zhenya
100+ Head-Fier
- Joined
- Jan 11, 2004
- Posts
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That's what most of us in this hobby has come to realize. There are some thing in audio which we cannot measure yet. Take the Violectric amps for example. They are built out of measurements as well like the Objective2. They measure both "beyond what our ear can hear". So in theory they should sound alike. But those who have heard them both side by side can say that this is not the case. This is were the hardcore objectionist have a problem to explain where the differences in sound can come from. Well, some might say they don't hear the difference. But then they should be happy with their Objective2 anyways.
As a pretty adamant objectivist in the past, I'm slowly coming around myself on this issue, not the least because of how amazing the HD800's sound and the differences they can highlight. One thing I have found for certain is that one cannot dive right into making comparisons or everything will in fact sound largely the same (barring massive changes which is not what we are usually after at this level). For me at least, I really do require a warmup period where I just listen and settle in. Then, again largely barring massive changes, I have to listen to each change for some time before coming to a conclusion. Instant swapping is surprisingly ineffective for me again unless the changes are large. Reflecting on this recently I thought of the following comparison that I haven't heard put forth before. Maybe you guys can tell me what you think.
My neighbor is a fine botanical artist who does world-class highly detailed paintings of flowers and plants. We have several of her original pieces and a couple of prints as well as cards, etc. To compare the really good prints with the original with a quick look one would not be able to easily tell the difference. However if one were to spend some time acquainting themselves with the works, the differences would begin to reveal themselves. These works are so detailed that at her openings she provides magnifying glasses to visitors. Comparing them side by side with a glass the differences begin to become apparent. At the same token, stepping back and taking in the entire work as a whole, you begin to see that the original has a greater dynamic range and subtle shifts in the lighting can have a great effect on the whole. Still, given a quick a/b where one was only able to view a single image at a time (as we are necessarily limited with audio) I imagine most people not familiar with the works would have a very hard time identifying the original. To me this speaks volumes about the efficacy of double blind tests in audio. One must really spend a lot of time with equipment getting to know it, getting to feel what it sounds like before making a judgement, yet comparison tests rarely allow for this. This conundrum is further exacerbated by the fact that there is so much nonsense pawned for a lot of money in this business which really only serves to muddy the waters further, however I'm increasingly convinced of the value of just listening and going with your feelings when making a decision.