I've had a chance to audition Mazuki's Bijou (the same unit Skylab reviewed) for a few weeks now. Some thoughts:
The Bijou is unequivocally the best headphone amplifier out of the list below (amps which I have owned):
Bijou
"Pink Floyd-modded" Musical Fidelity X-Can V3
Heed Canamp
Meier HeadFive
High-end Millet Hybrid
Doge 6210
Eddie Current EC-01
Zero Audiocraft Portable Amp
My source is a passively bypassed DAC-AH, headphones are HD650, cables are copper DIY. I listen to lots of vocals, classical, jazz.
The most immediately noticeable quality of the Bijou is its silent background, nearly totally devoid of hiss. With the volume turned to reasonable listening levels and no music playing, there is dead silence even at a quiet time like 1 in the morning. It's what the night sky looks like in upstate New York, away from light pollution: a twinkling lattice of white on black madness. Or as Shakespeare would say: "This majestical roof fretted with golden fire!"
With 6N6P driver tubes, the amp puts out a rock n' roll flavor, with that midrange/lower-treble hardness that makes rock enjoyable. The impact of percussive instruments is forceful, and it feels like air is being moved on deeper bass notes. The bass extends quite deep (but not the deepest I've ever heard the HD650), and is somewhat emphasized in a slightly round way. It's PRATTY.
(Btw, I know what PRAT means, but what does it stand for??)
I had a pair of Amperex 6922 tubes that I swapped in for the driver positions. This made quite a difference. The sound was more balanced, closer to neutral. The bass seemed quicker. Basslines felt more staccato, with a bit less of that fart-like (where air is moved) bass that the HD650s occasionally put out. The mids were wonderfully transparent. Nicely recorded vocals like Alison Krauss or Vienna Teng hung in midair clearly separated from the bass guitar, which was nicely separated from the guitar accompaniment.
Highs are buttery smooth. There is never a feeling of harshness, fuzz, or artificial detail up top. That is not to say the Bijou isn't detailed. It captures as much detail as any amp I've heard. It just presents it in a way that is very non-etched. Another way to describe this is that the detail never stands and out announces "THIS IS DETAIL!". Rather, the detail works to make a vocal or instrument seem more "present" in the room, and more "focused". Thinking of the presence knob on a guitar amp, at 0 it sounds a bit far away, at 3 - 5 it sounds like it's right there next to you, at 10 it sounds like like an Etch-a-Sketch. The Bijou is right at a 4.
I will point out the highs are probably affected a bit by the NOS DAC I am using. However, the passive bypassing of the opamps in the DAC results in a sound that sounds extended up all the way to my ears. That is, there doesn't sound like there is any treble cutoff. Without worrying too much about freq curves, the DAC-AH and Bijou sound damn good together.
Best word to describe the Bijou is ORGANIC. I don't think the tube bloom is as noticeable as Skylab did. It may be because we are using different tubes. It's got a touch of liquid mids compared to, say, a Meier Headfive, but the bass isn't fat and loose and the mids aren't bloated at all. The sense of dead black space surrounding a solo vocal is the best I've heard.
There is a negative feedback control next to the volume control. To me, the amp sounded best with a small amount of negative feedback. Increasing the negative feedback seemed to dial up the "presence knob" at the cost of overemphasizing detail. With no negative feedback, the sound was very relaxed, perhaps slightly too relaxed for the Senn HD650s. 3D depth was best with less negative feedback. As NFB was increased, the imaging flattened out. One thing of note is that the volume range is more restricted with no NFB. Even turning the volume all the way up on zero NFB did not result in a satisfying listening level. Adding just a small amount of NFB appeared to increase the gain of the amp by quite a bit.
If you are using low impedance headphones, you will probably want to use some NFB for more current output (not 100% about the technical accuracy of that).
Finally, the amp has the coolest POWER ON indicator ever. Reminds me of the Harmon Kardon volume control on their receivers, except miniaturized.