Seminarian
Head-Fier
- Joined
- Jan 5, 2007
- Posts
- 50
- Likes
- 47
rsbrsvp's recent conversion to our religion is just the kind of thing that our recent converts (me included) may need to keep the flame lit brightly. For a skeptic to go from a decided "meh" to a strong WOW tells me that I ain't crazy.
Anyhow, I have three pieces of anecdotal evidence. 1) Blind Boys of Alabama (don't recall the album title. I can dig it up if need be.) has a track that it turns out there are THREE different tenors taking turns singing the melody in each of three verses. Previously with all other DACs I thought it was just one dude singing that melody. Who knew?
2) Bela Fleck's Flight of the Cosmic Hippo is one of the quintessential test tracks for bass as you probably know. I decided to give it a spin today. It was an awesome presentation of what heretofore was merely hinted at. Let's just say there was a hippo in my listening room.
3) I've never heard any DAC handle Barber's Adagio for Strings at its climactic point well at all. In fact in all cases the climax point has always sounded more like a Victrola than anything else. Not any more. It still has a fair amount of etchiness, but that may well be due to what I've always suspected about that passage. Which is this: it doesn't sound that great live either. Massed strings sawing away up in the upper registers is prone to lots of issues due to non-perfect intonation and differentiated vibrato in the violin sections.
Those are three specific cases. The overall musical enjoyment I'm getting is off the charts. NOTE: Once again, mine is a speaker system.
Anyhow, I have three pieces of anecdotal evidence. 1) Blind Boys of Alabama (don't recall the album title. I can dig it up if need be.) has a track that it turns out there are THREE different tenors taking turns singing the melody in each of three verses. Previously with all other DACs I thought it was just one dude singing that melody. Who knew?
2) Bela Fleck's Flight of the Cosmic Hippo is one of the quintessential test tracks for bass as you probably know. I decided to give it a spin today. It was an awesome presentation of what heretofore was merely hinted at. Let's just say there was a hippo in my listening room.
3) I've never heard any DAC handle Barber's Adagio for Strings at its climactic point well at all. In fact in all cases the climax point has always sounded more like a Victrola than anything else. Not any more. It still has a fair amount of etchiness, but that may well be due to what I've always suspected about that passage. Which is this: it doesn't sound that great live either. Massed strings sawing away up in the upper registers is prone to lots of issues due to non-perfect intonation and differentiated vibrato in the violin sections.
Those are three specific cases. The overall musical enjoyment I'm getting is off the charts. NOTE: Once again, mine is a speaker system.