ppl
Building amps and assuring water resistance.
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- Jun 21, 2001
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Dyn-O-Bias II for your PPA2.0
I was comparing two similar PPA Amps today, One a PPA 2.0 and the other a PPA1.0 with A Dyn-O-Bias Module installed. Both were fully equipped with Black Gate capacitors thought the power supply in the Black Gate supper E configuration. Pith amps were simultaneously powered by the Lab power No 9 Audio Grade power supply and the gains were the same at 20 dB. The big surprise was I was not aware that these two amps were configured any differently and that each was the full build and ether a PPA V 2.0 or v 1.0 with the discrete buffer modules that were available for the PPA. At first I was not intending to do any listening comparisons how ever having two similar amps both operating at the same time and at first with separate sources so I could just unplug and plug in headphones and not have any input switches degrading the signal. (I am a fanatic about the minimum number of non soldered contacts in the signal path) The input and output interconnection only topology keeps with the KISS philosophy popular now days.
At first I was happily listening to different program material from the two and did not notice any difference in tonality or extension bass slam and clarity but for some reasoned one was captivating me more than the other, I was getting ready to switch systems because a Harry James song was coming around and I am really not a Jazz fan. So I simply unplugged from one system and immediately into the other for non stop music while I changed the CD in the system I just got done listening to. Well I found myself listening and thinking maybe the jazz aficionado hare on to something I previously was not paying attention to. Now I have listened to some of the best sound systems in the world and jazz never really interested me with the exception of Dixieland jazz. Interestingly enough I found myself intently listening to this Harry James version of take the A train and noticing how musical the horns sounded and I was listening for and could identify all kinds of clues that allowed me to see quite well into the recording studio way back when in the day that was recorded I do love some of that, otherwise I have quite diverse musical tastes and one of them is electronic and Ambient music and I was listening to. After that song I switched to the other system where Rodger waters magnificent atmosphere music. This is totally magnificent in creating a 3D holographic space. I use it often to check micro dynamics on system Auditions because it’s just loaded with quickly disappearing morsels of fading conversations with heavy spatial processing. Well in comparison to the previous Harry James recording I was listening to on the other system Amused to deaths normally magnificent first track is now sounding somewhat less than magnificent in comparison. I thought
Ok it’s the source I know this, but since its all set up lets compare the two amps using only one source. Yes I know what a hassle interconnecting and un-Interconnecting (is that a word) in put and headphone plugs complicated by the locking nutrick headphone jack on the PPA. It did not take me long to conclude that one of these PPA’s must be defective as they sound substantially different yet the inferior sounding Amp did not act like any technical problems were going on, no clicks in the headphones indicating instability or high DC offset and no distortions that I could pinpoint yet something surly was amiss somewhere. Well since I had no test equipment or for that matter a soldering iron available so I just continued casually comparing the two to hopefully ascertain what the actual differences were each has similar bass and treble extension and equally clear and even tonality (Hope that’s a word) was real close so much so that I assumed both had the same op amps. After hours compared on a verity of musical styles I concluded the difference was defiantly in the midrange and it was in spatial imaging and in concert with what appeared a hyper since of Air and space almost like the music was surrounding your head as opposed to a flat almost two dimensional soundscape. At this point I decided to remove the rear cover on the less than stellar PPA and take a look because I might get lucky a lose wire on a jack or something could cause that.
After I got the amp apart ya nothing appeared out of order the buffer module was sitting in the sockets well and everything appeared ok then while poking around I noticed the words on the buffer board Dyn-O-Bias II. What is this I thought I remember doing a rework of the Dyno bias to address stability issues Dyno One was having in some Amps? Well this dyno biased amp sure appeared way more stable than normally I remembered the dyno bias being. My quick stability test is touching the non inverting input of the op amp at min volume and headphones around your neck. On your ears could get annoying.
Since this circuit can be hacked into a PPA V2 simply connect the Diode and emitter resistor in series prior to installing them or if working on a completed Board unsolder one side of the emitter resistor. Then all that’s required is soldering the CRD diodes from the proper supply rail to the emitter of there respective output transistor.
I was comparing two similar PPA Amps today, One a PPA 2.0 and the other a PPA1.0 with A Dyn-O-Bias Module installed. Both were fully equipped with Black Gate capacitors thought the power supply in the Black Gate supper E configuration. Pith amps were simultaneously powered by the Lab power No 9 Audio Grade power supply and the gains were the same at 20 dB. The big surprise was I was not aware that these two amps were configured any differently and that each was the full build and ether a PPA V 2.0 or v 1.0 with the discrete buffer modules that were available for the PPA. At first I was not intending to do any listening comparisons how ever having two similar amps both operating at the same time and at first with separate sources so I could just unplug and plug in headphones and not have any input switches degrading the signal. (I am a fanatic about the minimum number of non soldered contacts in the signal path) The input and output interconnection only topology keeps with the KISS philosophy popular now days.
At first I was happily listening to different program material from the two and did not notice any difference in tonality or extension bass slam and clarity but for some reasoned one was captivating me more than the other, I was getting ready to switch systems because a Harry James song was coming around and I am really not a Jazz fan. So I simply unplugged from one system and immediately into the other for non stop music while I changed the CD in the system I just got done listening to. Well I found myself listening and thinking maybe the jazz aficionado hare on to something I previously was not paying attention to. Now I have listened to some of the best sound systems in the world and jazz never really interested me with the exception of Dixieland jazz. Interestingly enough I found myself intently listening to this Harry James version of take the A train and noticing how musical the horns sounded and I was listening for and could identify all kinds of clues that allowed me to see quite well into the recording studio way back when in the day that was recorded I do love some of that, otherwise I have quite diverse musical tastes and one of them is electronic and Ambient music and I was listening to. After that song I switched to the other system where Rodger waters magnificent atmosphere music. This is totally magnificent in creating a 3D holographic space. I use it often to check micro dynamics on system Auditions because it’s just loaded with quickly disappearing morsels of fading conversations with heavy spatial processing. Well in comparison to the previous Harry James recording I was listening to on the other system Amused to deaths normally magnificent first track is now sounding somewhat less than magnificent in comparison. I thought
Ok it’s the source I know this, but since its all set up lets compare the two amps using only one source. Yes I know what a hassle interconnecting and un-Interconnecting (is that a word) in put and headphone plugs complicated by the locking nutrick headphone jack on the PPA. It did not take me long to conclude that one of these PPA’s must be defective as they sound substantially different yet the inferior sounding Amp did not act like any technical problems were going on, no clicks in the headphones indicating instability or high DC offset and no distortions that I could pinpoint yet something surly was amiss somewhere. Well since I had no test equipment or for that matter a soldering iron available so I just continued casually comparing the two to hopefully ascertain what the actual differences were each has similar bass and treble extension and equally clear and even tonality (Hope that’s a word) was real close so much so that I assumed both had the same op amps. After hours compared on a verity of musical styles I concluded the difference was defiantly in the midrange and it was in spatial imaging and in concert with what appeared a hyper since of Air and space almost like the music was surrounding your head as opposed to a flat almost two dimensional soundscape. At this point I decided to remove the rear cover on the less than stellar PPA and take a look because I might get lucky a lose wire on a jack or something could cause that.
After I got the amp apart ya nothing appeared out of order the buffer module was sitting in the sockets well and everything appeared ok then while poking around I noticed the words on the buffer board Dyn-O-Bias II. What is this I thought I remember doing a rework of the Dyno bias to address stability issues Dyno One was having in some Amps? Well this dyno biased amp sure appeared way more stable than normally I remembered the dyno bias being. My quick stability test is touching the non inverting input of the op amp at min volume and headphones around your neck. On your ears could get annoying.
Since this circuit can be hacked into a PPA V2 simply connect the Diode and emitter resistor in series prior to installing them or if working on a completed Board unsolder one side of the emitter resistor. Then all that’s required is soldering the CRD diodes from the proper supply rail to the emitter of there respective output transistor.