richard51
Headphoneus Supremus
- Joined
- Jul 21, 2013
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i needed this proof... Thanks...
Remember, it's just one Mannequins opinion.i needed this proof... Thanks...
…. But some opinions are ‘more equaler’ than others …. vs ….Remember, it's just one Mannequins opinion.
Thanks very much....Great information in few words....Whether K240DF, K500 or K501 - sound characteristics always remain the same, it is detailed and enormously transparent, what the Sextett sometimes completely lacks. Transparency means: The clear separation of instruments, with the Sextett it is always quite muddled in comparison. Detailed means: The resonance of instruments and all room reverberation is represented very well. So much for the comparison between Sextett and DF.
The other headphones mentioned adapt this, I call it "unemotional studio sound" and mainly make improvements in stage size. When you hear the K500 for the first time you first think it's broken, then you notice that everything just sounds distant. You have the impression of being in a large room. Personally, this was too much for me, because it makes a lot of things sound rather shallow and thin. You may like it or not - in any case, it's the complete opposite of the Sextett.
But I caution: The K500 and 501 are almost unresponsive to EQ in the bass, but a K240DF is. I give it about 2 db more below 80 Hz, which makes it flat.
With my K340 i like to be immersed in jazz.... Even if classical is half my life....
And in jazz i am in love with guitar and hammond organ.... Trumpet and piano too for sure.... But with my K340 i sail on the ocean of Hammond organ jazz for a week... The bass and mids of the K340 are to die for....Then....
I just discover an album of Pink Floyd a friend recommend me here, but translated in my own prefered style and i will add it to my 50 hammond organ albums :
I just listen to it right now on youtube , it is very good i will grab it....But the sound from my beyerdynamic T 150 is not on par at all compared to the K340 for sure....I must wait to buy it....