While the following isn't exact, it should suffice to convey the essentials. The Ortofon IEMs in this list were the obvious odd man out. I can't see
anyone using their kind on this amp. They were the only headphones to have the Lyr
slightly noisy. For the volume settings 7:00 equals mute. This progresses clockwise to full blast at 18:00.
Headphones
| Source voltage
| Volume control settings
| Progression
|
| 1V iPod
2V CD
5V DAC
10V DAC
| low 12:00 - normal 14:00 - loud 16:00
low 10:00 - normal 11:00 - loud 12:00
low 09:00 - normal 10:00 - loud 11:00
low 08:30 - normal 09:30 - loud 10:30
| slow
fast
very fast
very fast
|
| 1V iPod
2V CD
5V DAC
10V DAC
| low 11:00 - normal 12:30 - loud 14:45
low 10:00 - normal 11:30 - loud 12:30
low 09:00 - normal 10:00 - loud 11:00
low 08:30 - normal 09:30 - loud 10:30
| slow
fast
fast
very fast
|
| 1V iPod
2V CD
5V DAC
10V DAC
| low 10:00 - normal 12:00 - loud 14:00
low 09:00 - normal 09:45 - loud 10:45
low 08:30 - normal 09:00 - loud 09:30
low 08:00 - normal 08:30 - loud 09:00
| slow
normal
fast
very fast
|
| 1V iPod
2V CD
5V DAC
10V DAC
| low 12:00 - normal 14:00 - loud 16:00
low 10:00 - normal 12:00 - loud 14:00
low 09:00 - normal 10:00 - loud 11:00
low 08:30 - normal 09:30 - loud 10:30
| slow
normal
fast
very fast
|
| 1V iPod
2V CD
5V DAC
10V DAC
| low 14:00 - normal 16:00 - loud 18:00
low 12:00 - normal 14:00 - loud 16:00
low 09:00 - normal 11:30 - loud 13:00
low 08:30 - normal 11:00 - loud 12:30
| slow
slow
normal
normal
|
| 1V iPod
2V CD
5V DAC
10V DAC
| low 09:30 - normal 10:30 - loud 12:00
low 08:30 - normal 09:15 - loud 10:00
unusable
unusable
| normal
fast
|
| 1V iPod
2V CD
5V DAC
10V DAC
| low 12:00 - normal 14:00 - loud 16:00
low 10:00 - normal 11:30 - loud 12:30
low 09:00 - normal 10:15 - loud 11:30
low 08:30 - normal 09:15 - loud 10:30
| slow
normal
fast
very fast
|
These settings show that the chosen taper on the Alps pot properly matches a wide variety of headphones to not come on song too soon.common. Tube voltage and transistor current gain sounds like a good idea on paper. Given the Lyr's deliberately pushed power/drive aspect, the potential for noise was simply high. Since the amp wasn't envisioned as just a driver for inefficient orthos, very low self noise was obviously mandatory. Because it is, the juicy core vibe finds itself accompanied by high detail magnification. This is another aspect where honest comparisons between equally excellent valve and transistor amps often have to—grudgingly—admit that transistors fare better particularly at low volumes. No matter how loud you like your 'phones, the output voltage that makes it so is still peanuts compared to loudspeakers. What
makes the Lyr (and given its price, what makes it special) is that it harvests valves for their textural density and color temperatures, transistors for resolution and drive control. What adds specialness (actually, specialty) is its ability to properly drive HifiMan's orthos. It drives the Audez'e just as well but their push/pull magnetics don't
require Lyr muscle. As I learnt, the HE-5LE and HE-6 do. Rarely was the term 'wakeup call' so apt.