They used to put a very small hole on the front of the cd tray, you could insert straightened paper clip and push it in, and it would manually open the drawer. Has been a couple of years since I had to do this but if you have not tried, easy fix.
Hi cf...not so easy alas!...I'm afraid Audiolab obviously don't want anyone opening up their gear either - the small screws have the tiniest Torx heads imaginable lol!!....(just might have to get brutal here lol!!
).
I would not characterize you "as being alone" with the EL's. I still swap them in and out, they are in now, and while I do not have the Spezials el12's the tubes you made up for me, are outstanding. One thing that, for me, is the sound stage with the EL's. They are crystal clear, without any emphasis on any one group of frequencies. The GEC's are also very good indeed, they are also warmer in my estimation. With female vocalists, it is like having a conversation with them, except, fortunetly they do all the talking!
Glad to see you too are an 'adventurous' soul lol!...and that you continue to 'keep me company'...CHEERS!...
Mind you, as far as I'm concerned, given the number of hours I've now been using these tubes trouble-free, I reckon these are in fact
safer than stock!!...viz. the far cooler temperatures I mentioned previously. Surely, a transformer running under less load, plus ALL resistors and capacitors operating perfectly well at
much lower temperatures
must be good news... not only for longevity, but also for fewer stress-related problems? That's my take on things, anyway lol!
...
Yesterday and last night I spent a lot of quality time listening to Euforia with EL11/EL12. At the risk of shamefully using OTT language, it is like I all of a sudden have a new, significantly upgraded amp. This is for now my highly preferred combo, even over and above Sylvania 6SN7W/GEC6AS7G. That is also a very special combo, but I’m feeling it just doesn’t have the “excitement” quality of the EL11/12s.
Everything just sounds so “right”. Images and soundstage are clear, layered and anchored. It is the most “organic” sound I have heard in my system. It has punch and strong dynamics while at the same time being relaxed and effortless. Highly resolving. In a word, “magical”. May have to pull the trigger on a pair of the EL12 spez. I have a pair of EL12n that I want to try before I do that.
@connieflyer described these tubes as permitting him to carry on a conversation with female vocalists. Unlike him I have been carrying on conversations with both male and female vocalists, and unlike him I have been doing a lot of talking back.
If I have any negative comment it would be that for HD800S there is just a tad bit too much bass energy for my taste. But that energy does not detract from the clear and wonderful midrange, and it pretty well integrated into the FR. I suspect with the HD800 Classic this would not even be a consideration. For me it is not an issue. Just trying to be thorough in describing my experience so far.
I do want to say that my EL11 drivers are not the mesh plate like
@hypnos1 has. I think he may have the only remaining pair in the world. But it is the round-plate version. From what I remember from H1’s early posts (he of course is the expert), the oval plate EL11 really doesn’t sound very different from EL3N tubes.
Also, for anyone who has not followed the history of EL11/12 tubes with Elise and Euforia, I need to say that some have had bad experience in buying defective tubes. Fortunately, I was not one of those. I guess the warning needs to be, buyer be ware.
I was hesitant to post at this point, because I’m a strong believer in long term evaluation of any component or tube. But I’m sure I will be using some combination of EL11/12s a lot, if not most of the time.
Well, pct, you've done a great job of describing these tubes' virtues...even if you still have a good few more hours for your ears and brain to 'digest' that transient aspect covered in depth by the genius Rob Watts, and that I mentioned previously. These ELs really do repay with dividends one's patience with them...more so than any other tubes I've ever used. Sometimes, depending on the system and environment, one might even need to forego listening for a day or so to let them 'settle in', and yet still allow plenty more hours' listening to fully appreciate that magic you spoke of!
Mind you, having said that, Glenn (of Glenn amps) was 'shocked' by the performance of the sister EL3N on first listen, even
before he configured his own amp specifically for them! But as always of course, different folks have different preferences and gear...
I hear you re. the bass aspect - anything else in the system that may be 'enhancing' the lower end
might just be a tad too much for some who are sensitive to bass... but as with yourself, the benefits will most likely outweigh this factor lol! My T1s seem to be the perfect match, however!!!
And yes, the
oval plate EL11 (often Valvos) sounded (to me) more like the EL3N...which is no bad thing really(!), but I personally find the (round plate) EL11 to have a slightly more balanced FR, and a little less 'lush' in overall presentation...so it's horses for courses...
(the mesh-plate EL11 - which in fact has an
oval plate! - seems to combine the best of the EL3N with that of the 'pure' EL11...and which suits my own preferences to perfection lol...
).
I'm so glad you have rediscovered just what these tubes are capable of...and at prices a good bit below the 'best' 6SN7s and eye-watering powers such as the GEC/Osrams!
I too am sure you will be doing a great deal of listening with these wonderful tubes in place...
...
ps. The EL12 Spezials do indeed bring an extra bit of magic to the equation...and IMHO also have a slightly better bass response...so GOOD LUCK once more!...CJ