Eagle_Driver
Headphoneus Supremus
- Joined
- Jun 22, 2001
- Posts
- 6,496
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- 61
I'm back from the meet.
I let other Head-Fiers try out the equipment that I brought there.
My equipment list - as I brought there - is:
Headphones:
Sources:
Amp:
I let reynman listen to my Sennheiser HD 280, HD 497 and HD 555 - as well as my Sony MDR-7506. And from an iPod powered through his Emmeline SR-71 (which he acknowledged was the first production sample ever made of that amp), I found him groovin' to the Sony 7506. But some other people found that 'phone too bright.
Additionally, I let reynman listen to my various PCDPs connected to a pair of the Sony 7506 headphones. He seemed to like the D-EJ2000 most, followed by the iRiver, then the Panasonic, and finally the other Sony.
This time around, all of the headphones that I brought to the meet had their fans. I let nismo96 listen to my three portable headphones, connected to my Panasonic SL-MP77 PCDP and no amp. He didn't care much for the earthy sound of the Sennheiser PX 100, but (surprisingly) found the Sony MDR-G74SL "airy", and the Koss Porta Pro was somewhere in between. And someone who brought the Sony MDR-V700DJ headphones to the meet tried my MDR-7506 and MDR-7509, and my Sennheiser HD 280 Pro. He found the 7506 to be "weak" on the bass, and his own V700DJ "muddy", and my HD 280 "underpowered" - he preferred my 7509.
I also listened to the Stealth amp connected to both a pair of the Cardas-cabled Sennheiser HD 600 and the Grado PS-1. The HD 600 sounded less "strained" than the PS-1 through that tubed amp.
I then listened to both the Beyerdynamic DT931 (custom-cabled, of course) and the Sony CD3000. The DT931 isn't bad at all, maybe a touch bright. But the CD3000 struck me this time as being much too bright for their own good. (And it's not that the entire treble range that's overhyped; it's the peaky, uneven treble that did that 'phone in.) And I listened to the Jecklin Floats - one of the weirdest set of headphones that I've ever laid eyes on! (The sound is meh, however - I've heard better, but I've also heard worse.)
Oh, by the way, the Sennheiser HD 555 is the true successor to the HD 545, based on a pair of the HD 545 that I've listened to over at the meet. Why did Sennheiser ****** this lineage up by coming out with the HD 570 in the interim (1999-2004)?
Finally, I talked to elrod tom about Beatles recording trivia before I left.
Wow! I had a great time this time! And a special thanks to bhd812 for hosting the meet (even though he's strictly a Grado man).
Randall
I let other Head-Fiers try out the equipment that I brought there.
My equipment list - as I brought there - is:
Headphones:
- Grado SR-60 with TTVJ Flat Pads
- Graod SR-225 with Stock Bowl Pads
- Grado SR-325 with Stock Bowl Pads
- Koss KSC-35
- Koss Porta Pro
- Sennheiser PX 100
- Sennheiser HD 280 Pro
- Sennheiser HD 497
- Sennheiser HD 555
- Shure E2c
- Sony MDR-7506
- Sony MDR-7509
- Sony MDR-G74SL
Sources:
- iRiver SlimX iMP-350
- Panasonic SL-MP77
- Sony D-EJ2000
- Sony D-NE300
Amp:
- Grado RA-1
I let reynman listen to my Sennheiser HD 280, HD 497 and HD 555 - as well as my Sony MDR-7506. And from an iPod powered through his Emmeline SR-71 (which he acknowledged was the first production sample ever made of that amp), I found him groovin' to the Sony 7506. But some other people found that 'phone too bright.
Additionally, I let reynman listen to my various PCDPs connected to a pair of the Sony 7506 headphones. He seemed to like the D-EJ2000 most, followed by the iRiver, then the Panasonic, and finally the other Sony.
This time around, all of the headphones that I brought to the meet had their fans. I let nismo96 listen to my three portable headphones, connected to my Panasonic SL-MP77 PCDP and no amp. He didn't care much for the earthy sound of the Sennheiser PX 100, but (surprisingly) found the Sony MDR-G74SL "airy", and the Koss Porta Pro was somewhere in between. And someone who brought the Sony MDR-V700DJ headphones to the meet tried my MDR-7506 and MDR-7509, and my Sennheiser HD 280 Pro. He found the 7506 to be "weak" on the bass, and his own V700DJ "muddy", and my HD 280 "underpowered" - he preferred my 7509.
I also listened to the Stealth amp connected to both a pair of the Cardas-cabled Sennheiser HD 600 and the Grado PS-1. The HD 600 sounded less "strained" than the PS-1 through that tubed amp.
I then listened to both the Beyerdynamic DT931 (custom-cabled, of course) and the Sony CD3000. The DT931 isn't bad at all, maybe a touch bright. But the CD3000 struck me this time as being much too bright for their own good. (And it's not that the entire treble range that's overhyped; it's the peaky, uneven treble that did that 'phone in.) And I listened to the Jecklin Floats - one of the weirdest set of headphones that I've ever laid eyes on! (The sound is meh, however - I've heard better, but I've also heard worse.)
Oh, by the way, the Sennheiser HD 555 is the true successor to the HD 545, based on a pair of the HD 545 that I've listened to over at the meet. Why did Sennheiser ****** this lineage up by coming out with the HD 570 in the interim (1999-2004)?
Finally, I talked to elrod tom about Beatles recording trivia before I left.
Wow! I had a great time this time! And a special thanks to bhd812 for hosting the meet (even though he's strictly a Grado man).
Randall