What if the artist creates AI? Isn't that more or less what happens within ambient and techno performances when the instruments pick up bits and pieces of what you have just played and take it into a direction you may not have foreseen, allowing you react to it, then again using that as new input?
That is not AI generated art, that is AI assisted art, personally I do not think this new buzz around AI is all that different than what we had before. The software still has no sensory input, does not discover itself through the work. We can get all excited about a computer as a tool and sell more cloud computing by hyping the term AI, and no doubt the number of job roles that are now done by computer software will continue to increase, how is that all that different than before all this recently increased AI hype.
I don't think that is true by definition. Will have to search for an example as this isn't a regular topic for me.
And hey, you may be completely right of course. It's just that things move so much faster than we think we do that I would be disappointed if it didn't exist yet. And this comes from an old man, not from an artist who stays young by definition...
I don't think that is true by definition. Will have to search for an example as this isn't a regular topic for me.
And hey, you may be completely right of course. It's just that things move so much faster than we think we do that I would be disappointed if it didn't exist yet. And this comes from an old man, not from an artist who stays young by definition...
Sensory input in PLCs which is a computer used in industrial manufacturing automation is designed specifically with inputs and outputs and the inputs are often sensors. This is not the same as seeing/hearing, those sensors provide input to a program and the results are a 100% repeatable action controlled through the output.
This is not the same thing as the AI software seeing or hearing and altering its own code and learning, with self awareness.
I may be very close to your age possibly a little older. 1963 was when I emerged into this paradigm.
Yeah, their Belsing controversy was pretty big back then. It’s why I’m loving the current era of proprietary drivers, acoustic chambers, etc. ‘Can’t get a knockoff STORM off TaoBao, for example.
I like Zepp. They have a lot there , (especially cables!) and you can enjoy some coffee while you’re there. The mall it’s located in has several electronics stores if you need stuff serviced. Also Zepp is on the 3rd floor IIRC.
It does a very good job and it retrieves all metadata. I slightly prefer ALAC to FLAC, I find that there are more dynamics, but I must admit that may be a bias
That is not AI generated art, that is AI assisted art, personally I do not think this new buzz around AI is all that different than what we had before. The software still has no sensory input, does not discover itself through the work. We can get all excited about a computer as a tool and sell more cloud computing by hyping the term AI, and no doubt the number of job roles that are now done by computer software will continue to increase, how is that all that different than before all this recently increased AI hype.
Does anyone own the Pathfinder and mind commenting how it compares to current Campfire releases as well as the market currently in general? I have the opportunity to trade for one and am considering it since it's being traded for grear I use much less anyways.
Thanks! I've only listened to it once and enjoyed it on the same level as Blackstar and Bonneville since I think the sound is more in that family if I'm not mistaken.
The good outcome of it though is that their new product line up is a lot more competitive now in this cutthroat market, and they’re definitely utilizing genuine BAs just on the subjective listening on how resolving their kilobuck IEMs now
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but if they do then Zeppelin is at 1st. Otherwise it's at 2nd.
