Quote:
Originally Posted by bigshot /img/forum/go_quote.gif
The qualities of audio reproduction that affect sound quality are...
Frequency Response
Dynamics
Harmonic Distortion
Signal To Noise
Channel Separation
Pitch (aka wow and flutter)
Phase / Timing
Did I miss any?
See ya
Steve
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Yes, since believe you're not looking quite deep enough. With amplifiers for instance, it's not enough to look at FR, THD, channel separation and so forth at the designated test level, it's necessary to examine its characteristics at many power levels ranging from milliwatts all the way up to full power, as well as examining overload characteristics. A class AB amplifier with feedback will often measure quite well at levels of several watts up to full power, but measure it at fractions of a watt and its performance falls apart. The THD will actually start rising once you drop below a watt or so, which is indicative of poor low level linearity, which destroys low-level details in the signal. Very simple, but very few people do it.
Moving on to speakers,
Stereophile's tests are a start but they're still missing far too much. For starters, all the curves are smoothed over so you never see what's really happening, you want an unsmoothed set of curves to catch all the monkey business which speakers are fond of. The other thing they never show is the distortion curve of a speaker with respect to frequency, that is, how much 2nd, 3rd, 4th & 5th harmonics it's producing at any given frequency. Pro-sound manufacturers will have these curves for their products, though usually only for 2nd & 3rd harmonics. It doesn't make much sense to buy an amplifier with 0.0001% THD when the speaker has 10% THD.
A lot of work also needs to be done with those cumulative spectral decay plots,
Stereophile measures it from one location, and unfortunately so do many speaker manufacturers. The problem here is that stored energy and resonances can often be emitted in narrow beams only a few degrees wide, if one of those beams hits the microphone or bounces off a wall to the mic, it registers in the CSD as a ridge of energy, otherwise it's completely missed. You can often hear this for yourself by walking around a speaker, on many designs the sound will suddenly change character several times as you move around the front hemisphere. That's the beams of stored energy along with the effects of edge diffraction. To spot them, a CSD plot needs to be done every couple degrees all around the speaker, you're looking for sudden transitions in the shape of the plots. Those are a bad thing, they destroy details, muddy the soundstage, smear transients and kill the tone of instruments. In a good speaker the plot will change smoothly as one moves around the speaker without any sudden discontinuities.
There's a lot more but unfortunately I don't have the time to get into it at the moment.