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Originally Posted by PsiCore /img/forum/go_quote.gif
I know the pro's and cons of the two players except one but the most important thing - sound. Is here anybody who heard both players? Which one would fit better with my Westone UM2 (at the moment I have only iRiver T10).
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I own both - and the D2 trumps the Vibez slightly in terms of unEQ'd sound quality. By quality of course I'm referring to the fidelity to the original signal, not how it colours the sound to your particular 'Fast & Furious' tastes.
In terms of EQ'd, the vibez's EQ is quite buggy (as was the Karma) and the sum benefits of the parametric EQ is debatable, especially if you consider that it results in slightly more sonic 'graining' than the D2's implementation.
The Vibez is gapless, while the D2 is not. However the Vibes suffers from the same problem that the Karma did and bizarrely is not talked about by Karmaholics, in that it is possible to hear the HDD noise bleeding into the headphone audio stage when the HDD is powering up and down. The HDD power-up noise is less evident in the Vibez than the Karma, but it is still noticeable... and the bigger issue is that the sound is noticeably (to me and my instruments at least) distorted during the time the HDD is on. This is far more evident when you're listening with highly isolating in-ears, so certainly merits a warning from me if you're using it with Westones.
Both players have some holes in the FLAC implementation. The D2 does not support the latest version of FLAC fully, while the Vibez has gapping problems (and not between tracks but actually IN tracks) with certain FLAC compression / versions... and I've noticed on a couple of occasions even with high-bitrate MP3 files. Of the two however I would say that the D2 is a more stable FLAC platform if you don't mind not having gapless. If you do, well, you'll have to take a risk with the Vibez. The bigger issue with the Vibez might be battery life: Real higher-bitrate life is already down quite a lot from the quoted battery life, and FLAC life is practically down into single digits. The D2 on the other hand is the Energizer Bunny of players.
The DJ feature is a real nice to have on the Vibez, while the D2 only as an on-the-fly playlist. The Vibez has however lost the flexible playlisting options of the Karma, so the playing field is not as in favour of the Vibez as it might have been had the Karma feature-set been kept intact. Controls wise both have their oddities but I would say that the D2 is the slightly less counterintuitive... as I've said before, integrating the Karma's wheel and stick into a wheel-stick is IMO not a huge success. The Vibez with the current firmware also has a habit of switching off in the pocket when Hold mode is activated. Both are self-databasing in UMS mode and do a good job in this respect, and both support MTP mode. The D2 comes with radio of course, while both come with voice recording. Qualitywise, both generate approximate the same results in voice.
I like both in different ways, but soundwise reports to the Vibez being a superior source is pure hype. It is good, but no better than many other players on the market. As someone else has already said, a more convoluted EQ does not equal superior SQ.
Build quality of the Vibez is OK, although the Cowon quality is higher despite the player being uglier. As for the outstanding faults with the players, it's worth noting that the last firmware update for the Vibez was in November of last year, while the D2 had it's latest update last month.
Me, I use the D2 more at this point in time. I am however also spending more time with the Sony NW-A808. The Vibez is currently the least-used player in my collection (and is the second Vibez, having sent the first back to see if a replacement would fix the headphone bleed / FLAC issue. It hasn't), and I'll keep an eye out for a firmware update for a couple more months before passing final judgement on it. And hopefully, the cradle will arrive before I decide to call it a day for the Vibez.