bcschmerker4
That's bcschmerker4® to you!
@pibroch The phantom center works in your case. I've a project on the drawing board that couldn't possibly use a phantom center: For a new musical instrument that is also to be at once a sound reinforcement, musical-instrument monitoring, and public address rig, I'll have to get in contact with Engineering at Allenorgans® to see whether AES-EBU, Sony-Philips Digital Interface, High Definition Multimedia Interface, and/or seriously multichannel analog input consistent with the hardware requirements of Dolby Laboratories Atmos can be used as external sources for Digital Computer Organs from the CF-52 and/or L-343 and/or RL-66 up. The test case is a four-manual full-custom DCO (with 76" C-style console and 86" external amplifier cabinet) to pack no fewer than 380 audio amplifier channels driving a massive three-dimensional bank of in-wall and in-ceiling speakers (including those in two new rostra as a Rygpoſitiv) as a workaround for architectural limitations contraindicating the around fifty HR-200 full-range and SR-1 subwoofer cabinets that would be recommended for a 95-rank organ. Approximately three-fourths of the audio outputs are to be in the ceiling and upper walls of the intended hall of installation, and my preliminary plans involve a dedicated expression pedal (labeled EAC-Monitoren) for the external inputs in addition to a dedicated expression pedal (labeled Hovedværk-Fjernværk-Pedål) for the internal pipe-organ resynthesis; the "front trio" is to be integrated into the Hovedværk portion, the "rear trio" into the Fjernværk portion and the side L/R into the Pedål portion of the ceiling array. (Expanded Audio Capabilites is advertised for a limited number of analog inputs: SMPTE balanced stereo, 6.3mm TRS bal/unbal stereo, and RCA unbalanced stereo.) A/B'ing a full-custom Allen against a DAC-equipped McIntosh® rig driving eight XRT-2K tower speakers plus a pair of Avantgarde Acoustic® Baßhorn™ subwoofers would be quite a challenge indeed.