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- Mar 21, 2007
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I can see that. I love the spatial presentation of the HEKV2. The soundscape and the space in between is impeccable. I can hear that bass texture come out when I plug it into the WA7, so I know it's possible. But the lack of power makes everything else a uncontrolled mushy and splashy mess.Honestly this is the main reason I'm still sticking with the Arya Stealth and not upgrading to the HE1000 V2 (apart from the color scheme). Even with orchestral recordings, I just get so much more enjoyment out of the Arya than I remember the HEKV2 giving me when I owned it before, despite the clear differences in stage, imaging, and timbre. I think this reflects the in-person experience a bit more closely as well. When I'm in the performance hall, I feel the bass in the same way I feel the bass with the Arya. I may not even be able to locate it sonically (of course you can visually), but it helps the feeling of being caught up in the music, not only as a spectator. Listening to the soundtrack of Howl's Moving Castle today made this so obvious for me.
Some tracks I do wish it had more impact and punch. As you do miss that engagement feeling without it. And it feels more like observing rather than being immersed and a part of it. I'm hoping something like the Forge with some moar power can bring out some grunt into the HEKV2. That would be the perfect, ideal sound for me.