Quote:
Wow... you are really naive.
1) Most bands out there, if you download their music online, chances are they are a part of a label. VERY few artists are private. Most artists are either part of a major label (Sony, Universal) or an indie label (too many to even think of listing). You are just kidding yourself if you think labels don't help.
2) You honestly think that major labels master tracks horribly? Really? Wow, I don't know what music you listen to, but most major labels that deal with good artists master their CDs amazingly. Each label treats their artists differently and each label has their intents. And if they are mastering properly, they shouldn't be compressing that much. Granted, I'm sure more than a few studios compress more than they need to, but that tends to happen MORE with indie labels, because they want to put more on one CD to launch their respective artists.
3) You think every artist signs to a major label for those reasons? Clearly you have never worked in the entertainment industry or known anyone that worked in the entertainment industry. You can get all the freedom you want being alone, but you'll never have connections to certain venues of distribution and exposure. You'll also have to work that much harder to make anything happening. You'll also have to spend that much more, because studios, especially private ones are not cheap. Many bands are never heard because of such problems. Do you have any idea how many bands die off because of not being able to afford enough studio time to make a proper demo? Or to make a proper master disk for their first album? (The cheapest is approximately $50 per hour, where as a top rated studio can cost upwards of $100) Now that may seem like plenty of time until you realize to make a proper CD HUNDREDS of takes are usually needed to get it right. So to make lets say 3 tracks it could take an entire day. Lets say your day is 10 hours. That is $1000 right there, and that is not including the money it would take you to distribute your media, or to hire a proper mastering engineer to make sure that everything is perfect. Jumping on the web? Well... there is hosting costs, sure you can distribute through torrent for free, but you still need a site to host your bands information and dates, otherwise no one will know who you are and thus, all of your work will be for nothing. Also after spending that money, why would you let people download your music for free? At this point you are losing money, and you won't last long. At the end of the day it is all about capital, and record labels have that.
There is a lot more to the entertainment industry than what you know or even realize. I used to be like you until I got to know people in the entertainment industry. My friend's father is an audio engineer, my friend is an unsigned artist under Armada music, and another friend who is trying to make it as a jazz musician. It is not easy. They lose work in a moments notice, and it is usually because of people like you who download music for free. I'm not saying you have to buy all of your music, but downloading all of your music is also a mistake.
PS: A lot of those laws you were stating earlier are really archaic and never enforced. But downloading something for free that is not supposed to be free is stealing, which in every country is illegal. You may not be physically taking something from someone, but you are removing money from the pockets of the record label and artist. And you never know how much an artist is getting from record sales. Each label constructs their contracts differently between artists. So one artist may only get 5% while another may get 30%. Indie labels may be even more shifted towards the artists favor depending on the label.
1. Correct. Most bands are a part of a label, and labels do help bands get their music out to people who otherwise wouldn't hear it. I actually do listen do a fair amount of music by local and unsigned bands (much of which I bought from the artist at small local shows) , however I will admit that the vast majority of artist that I listen to are still signed to some kind of a label.
2. Really Really. I don't know if you have heard of "The Loudness War" or not, but If you won't believe what I have to say on that matter I will give you some links that illustrate it better than I can explain. I will say that many indie labels do use brickwall limiting to make albums "appear" loud just as much as major labels do (although I wouldn't say more). The links below should be a good start to learning about the subject, although there are considerably more websights dedicated to it.
http://www.turnmeup.org/
http://www.pleasurizemusic.com/
http://en.wikipedia.org/wiki/Loudness_war
3. Yes, recording can and most often is expensive...although it doesn't always have to be (especially for a mix tape etc) ...I have heard music recorded in small basement studios (that are far cheaper than larger professional ones) that IMHO sounds just as good if not better than many of the albums recorded in larger studios. Much of this again comes back to the loudness war, and improper mastering (links above).
Admittedly I have never worked in the entertainment industry, I do however have several friends and acquaintances who are in small bands, and I have done, and helped do, sound at several small local shows, but that is the extent of my experience there.
4. (PS)
Again, I feel that stealing involves removing the original piece, and not simply copying it. You are right, Steeling is illegal in every country, "piracy" is not illegal in every country however, simply because it is not theft.
Blaming a decline on album sales soley on "piracy" is a ridiculous assertion, there are far to many uncontrolled variables that completely flaw any apparent correlation (again, including but not limited to progressively mastering albums hotter). I actually read an interesting article once that was arguing (quite convincingly) that "piracy" was actually increasing album sales, but I don't know where to find it now.....
Sure different artists get paid different amounts due to record sales, the $23.40 / $1000 is simply the average.
I love music, and I am all for supporting bands that I love. I buy their merch at shows ect. I simply feel that there are better ways of supporting them that buying albums.
Oh, and while I'd be down to argue this, this thread really isn't the place for it, and obviously I'm not going to win you over to my viewpoint haha =]. That really is good honestly, I'm glad that people have different Ideas and views on subjects, and I'm glad that you are informed and willing to defend yours.
Please though, read into the loudness war, it really is a horrible thing....