part of this organ piece on my new LS50W speakers. Down to 32Hz! The very low bass is there, albeit at a lower sound pressure. In a larger room, a subwoofer would be recommended.
The Bass is taut and fast on most tracks, but on some acoustic bass tracks it is a bit boomy when the volume is turned up. I can reduce/eliminate the boominess by listening at a lower volume. EDM bass is weighty and taut.
Billy Joe (Patricia Barber)
Nardis (Patricia Barber - Cafe Blue)
Willow Weep For Me (Sinne Eeg)
Tango Till The're Sore (Holly Cole)
Jersy Girl (Holly Cole)
Walk on the Wild Side (Lou Reid)
Here We Go Again (Ray Charles/Norah Jones)
A Little World Called Home (Bucky Pizzarelli)
Cold Flame (Yello)
MIDS
The quality of the mids varies from record to record. Male and female voices are clear with no noticeable overlap from bass harmonics. Full orchestras are well defined, and instruments are nicely isolated on the sound stage. Yo-Yo's vintage cello sounds "woody". Nice.
Here We Go Again (Ray Charles/Norah Jones)
5:15AM (Mark Knopfler)
Trawlerman's Song (Mark Knopfler)
Spanish Harlem (Rebecca Pigeon)
Mozart Violin Concertos (Vilde Frang)
Inspired by Bach (Yo-Yo Ma)
HIGHS
Highs are crystal clear, with fast action on cymbals and snares. The upper registers on the piano are sharp, but not metallic. I love the resonance off the other strings in the piano with the pedal down.
Nardis (Patricia Barber)
Stepping Out album (Dianna Krall)
BLUETOOTH
Logging on from my iPhone was no problem. The sound quality is somewhat reduced over Bluetooth (compared to USB input).
NIGGLY BITS
The left speaker cut out once, but it re-synced within 15 sec.
The app for the iOS devices is like an early beta. You have to stop the music, and switch over to WiFi on the speaker to adjust the DSP settings.
The volume control on the remote offers no feedback, and takes a couple of presses to start adjusting the volume.
After a few failed attempts, I had to disable Norton anti virus before installing the Windows USB driver.
CONCLUSION
Great value for money (compared to separate components of equivalent quality). I am keeping these, focusing on discovering new music instead of new gear, and putting up my old rig for sale!