Quote:
Originally Posted by comabereni
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Probably the only thing that griped me about that review was the fact that it was a comparison between brands and models with limited discussion of the physical properties of the cables used.
I'll probably never commit more than a few hundred to cables while I have kids at home and it would be nice to hear discussions that are more educational than, "Wow, I'd definitely consider the Zombie Audio and the Acoustic Whoopdie Doo."
Or do you *really* think there's solid engineering going on behind the hype? (Or is it hit-and-miss for everyone and cable makers just play around more than anyone else until something 'clicks', then market the scrud out of it?)
- coma
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I know exactly what you mean, but notice the link is a "listening session report," NOT a "review" at all. The thread is already so long that actual physical descriptions/logistics, etc would take too much space and drown out the sound impressions. All these cables can be studied/viewed on the web easily.
It's annoying when you are looking for a cable recommendation and someone says, "Put X and Y on your short list," etc, but that really is the only way. All the other people's recommendations and experiences will not translate to how the particular cable will sound in your system, room, and especially for your TASTES. There's absolutely no getting around personal preferences without personal experience. I would personally never put down this kind of $$ without hearing the cable first; I don't know about you, but I work way too hard for my money to donate it to (possibly) some cable charlatan who's good at marketing. And yes, for every honest, great cable manufacturer, there are many not-so-great ones. We've listened to many of these cables also, unfortunately.
One can really try to "beat the system" by DIY'ing, and I have a couple room full of silver, copper, gold, alloy wires, teflon tapes, tubings, connectors, dozens of finished/unfinished DIY cables to prove it's not so easy. Most people, professional or DIY'er, START with a basic design that has good capacitance/resistance/inductance properties, but it really takes many, many , MANY hours of tweaking, adjusting, fiddling around to get good sound. I"m 100% sure this is how the best commercial cables out there have been born.
The problem is, by the time you buy the expensive silver ribbons, connectors, etc, and spend many hours to build a decent-sounding cable, the total cost (materal + labor) may have exceeded the cost of buying a good commercial cable new/used. At one point, I had my entire system wired with my DIY cables, using cross-connected silver foil/coax speaker cables and power cords, Belden 83802 shotgun cords, silver/gold alloy IC's, etc, but currently I can get better results by mixing with a few "commercial" cables, whose desired characteristics I cannot reproduce exactly. Some of these "evil" cable manufacturers actually know what they are doing. Unfortunately, many charge way too much money, but it's always OUR choice to buy or not.
Cheers and good listening. If all fails, it always works to go buy some great new music!