I just got ahold of a digital version of an album produced by a very respectable "native DSD" label. The initial format is DSD256 which my DAC cannot handle so I have downconverted the files to 24/192 to experience "TRUE DSD Recordings" at 24/192. I did the downconversion with Foobar 2k. After that, I went to Spek to see the spectrogram of that 24/192, and most shockingly, I saw buzzcut at 22.05 KHz! I did downconvert them to 24/96, 24/48, 16/44.1 (always from the original DSD file) and always got the same result: a buzzcut at 22.05 KHz.
This is the album I'm talking about: https://yarlungrecords.nativedsd.com/albums/mahler-symphony-no-5#
"Yarlung recorded this album directly to two tracks of RMGI 468 analog tape running at 15 ips, with no mixer. We used the Hapi converter and Pyramix software from Merging Technologies in Switzerland to make these transfers to DSD. Our sincere thanks to George Klissarov and exaSound for making these releases possible."
I think it's impossible for a record like that to have a buzzcut at 22.05 KHz so I assume that Foobar screwed up the downconversion?
This is the album I'm talking about: https://yarlungrecords.nativedsd.com/albums/mahler-symphony-no-5#
"Yarlung recorded this album directly to two tracks of RMGI 468 analog tape running at 15 ips, with no mixer. We used the Hapi converter and Pyramix software from Merging Technologies in Switzerland to make these transfers to DSD. Our sincere thanks to George Klissarov and exaSound for making these releases possible."
I think it's impossible for a record like that to have a buzzcut at 22.05 KHz so I assume that Foobar screwed up the downconversion?