skyskraper
Headphoneus Supremus
- Joined
- Aug 5, 2004
- Posts
- 1,828
- Likes
- 10
ok so micro cmoy for my ipod and a cmoy to add to my dj'ing setup are well and truely under construction. im just waiting on the op amps, led's (i want some wanky pink and purple ones
), and ic sockets, before i case them up.
i was thinking about adding a couple of cmoy's in one case to my studio setup for HP monitoring. presently my stand in mixer (behringer, not too bad actually for the price) only has one HP out, i want to be able to work with a collaborator monitoring in headphones, and a-b recordings with two sets of cans myself on the fly. so a pair of hp amps in one box would be the way to go. id want to build them with a balance control on top of volume control, and would power them from a regulated 9v wall wart (im guessing 500ma should be enough ?).
so i was thinking alps pots for volume and balance (gotta have balance for the moment until the fluid from behind my right ear completely dissipates, and it's just a handy feature to have). wall wart to keep internal noise to a minimum. so im tasked with choosing an opamp, resistors, capacitors.
my goal is for maximum transparency and minimum colouration of the sound. the headphones i will be using (ultrasone dj1's and technics rpdj1210's) and the source (behringcrap mixer) will be providing more then enough colour to the signal. i chose to do it cmoy style because i am confident my soldering is up to task on a cmoy (not sure about my skills for a pimeta yet although a pencil tip for my iron may help)and the fact that i can just walk in to dse (like radioshack in .au) and buy the boards there without having to worry about getting them shipped from tangent (no web transactions on my CC atm due to my dad being a bit of a dick, my account is under the family umbrella and i havent had a chance to fix it up myself yet) if i did go pimeta)
i have some opamp samples enroute (sitting at ups's depo in ontario ca waiting to get on a flight to .au
). im sure in what's coming there will be something suitable. so before i just go randomly plugging them in to the ic socket i was hoping to get some feedback off you diy heads on which would provide me with the flattest response and the minimum colouration of the signal.
my options are: OPA2107AP, OPA2111KP, OPA2132PA, OPA2227PA, OPA404KP, OPA4131PA, OPA627AP.
now i know that ive listed some quad op amps, i ordered them to drop in to my urei 1620 replica card to see if it will make a difference (to sidetrack, the 1620 uses tl084's but the mixer has the best sound out of any dj mixer ever built, lets see if burr brown can make it sound even better). i thought seeing as i will be building two into a single case essentially creating one unit, that i could possibly utilise the quad op amps to drive them.
which would you guys reccomend i try out? the 627 is at the top of my list so far. but i want clean flat sound so maybe its not the best choice? would i be better off looking for other op amps that may be good for what i want on top of the list i have made?
on to capacitors. i only really have the generic range and whatever farnell and rs stock available to me. will the fancier audio caps give me a cleaner sound then generic caps, or do they colour the signal a bit? yes i admit im still a newbie at this so i am not sure the difference that audio caps will make to a signal, ie: more "musical" or "cleaner" etc...
with resistors im assuming that the better quality ones will make a difference to my sound and have tighter tolerances then the generic metal film counterparts. am i correct in saying this? if i am correct how big a difference is this likely to make?
i for the connectors i plan on using neutrik locking jacks (so i can have an excuse to use them
). the interconnects (mixer to amp) will be made from canare l2t2s for the fact i can buy it at the store down the road, with either neutrik jacks or generic gold ones (been quite happy with these to date, not sure i can justify the cost of the neutriks atm) both 1/4", sleeved in techflex for add "cool".
is there anything else you guys would suggest i do/use? im using 60/40 solder atm and i suspect that it will make little difference to my sound using 63/37. perhaps i should buffer the cmoys? or just go straight to pimeta/ppa?
id appreciate any input you can give
i was thinking about adding a couple of cmoy's in one case to my studio setup for HP monitoring. presently my stand in mixer (behringer, not too bad actually for the price) only has one HP out, i want to be able to work with a collaborator monitoring in headphones, and a-b recordings with two sets of cans myself on the fly. so a pair of hp amps in one box would be the way to go. id want to build them with a balance control on top of volume control, and would power them from a regulated 9v wall wart (im guessing 500ma should be enough ?).
so i was thinking alps pots for volume and balance (gotta have balance for the moment until the fluid from behind my right ear completely dissipates, and it's just a handy feature to have). wall wart to keep internal noise to a minimum. so im tasked with choosing an opamp, resistors, capacitors.
my goal is for maximum transparency and minimum colouration of the sound. the headphones i will be using (ultrasone dj1's and technics rpdj1210's) and the source (behringcrap mixer) will be providing more then enough colour to the signal. i chose to do it cmoy style because i am confident my soldering is up to task on a cmoy (not sure about my skills for a pimeta yet although a pencil tip for my iron may help)and the fact that i can just walk in to dse (like radioshack in .au) and buy the boards there without having to worry about getting them shipped from tangent (no web transactions on my CC atm due to my dad being a bit of a dick, my account is under the family umbrella and i havent had a chance to fix it up myself yet) if i did go pimeta)
i have some opamp samples enroute (sitting at ups's depo in ontario ca waiting to get on a flight to .au
my options are: OPA2107AP, OPA2111KP, OPA2132PA, OPA2227PA, OPA404KP, OPA4131PA, OPA627AP.
now i know that ive listed some quad op amps, i ordered them to drop in to my urei 1620 replica card to see if it will make a difference (to sidetrack, the 1620 uses tl084's but the mixer has the best sound out of any dj mixer ever built, lets see if burr brown can make it sound even better). i thought seeing as i will be building two into a single case essentially creating one unit, that i could possibly utilise the quad op amps to drive them.
which would you guys reccomend i try out? the 627 is at the top of my list so far. but i want clean flat sound so maybe its not the best choice? would i be better off looking for other op amps that may be good for what i want on top of the list i have made?
on to capacitors. i only really have the generic range and whatever farnell and rs stock available to me. will the fancier audio caps give me a cleaner sound then generic caps, or do they colour the signal a bit? yes i admit im still a newbie at this so i am not sure the difference that audio caps will make to a signal, ie: more "musical" or "cleaner" etc...
with resistors im assuming that the better quality ones will make a difference to my sound and have tighter tolerances then the generic metal film counterparts. am i correct in saying this? if i am correct how big a difference is this likely to make?
i for the connectors i plan on using neutrik locking jacks (so i can have an excuse to use them
is there anything else you guys would suggest i do/use? im using 60/40 solder atm and i suspect that it will make little difference to my sound using 63/37. perhaps i should buffer the cmoys? or just go straight to pimeta/ppa?
id appreciate any input you can give