PhonoPhi
Headphoneus Supremus
Intrresting graphs. I would suggest to look at nornalization first. If dB values are correct (and they should be) the non-normalized graph for the red nozle should be higher in magnitude/intensity. Software then likely normalizes all graphs by default to the same intensities at 1 kHz or lower.The mystery of EA1000 nozzles
These are measurements from exactly the same volume output from the amplifier. As you can see, bass is exactly the same, and the red nozzle is the mildest one.
Here is the tricky part: the red nozzle is the one WITHOUT any foam or dampening material inside. You can see the difference reflected in the dB value heard by the microphone: red nozzle (least dampened) is the loudest, black nozzle (most dampended) in the most quiet. Yet, the red nozzle has the least upper midrange. Why dampening shifts the energy down to upper midrange region?
@DynamicEars any guess?
Look at this beauty
No smoothening was applied on the graph. It's the RAW response from the microphone. Look how smooth it is!
(AFUL Explorer aka Performer3, btw)
As for the frequency shifts - oscillator dampening decreases its frequency, and it should be applicable to the standing sound waves in the coupler (enough of the older Phonophi, right?)
Scaremongering is not right.I have numerous friends and family in the medical and scientific fields, and my background is in law, so I've read more precedent than I care to consider.
The frequencies emitted by these devices have no measurable effect on tissue. This isn't like putting a tiny microwave or radar station in your ear. Electrostats are not dangerous (and these are electrets, far weaker), it's very mature and well understood tech. Suggesting they are dangerous, without basis, is irresponsible. Your post amounts to scaremongering, nothing more, and I won't be addressing it further.
Bringing potential concerns should be right (and potentially helpful).
Bringing concerns about concerns should be similarly instructive.
Scaremongering efforts to shut down any potential concerns are not right as well (and perhaps the most to be concerned with, given the tendencies of the current "cancel culture").
I hope we all (here and elsewhere in life) can find a good balance in polite and respectful discussions.
Aren't the BA drivers absolutely the same in Rhapsody and Hydro?I'll be pulling the trigger on the Hydro soon to compare how CCA manage to achieve a totl presentation/tonality - by implementing better BA's than the Rhapsody...
They are the same according to KZ description, just twice more drivers in Hydro. More drivers is better in several aspects: smoother, more details potentially without "artificial treble boosting", while less directly influencing tonality. The tonality here is largely determined by the DD-BA junction: frequencies and the relative intensities of the implemented crossover.
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