HiFiMAN HM-601LE+RE-400 combo review + Fiio X1 and RE-600 comparison
First off, I’d like to thank HiFiMAN for giving me the opportunity to review the HM-601LE and RE-600 Songbird.
Disclaimer: The following review/comparison is my subjective assessment of the two DAPs and IEMs. I am in no way affiliated with HiFiMAN. The differences between the two are subjective, but represent a difference I was able to hear and consistently verify. Both players and headphones are great sounding devices and this review and comparison should merely serve as a highlight to point out the differences. If you have any questions or inquiries, please feel free to ask! Hope you enjoy the read ^_^
Introduction
- I received the HM601LE a few weeks ago, along with HiFiMAN’s own RE-600, to compare against my long running budget favorite, the RE-400 [Which I’ve reviewed previously here -
http://www.head-fi.org/t/650912/hif...00-in-depth-reviews-and-more/75#post_10159229]. Meanwhile the HM601LE was being compared to the Fiio’s X1 entry level DAP due to numerous reasons, one of them being that the HM6XX is HiFiMAN’s entry line of DAPs [digital audio players], just like the X1 is FiiO’s.
Note that the Line Out function of both players was not utilized in this comparison. I wanted to compare the two DAPs as they were and how they sound, without adding any additional components to the chain.
Specifications:
HiFiMAN HM-601LE
Type: Portable Digital Audio Player
Frequency Response: 20Hz - 20KHz
D/A Chip: Phillips TDA1543
Amplification: Burr-Brown OPA2107
Filters: OP275, OPA2107
Power output: 30mW @32Ω, 26mW @150Ω
Battery time: ~9 – 10 hours
Storage: 4GB on-board, expandable via SD card slot [up to 64GB]
Dimensions: 10x6.2x2cm/3.9x2.4x0.8”
Weight: 159g/5.6oz
OS: Developed by 3
rd party for HiFiMAN
Other features: Line out, data exchange via USB [card reader required for SD data exchange], wall-wart charging [charger and adapter included], mute, hold and power buttons, low/high gain, volume pot, sleep timer, menu customization, 5-band -10/+10 EQ, screen timer, repeat, shuffle, favorites, folder mode, all tracks, recently played, CUE lists, album, artists, play/pause, next/previous, fast-forward/rewind, now playing, track info, supports most audio formats [no AAC/ALAC/M4A support].
MSRP: 219$ *
* - Much less as part of the upcoming
601LE-RE-400 combo deal.
FiiO X1
Type: Portable Digital Audio Player
Frequency Response: 20Hz - 20KHz
D/A Chip: Texas Instruments PCM5142
Amplification: Burr-Brown OPA2322
Buffer: Intersil ISL28291
Power output: 100mW @16Ω, 65mW @32Ω, 8mW @300Ω
Battery time: ~11 hours
Storage: on-board N/A, micro-SD card slot [up to 128GB]
Dimensions: 9.5x5.5 x1.2cm/3.74x2.2x0.47”
Weight: 109g/3.84oz
Other features: Line out, data exchange via USB [SD card inserted], USB/wall-wart charging [wall-wart charger not included], power button, 100 step up/down volume, sleep timer, idle power off, theme customization, brightness, screen timer, gapless playback, repeat, shuffle, favorites, folder mode, all tracks, recently played, CUE lists + proper track dividing, 7-band -6/+6 EQ, max/default/fixed volume, screen off button operation + customization, balance L/R, album, artists, genre, playlists, play/pause, in-line headphone controls, next/previous, fast-forward/rewind, resume mode song/time, now playing, album/track art, track info, storage formatting, supports all audio formats.
OS: In-house developed by FiiO
MSRP: 99$
HiFiMAN RE-600
Type: Sealed In-Ear Dynamic Driver Monitor
Frequency response: 15Hz – 22KHz
Impedance: 16 Ω
Efficiency: 102 dB/mW
Weight: 16 g (with cable)
Equipment:
Media: HiFiMAN HM-601LE, FiiO X1
Source: identical SanDisk Ultra 64GB micro-SD [one with SD adapter]
DAC: 601LE/X1 built-in
Amplifier: 601LE/X1 built-in [headphone out]
Headphones: HiFiMAN RE-400 & HiFiMAN RE-600 via a 1/8 TRS plug [RE-600 with adapter cable], briefly Philips Fidelio L2
Files: FLAC, 128-320kbps MP3, 256kbps AAC [converted to MP3 for HM-601LE]
Cables: stock headphone cables
Packaging and accessories
601LE
- The 601LE comes in a very exquisite and rich packaging, full of accessories. Upon opening the shipping box, I was greeted with a luxurious looking, rigid and textured cardboard box, with gold, engraved ‘HiFiMAN’ letters on top. This can easily be a storage box as well and feels much better than conventional ‘cheap’ retail packaging, which is usually just good for transport. In the right portion, it contained the player, manual and a warranty card. Next to it, in the left compartment, stored inside a paper enclosure were the rather plentiful accessories – a HiFiMAN carrying pouch, a cleaning cloth, a US socket charger, an adapter for EU power sockets as well as a mini-USB connection cable. The only thing possibly missing is a protective rubber/silicone skin, but that’s all, really. The whole package presentation felt very professional and complete, containing everything you could possibly need to get you set and ready for listening. I think there’s nothing to fault here – if every product I buy came with this complete a set of accessories, I think I’d hardly ever complain about packaging. At any price point, this certainly deserves basically a perfect score for including everything, while being well packaged.
9.5/10
X1
- The X1 is no slouch either and comes with nice accessories too, but it feels nowhere near as luxurious. The cardboard box is pretty and bright, but is not very rigid and tears rather easily. It is not a storage box like the 601LE’s is and does not feel too fancy. Not that it is necessary of course, but it certainly is a comparatively cheaper package, albeit functional for its purpose. It, too, holds some nice goodies – the player itself, a short USB charging cable in a compartment on the left, three different skins that you can apply to change the appearance of the X1 and three screen protectors underneath, as well as owner’s guide and a warranty card. The X1 already comes installed with a protective rubber skin and a screen protector, which I think is pretty neat. There’s no storage pouch or wall charger and the packaging is a bit basic and the cardboard itself somewhat fragile, but it is still nicely packaged, leaving little to complain about, especially for the price.
8.5/10
RE-600
- If you have read my RE-400 review, you will know that the RE-400’s packaging was a bit bare-bone and Spartan. It was later upgraded and lots of tips were added as well as a hard-shell case, which is great, but the box for the earphones remained the same, which is not so great. It basically broke apart the second I removed the cover and piecing it back together proved impossible. I am glad to report that this has been completely remedied with the RE-600’s packaging – it is beautiful. It has two compartments, which are separately opened – the right side holds the different tips and filters, while the left side houses and showcases the RE-600. The package/storage box has a gorgeous layer of protein leather all around it and a shiny aluminum plate with the ‘RE-600’ lettering in the middle. A real looker and a more than substantial improvement! There’s also an owner’s manual, a warranty card and an adapter for single-ended use [it comes standard with a balanced TRRS plug and a single-ended TRS adapter, but there’s also a single-ended only version available for purchase – the RE-600S]
9.5/10
Build quality/Design/Features
601LE
- The 601LE is an all plastic build. It is not cheap plastic by any means, however, as there’s a very tactile feel to it. No creaking or any visible weaknesses that I could detect. The unit belongs in the bigger category, being taller, wider but most importantly thicker and heavier than the FiiO. With the thickness being the most noticeable difference, with the FiiO measuring at ~1.2cm/0.47”, while the HiFiMAN measures at ~2cm/0.8”, being almost twice as thick, resulting in extra bulkiness. The buttons seem to be made of aluminum – there’s a sliding power button, a mute button, a hold button, four direction buttons and a play button in the middle. The screen is a bit disappointing - it is rather washed out, with very narrow viewing angles, so basically any tilting results in crushed colors. It is functional and does its job, but nothing else. There’s also a low/high gain switch, with the standard SD card slot occupying the same side of the unit. Then we also have a volume wheel at the top, next to the separate headphone and line outputs. Lastly on the right, there’s a ‘data exchange’ mini-USB input and a charging input. There’re no removable or serviceable parts. Overall, the build quality is decent, though I’d lite it to be aluminum at this retail price. It won’t win many awards for its thick, bulky design or retro looks, but there do not seem to be any build quality issues, and that’s the most important thing. The unit should also easily fit most pockets, unless you wear really skinny jeans. The screen is then just a small disappointment but it is sufficient for browsing and reading track info. Hopefully, the whole product will hold well overtime.
8.5/10
X1
- The build quality of the X1 is exceptional. It sports a one piece aluminum frame and body, with four very tactile brushed aluminum face buttons, a rotary wheel and a play button in the middle of the wheel, giving the whole unit a very sturdy and attractive coat. There’re power, volume + and – buttons on one side and the micro-SD slot on the other. Lastly there’s the HP/Line out port at the top and a micro-USB port on the bottom. The unit has a very modern and sleek, ipod-y feel to it. It is also very small, light and stylish. The screen is quite vibrant with colors and sports pretty good viewing angles. For a TNT panel on a hundred dollar device, I am very impressed with it. It might be ever so slightly washed out and definitely less accurate in comparison to more expensive devices, but it is still much, much better than the 601LE’s ‘screen’ and lots better than I’d expect at this price point. The rotary wheel might be a bit loose and the middle button a bit wobbly, but it is still accurate and selecting artists, albums or tracks is still a breezy click. The build quality and design of the FiiO X1, a 100$ device, is simply spectacular. I honestly struggle to understand how FiiO managed this. My hats are certainly off to them for the build quality alone.
9.5/10
RE-600
- Little separates the RE-400 and RE-600 in terms of build quality. Both sport non-detachable cables and both use aluminum housings with shiny plates on the back. The RE-400’s housings are silver, while RE-600’s are glossy black, which I find a bit more attractive. Both seemingly have the same ‘L’ and ‘R’ white markings, which completely disappeared on the RE-400 over time. The part of the cable that goes from the Y-split to the headphone jack also seems the same but the part that leads from the housings to the Y-split has been improved – it is slightly thicker and it no longer exhibits microphonics, like the RE-400 does to a larger degree, when worn straight down. The cable is a bit less tangle prone thanks to this, but it is still quite a bit tangly. I expect it to hopefully eliminate the cable related issues some RE-400s had. At four times the price, I would expect a bit more than a sleeker paint and slightly improved cable. Detachable cables would be nice to have and a bit more to differentiate the two would also be great. Either way, we’ll see whether all the remaining resources went into improving the sound.
7/10
User Interface [UI]
601LE
- The interface is very basic and simplistic. It was made by a 3
rd party company back in 2010 and was last updated in 2012. HiFiMAN’s own ‘TAICHI’ interface is much improved from what I’ve seen and read, so this is only limited to the HM-6XX series. Moving on, let’s see – it is functional, relatively fast and smooth and easy to use, and it plays music. Well, most. It does not support Apple formats, so you’ll have to convert these to MP3/FLAC, etc. It does partially support CUE sheets, meaning it will give you the name of the song that’s currently playing but it won’t divide them into individual tracks, leaving just one long FLAC track. It supports favorites but it does not support playlists. Most of the time, I use either folder mode or all track mode. Shuffle/repeat is also supported, so that’s good. Next, there’s no gapless playback support. Then, there’s a soft pop every time you manually switch a track. It also sorts my folders and some albums and tracks in a haphazard manner, not alphabetically, which is a nuisance. There’s no album/cover/track art support either, but I consider that a good thing, since the ‘screen’ is not very good. It does provide all track information, like name, format, bitrate and length. There’s a decent 5-band [60Hz, 300Hz, 1KHz, 3KHz and 6KHz] – 10 to +10 EQ but it feels a bit rough and the steps seem bigger than I’d like. Anything that’s tweakable is basically rather limited. When you power off the player, it forgets the song it was playing, so if you want to continue listening to it the next time, you’ll have to find it again. With the screen off, you can only fast-forward or rewind a track, but to skip to the next one or pause, you must first turn the display on by pressing a button. The volume wheel is a bit awkward to handle – I find it a bit too sensitive to movement and there’s surprisingly little volume play with higher sensitivity headphones [even on low gain]. There’s no volume level indicator anywhere to be found, so you ought to be careful when adjusting loudness. You press the down or up arrows to skip to the next or previous track, or you hold them to fast-forward or rewind. The left arrow serves as ‘back’ and the right one adds tracks to the ‘favorites’ folder. The button in the middle is for play/pause, obviously. The battery life seemed similar to the advertised 9 – 10 hours, maybe slightly less, but not by much and I’ve been going through a lot of on/off switching, which probably had an impact. I was able to charge the device via the included wall-wart easily but had some trouble charging from USB. There’s regular SD card support only [not micro] and to transfer any data to it, you’ll need a card reader. Via mini-USB, it seems the 601LE can only transfer data to the 4GB of built-in memory as the card was not recognized when inserted. I suppose that’s all the major points I wanted to bring up. The UI did hang up on me once but that’s normal. The key point, is that next to the X1’s very refined UI, this simply feels very archaic and bare. I’d certainly classify it as passable and functional but there’s little else. I understand that there’re some hardware limitations in place, but sophisticated UIs like Rockbox can run on lesser devices, so the 3
rd party company should have simply tried harder to implement more features. There’s in fact Rockbox in the works, but in its current state, it is a bit of a shot in the dark. The stock UI is stable at least, and it mostly does what it is supposed to. Bottom line is, if you’re willing to put up with a slightly cumbersome UI, this unit is a very, very competent little performer, so read on. If UI is very important to you, then all the sound quality gains may not be enough to convince you.
6/10
X1
- The X1’s UI, developed by FiiO for all their portable players, is excellent. It does everything the HM6XX UI does but better and it also does gapless, properly sorts CUE sheets, alphabetically orders tracks, supports all formats I’ve tried, supports cover/track/album art, playlists and is pretty and colorful to look at. It is also pretty smooth, very well organized and really intuitive. You use the rotary wheel to browse and the middle button to select, play or pause. Then there’s also a back button and a pop-up menu button, which allows you to select shuffle or repeat at any time, or to add a track to favorites. There are also two dedicated button for previous/rewind and next/fast-forward and a power button on the top left side. There’s no wall-wart charger included, but the device charges easily from anything via micro-USB. The X1 can also hold a long charge, easily in the quoted 10 – 11+ hours, even with intermittent power on and off. The micro-SD card is immediately recognized when the X1 is connected to a PC. It can resume a song after power off and you can even select whether it should start from the beginning or at the exact same place where you left off. There’s also a robust 7-band [62Hz, 160Hz, 400Hz, 1KHz, 3KHz, 8KHz and 16KHz] -6 to +6 EQ built in, with presets and customizable profiles. The interface is overall very vibrant, you can choose from 5 colors for the theme and track’s info is likewise always displayed very well. My only nitpick is that you cannot fast-forward or rewind when the display’s off, forcing you to press the power button first [ironically a thing the HM6XX UI can do] and that the player won’t jump to the next folder when it’d finished playing the previous one – at least yet – this feature is going to be implemented in the upcoming FW updates! Which is something the HM6XX won’t be getting either, as the last FW update is from 12/2012. I was honestly not expecting this great an interface and it paints a really strong contrast compared with the HM6XX UI side by side.
9.5/10
Sound quality - overall Tonality and Balance
601LE
- The 601LE has a beautiful, analogue quality to it. It is a bit warmer than neutral, but there’s no loss of details in the treble. Everything is laid out to the listener, easy to separate but not forced. Instruments are presented very naturally and with very good timbre. There’s no harshness or stridency and the tonality has a slightly laid-back and spacious character. Neutral with a slight pleasant tinge, it sounds very mature, refined, forgiving and is a joy to listen to.
X1
- In comparison the X1 has a quality that is more aggressive, punchy and forward and very slightly U-shaped. Comparatively, the treble is harsher, rather unforgiving but also has a bit more presence, while not necessarily conveying more detail. Due to the forwardness, details can feel a bit pushed and things get a bit blurred and hazy during busy passages. Timbral accuracy is slightly unnatural and cymbals have a slightly splashy character. Very energetic with a slight bass and treble tilt, it is more often than not an enjoyable listen nonetheless, but not always.
RE-600
- The RE-600 has quite a different tonality than the RE-400. It is warmer, with a slight bass – lower/mid midrange tilt. The upper midrange is quite neutral but the treble is very smooth and rolled-off, taking away the airy and lighter nature of the RE-400 and replacing it with a thicker and weightier presentation. The separation is excellent and soundstage is plenty wide with instruments having a slightly colored timbre due to its tilt. This makes for a relaxing and dynamic experience with surprisingly good amounts of detail, considering the signature.
a] Bass
601LE
- The 601LE has a very good and even bass response. It is not emphasized anywhere, extends linearly through to the sub-bass and is pretty tight and punchy, especially when a track has some heavy bass notes. This is largely my preferred bass response. Neutral and mostly influenced only by the headphone of choice or the recording. On its own, it is neither deficient nor boosted, just right and ready. As a result, this DAP can work really well with most headphones and recordings. For instance, it works really well with warmer headphones, like the Fidelio L2, where its bass has a bit of an added presence but the 601LE keeps it reasonably tight and controlled,
9.5/10
X1
- The X1 has a definite sub-bass boost, which makes every bass note sound more epic and enveloping. But as a result, the resulting bass is not completely tight and slightly loose and boomy. This is welcome for EDM and such but not so much for instrumental and orchestral pieces as there’s perceivable texture and detail loss. As another consequence, there’s a slight midrange bleed as well, which gives the X1 a slight U-shape to its overall sound. The rest of the low frequencies is even in presence. The sub-bass is not terribly accentuated then, but if you want a completely tight and controlled bass response, the X1 does not deliver that. The Fidelio L2 gets a bit boomy and overpowering in the bass for example, where the 601LE can keep it tight.
8.5/10
RE-600
- The RE-600 has a slight bass emphasis but it is not to the point of being distracting. In general, it is a bit punchier than the RE-400, which I find neutral. There’s a bit more body and it certainly digs deeper to the sub-bass. If one considers the RE-400’s bass neutral, like I do, then the RE-600 certainly has a one that is warmer and more tuneful. I don’t think there’s any emphasis to any part of the low frequencies, so it sounds quite even throughout and there’s very little loss of texture or definition. Overall, the bass tilt is well implemented and gives the RE-600 more musicality and a tonality that’s more enveloping and fun on the X1 and more punchy and tight on the 601LE.
9/10
b] Midrange
601LE
- The 601LE has a very lovely and slightly forward, almost euphonic midrange, with very good definition and great smoothness. Violins, guitars and pianos have good presence and are equally present through the whole range, with very lush and natural qualities and a rather realistic timbre. Instruments pop up clear and without any apparent peaks or dips. They carry great vigor and dynamics too, when the song calls for it. Other times it is laid back and just there. Overall, it has an enveloping quality to it, without sounding overdone or overwhelming, and a unique experience – transparent but also forgiving enough to make different headphones, like the RE-400, RE-600 or L2 all sound good, without highlighting their flaws much.
9.5/10
X1
- The X1 has a mostly neutral midrange, which too is without any harsh peaks or steep dips. However, the sub-bass boost the X1 has can make the mids sound a bit distant and tiny, a stark contrast to the 601LE’s slightly forward and ever present midrange. This should not be a serious issue with headphones that are neutral or slightly softer in bass punch and those should, in fact, sound best. But an already warm headphone will have its midrange a bit recessed and the bass further pronounced when listened to through the X1. It does not have that natural, flowing quality the 601LE has either due to its forwardness, so it can sound a bit tiny but also harsh at times, but this is again, with warmer sounding headphones.
8.5/10
RE-600
- The RE-600 I found has a mostly forward midrange in general, with a bit more presence in the lower midrange than the upper midrange. This gives instruments, like distorted guitars, great grunt and overall makes for a fun and enjoyable listen. Coupled with the slight bass emphasis, this certainly gives the RE-600 a warm and enjoyable tonality, compared to the RE-400’s lighter and more delicate one. The overall midrange can sound a bit too forward and overwhelming at times then, especially compared to the treble, which I am not a big fan of, but this comes down to personal preference and there’s still a lot the RE-600 offers. The RE-400 sounds better balanced and more neutral to me but without any low-midrange emphasis to sound more involving or fun, like its more costly sibling.
8.5/10
c] Treble
601LE
- The 601LE has an effortless treble with a slight mellowness to it. It is smooth without any significant roll-off or added presence. It is certainly forgiving, without any emphasis in the sibilance region but it still conveys details very well and with a very natural feeling. Having an analogue treble – without any harshness, hardness or stridency, it might not be the very best at hyper detailing or utmost treble extension, but it pleasantly conveys everything I feel it should, without feeling any dissatisfaction, or observing any deficiencies. This is a treble that’s very well done and being the very first device using a NOS DAC chip that I’ve heard, I think it offers a very unique experience and a fine compromise between smooth and detailed. Especially for the price.
9/10
X1
- The X1 treble in comparison simply sounds a bit harsh. There’s a bit more presence and slightly more perceived detail, but there’s also a slight, unnatural layer of splash and harshness, giving cymbals, female vocals and such a teeny bit unnatural or tizzy voicing and a slightly off timbre, which can prove quite fatiguing. As someone who’s sensitive to sibilance and treble peaks in general, this is something I’ve immediately noticed when comparing the two devices. The 601LE has a very inviting and smooth treble and it just sounds so good in general. The X1 has this ‘digital’ tinge to it that can fatigue one rather quickly. Don’t get me wrong, the X1’s treble is still good and I wouldn’t call it bright, harsh or edgy by any means, but the 601LE just sounds so effortlessly refined, with a better bass-mid-treble integration, there’s no competition. There’s less air too.
8/10
RE-600
- The RE-600 treble is a strange case, especially compared to the RE-400. There’s good presence in the low treble, but then there’s a steep roll-off, taking away the airy quality I like about the RE-400. This does not impact instruments or vocalists directly, but it impairs their timbre. Meaning there’s good energy from the bass to the lower-mid midrange, then there’s a slight decrease in energy from the upper midrange to the lower treble and then there’s a drop and it never comes back. Personally, I think this has an overall negative effect on sound quality due to the lack of air that this causes. Not only does air help with sibilance or harshness by letting the note/voice fade away naturally but it simply is, at least for me, a part of the whole sonic experience. I understand the RE-400 and RE-600 had to be differentiated somehow and they certainly are – RE-600 has more bass and more lower-midrange, upper midrange and lower treble remaining relatively within similar levels. The rest of the treble should have remained the same, in my opinion. The increased lower frequencies certainly have a part in it as well, but there’s definitely some deliberate roll-off, which I would prefer not to be there. This is obviously a highly subjective opinion and this tuning does make the RE-600 quite a unique product in the HiFiMAN line-up, quite reminiscent of the HE-400, which is also differently tuned than the rest. So subjectively I don’t like it, but other people might.
7/10
d] Vocals
601LE
- The 601LE’s vocals carry great presence. They’re smooth, extended and well presented. There’s hardly ever any sibilance and they’re quite airy as well. Male and female vocals alike have plenty of room and have an enveloping and inviting tonality to them. There’s not a hint of nasality or the sort as they remain clean and well extended but never approaching the point of being shouty. There’s a bit more presence to the male vocals with a slightly higher susceptibility to sibilance, compared to the X1, where they may sound a bit tinier and with a smaller susceptibility. The female vocals have comparable presence with sibilance noticeably reduced on the 601LE, if there’s any in the recording. Vocals overall sound more natural and have more air on the 601LE for sure.
9/10
X1
- The X1 performs similarly as I’ve mentioned above. The male vocals have a bit less presence and are less prone to sibilance. The female vocals sound similarly, but the ‘S’ is highlighted more and the overall extension is more ‘digital’ and harsher, which might give the illusion of giving more details, while in reality it just sometimes induces more headaches. It is not a big deal though and the vocals still sound nice, if a bit less natural and inviting. This harshness is also partly caused by the slight U-shape tonality of the X1, where male vocals, as they occupy the midrange, have less presence and where female vocals, taking up upper regions of midrange and treble, have more and where they carry that slight hardness present in the X1’s highs.
8.5/10
RE-600
- The RE-600’s male vocals carry good presence, but there can be some hardness or too much overall forwardness due to the tilted and not completely linear midrange. Male vocals sound better off the 601LE as it is more forgiving and smoother and simply does not accentuate any possible dips or peaks. On the X1, male vocals tend to sound more shouty and sibilant due to the more forward and aggressive nature of the X1. Female vocals likewise sound very good off the 601LE, albeit they lack the air that the RE-400 posses. Off the X1 it is the same story as with male’s vocals – at times excessively forward, shouty and with some sibilance. The overall vocal presentation will simply be affected to a great deal by the player you choose to use.
8.5/10
e] Imaging/Soundsage/Separation
601LE
- The 601LE has outstanding imaging capabilities. Every instrument is clearly put into its place and it is very easy to make out where that exactly is. The soundstage capabilities are likewise excellent, creating a natural and believable sound scape, just like the FiiO X1 can. However, the FiiO is clearly outclassed when it comes to separating the instruments. Where the X1 fails to keep up with the music in busy passages and starts to choke a bit, the 601LE keeps up brilliant separation with all the minute details in place, still precisely keeping the imaging right, coupled with great tonal balance.
9.5/10
X1
- The X1 images well. Almost as well as the HM601LE, but not quite. As expected the overly splashy cymbals, a bit screechy electric guitars and somewhat tiny violins, all thrown into the mix with the enhanced rumbly sub-bass, do make it harder to make out precise placements of instruments. It is not that they’re not there or that the X1 images noticeably worse, they’re just harder to focus on due to the overall imbalance of certain instruments at different frequencies - some being slightly laid-back, others forward. Soundstage size is about equal on both devices but the 601LE again wins in separation where again the overall balance, better finesse and refined precision helps, especially during busy passages.
8.5/10
RE-600
- This is the area where the RE-600 clearly beats the RE-400. It images better, has a slightly larger overall stage and portrays instruments more believably in their own space and it also separates them a bit better. All this shows that the RE-600 is a very capable headphone and if it were tuned more like the RE-400, I’d absolutely love it. Then again, that would mean two similar products so I suppose the RE-600 is better as it is now, different enough to clearly differentiate itself from the RE-400. Perhaps there’s still hope for a RE-400i, or RE-500. I’d certainly encourage it.
9.5/10
f] Timbre/Openness/Realism
601LE
- The 601LE has a fairly open sound, with good timbral accuracy and great realistic reproduction. Granted, I am fairly sure there are more expensive portable units and desktop rigs that can outperform the 601LE in any given category but I’d be surprised if they were the same price or size. With its smooth yet still dynamic tonality, instruments pop and decay realistically into space and sound very convincing, if maybe a bit more pleasing than their real world counterparts would.
9/10
X1
- I feel the X1 does not do exceptionally well in these categories. It does not sound completely off but the harsh tinge paired with the in-your-face tonality does impact its performance by making the timbre a bit unnatural and subdued, slightly limiting it’s openness qualities and taking away the illusion of realism. With the L2 headphone for instance, violins sound really good on the 601LE but on the X1 they seem tinier and harsher, which then gives them an inappropriate timbre and takes away from the realism there might have been.
6/10
RE-600
- I feel the RE-600 is outclassed mostly by the RE-400 in this category. While the RE-600 has a physically bigger and more cohesive stage, the RE-400 just sounds more open. Thanks to the RE-400’s airy qualities there is also better and longer timbre than the RE-600 has. Finally, the RE-600 might produce a more meaty response, with a distortion guitar or electric guitars in general, while the RE-400’s lighter nature does better with delicate or high extending instruments, like cymbals. I think realism can easily go either way and is a tie, depending on your preference.
Again, this is my personal opinion and the RE-600 certainly works well with the same instruments the RE-400 does, but I prefer the way the RE-400 reproduces them. You might like them with more weight, so the other way around.
8/10
Value
601LE
- As a standalone product at
219$ MSRP, the 601LE is still an outstandingly sounding product, let down by its somewhat primal and lackluster UI. It gets the job done, however, and I’ve come to terms with it. This is easily the superior sounding DAP, beating the X1 in all aspects, save for the UI and build quality. What should propel this product even further however, is the upcoming HiFiMAN Holiday Sale, which will bundle it together with the RE-400 for a phenomenal price of
149$, pushing it basically to equal grounds with the X1-RE-400. Since these are the same combos that I’ve just reviewed here, I absolutely recommend grabbing it while you still can. Of course that’s assuming you value sound quality above all. If you equally appreciate UI and build quality, then the choice is a bit more difficult as the X1 is certainly not that far behind.
8.5/10, 9.5/10 as part of
Holiday Sale
X1
- At the MSRP of
99$, the FiiO means tremendous value. It offers stellar UI, exquisite build quality and has great sound quality to back it all up, if a bit inferior compared to its pricier competitor. It’s also smaller and more sleek, which might be just as important to some. As with most comparisons, the difference is not huge and if I hadn’t had both at hand, I would enjoy either immensely. But having the choice, I think it is best to sum it up this way: The FiiO X1 is for those who value convenience and functionality above all. You just put it into your pocket and go, while enjoying good sound quality. The HiFiMAN HM-601LE is for those who are willing to sacrifice a bit of said functionality and convenience and as audiophile purists are willing to go the extra mile and put up with the things it does not do well or at all, having the superior listening experience as their reward.
9/10
RE-600
- The RE-600 is a great sounding headphone. Many people who like the RE-400 say the RE-600 is a worthwhile upgrade. In certain aspects, like technicality, it is but overall I think it has too much of a different sound signature to be considered an upgrade. At
399$, it also is quite a bit more expensive than the $99 RE-400, positioning itself quite a bit higher. Is it worth the price? Well, for someone, who likes a warm, punchy signature it certainly has the potential to be! As an airy sound lover, I can appreciate what the RE-600 does right but it simply deviates too much from what I consider important and as such it cannot be my daily driver, simply because I value different things and hence prefer a different signature. However, as part of the upcoming HiFiMAN Holiday Sale, the RE-600 will be just
$199, which makes me question whether I shouldn’t purchase it myself, if only for the sake of it, because that is a very, very good price, all else being equal.
8/10,
9/10 as part of
Holiday Sale
The RE-400 is
79$ right now as part of the same Sale. For anyone who just wants to try a pocket sized HiFiMAN headphone for their first time, this is as good as a chance as any!
Conclusion
- I love them both, but I like the HM-601LE slightly more for what it does better and personally, even though the X1 is an absolutely amazing little device and I do find the better UI and build quality to be a significant benefit, I’ll be making the sacrifices and use the 601LE as my default DAP from now on. Granted, I’ll be certainly keeping the X1 for back-up. That, and it is good to have choices. :]
As for the RE-600, I probably will not keep it because it simply does not suit my signature taste. However, I would still recommend it to someone who is looking for a fun, relaxing and punchy headphone, that can still do a lot of things right. Especially at the current price, it is a worthy consideration for any warmth lover!
Thank you for reading, hope you enjoyed my comparisons and reviews!