minya
Headphoneus Supremus
- Joined
- Sep 11, 2002
- Posts
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- 14
I've been with the Omega II for four days now and I'm only just realizing the depths of power and beauty contained within these electrostatic earspeakers. I thought I'd let everyone know some of my first impressions. Should make for fun discussion.
First of all: everyone who says that electrostatic headphones need time to "charge" is, well, right. I've always been skeptical about burn-in and all the other sorts of semi-pseudo-science type of claims that abound in the world of audiophilia, but this is one of them I can verify for myself. Noticeable in the bass region mostly -- the first day or two of listening to the O2s I was wondering where the bass was. Yesterday, out of nowhere, it appeared. (Something similar, but less dramatic, happened with my SR-404.)
Second of all: what has stricken me most is that listening to the O2s has made me appreciate how damn good the SR-404 is. So far, the 404 is probably 85% of what I'm getting from the O2. I was very impressed with the 404s when I had them and although I can already tell I'm going to like the O2 quite a bit better, the 404 will no doubt remain my second favorite headphone.
Third of all: darth nut's review slash essay slash post-graduate dissertation on the O2 is an essential read, because his definition of "headstage" is critical to understanding why the O2 is such an incredible headphone. Headstage (and bass response) is also the main defining difference between the O2 and the SR-404 that I've heard so far: I suspect there's definitely a tonal difference in there as well, but I haven't given the O2 enough time to really show itself yet.
Finally: though I've only listened just shy of ten hours, I can already tell that a) the O2 is a keeper and b) this is a serious headphone. Owning an Omega II is like being in a relationship: you have to commit to it. I look forward to spending more time with it.
- Chris
First of all: everyone who says that electrostatic headphones need time to "charge" is, well, right. I've always been skeptical about burn-in and all the other sorts of semi-pseudo-science type of claims that abound in the world of audiophilia, but this is one of them I can verify for myself. Noticeable in the bass region mostly -- the first day or two of listening to the O2s I was wondering where the bass was. Yesterday, out of nowhere, it appeared. (Something similar, but less dramatic, happened with my SR-404.)
Second of all: what has stricken me most is that listening to the O2s has made me appreciate how damn good the SR-404 is. So far, the 404 is probably 85% of what I'm getting from the O2. I was very impressed with the 404s when I had them and although I can already tell I'm going to like the O2 quite a bit better, the 404 will no doubt remain my second favorite headphone.
Third of all: darth nut's review slash essay slash post-graduate dissertation on the O2 is an essential read, because his definition of "headstage" is critical to understanding why the O2 is such an incredible headphone. Headstage (and bass response) is also the main defining difference between the O2 and the SR-404 that I've heard so far: I suspect there's definitely a tonal difference in there as well, but I haven't given the O2 enough time to really show itself yet.
Finally: though I've only listened just shy of ten hours, I can already tell that a) the O2 is a keeper and b) this is a serious headphone. Owning an Omega II is like being in a relationship: you have to commit to it. I look forward to spending more time with it.
- Chris