Mike:
The Concero is supposed to show up at your house tomorrow via USPS, so you will have a better DAC to use with the HD800s. The balky Gungnir should be delivered to its owner on Monday (it had to go to the West Coast, and the pony express is a bit slow this time of year).
Now, back to our regularly scheduled programming...
I need to do some more listening, but I can tell you that with hi-res files, there is definitely a difference between the Metrum and the DM Source.
On the Shelby Lynne, for example, the Metrum Octave has more sustain or echo to the sound, making it seem a bit lusher, smoother, more liquid; the sound is also a bit brighter and livelier, but the emphasis seems to be on the upper mids not the treble. The Source sounds a little bit flatter and drier as a result. Both sound great, clear, detailed, blah, blah; there is just a tiny difference in presentation.
Note that I also heard the sustain with the PWD, but it emphasized bass and treble more, suppressing the mids. The mids are not suppressed on the Metrum Octave, not even a little.
With the Verve recordings, the sustain or echo gives the impression of a more 3-D presentation. It is very subtle, and I don’t know if it is artificially being added by the DAC or is on the recording, but I can hear it. I also don’t know if this will get tiresome like some effects do, or whether it will actually be more relaxing because some missing information is there, instead of having to be created by the brain. I supposed that answer will depend on the individual listener.
On Hotel CA the Metrum sounds slightly thicker, voices sound a tiny bit clearer, sharper. The entire presentation is a bit brighter. One listener might say a veil has been lifted, but another might think that there was no veil, but that the Metrum adds over-strength glasses, distorting things a bit.
I like the Metrum sound, but could certainly live with the DM Source sound. I'm guessing Barry would like the Source better... My ears, my cans, his ears, his cans...
I'm going to do some more comparisons of these two for an hour or so more, and then if I'm still feeling awake, I'll move on to comparing the DM source to the Ciunas. Tomorrow I will continue the second comparison and also compare the Ciunas to the Metrum. Then I will test the Yulong against the DM Source, and probably against the other two, but one at a time, not all at once. I do think it is easier to hear differences if I only have 2 DACs running at one time. Then it is the Benchmark's turn, and then the Chordette. Depending on how all of this goes, I will bring the Stealth back in, do a quick check against some or all of these, and then decide which few stay in the competition, and which get sent back Tuesday or Thursday. Those 3 or 4 will get about a week of listening before I make a final decision. I have to get the non-selected DACs back before the return periods run out.
At this point the PureDAC is a no show. I did try, but just couldn't get one here. I could bring in an Anedio after the others are gone, just to see how it stacks up against my winner, and compares vs. my notes, but at that point I might be pretty burned out. Let's see how I feel after all of the non-selected DACs are gone and I've had a few days to recover. I'd also like to get a Bushmaster here, and if it really only costs $250 delivered, I would risk it even if there was no return allowed. I don't care if it runs off of optical or USB or bubble gum and string, if it sounds good at that price, I'm interested.
One final note. There is no crosstalk in the switch. With only 2 DACs running I can have them separated by several slots, and I can also listen to the slots that aren't running. There is no sound on the latter. There is no crosstalk (except on this thread
).