- I’ll start with what I thought was, for me, the evening equipment highlight: Keith’s vintage restored Fisher 500C > HiFiMan HE-6. When I made it back home later in the evening, I had to Google what the large brown box was. The 500C sufficiently tamed the HE-6’s treble peaks/etch while allowing the clean high range to come through. The 500C added smidge of warmth to the HE-6, compared to when I listened to it off of the GS-X mk2/Mytek, but it didn’t remove any of the HE-6’s attack or crispness…nor did it introduce any smear or stuffiness. Talk about slam: the 500C let the HE-6 dip low and deep – and then hit you in the face with its impact. When I got up from listening to “Billy Jean” I think I was still feeling the bounce. Great combination, an engaging and enjoyable listen!
- Ogodei’s Gungnir > Ragnarok/GS-X setup was excellent with his HD800’s. I knew I wouldn’t have time to get a proper sense of the difference in sound between the two, so I constrained my listening to the Rag. It was on top of the rack and I’m lazy, so there. (Plus, embarrassingly, I didn’t notice the volume control box to the left of the laptop until Ogodei pointed it out halfway through the meet. Every time I wanted to change the volume, I kept going to the rack to change it on the Ragnarok.) I liked the Gungnir/Rag combo more than the Mytek/GS-X combo, which in my fast impressions seemed much brighter, slightly grainier, and far more punishing to poorly recorded material. The Gungnir/Rag/HD800 showed you the problems in a recording on a serving dish and gave you choice of whether to partake or not; the Mytek/GS-X/HD800 force-fed them to you to the tune of “Die Walküre.” The two HD800 rigs were very different listening experiences.
- Liam’s Bottlehead Crack really showed how well the Crack lives up to the hype with the HD600. It also sounded really good with his DT880 600 ohm. I’ll have to DIY one of these in the future.
- Claritas had a copy of The Beach Boys, “Sounds of Summer” at his rig, so I decided to give that a go for demoing his Marantz CD6005 > Darkvoice > vintage AKG K340. Man, did that K340 have some air. I kept taking them off to see if they were closed or open. I still don’t know – but they sure sounded open, with expansive imaging and incredible high-end extension. “God Only Knows,” “Sloop John B,” and “Wouldn’t It Be Nice” all sounded positively ethereal. The K340’s high range is really its strength, but there isn’t a part of the spectrum that I think it does badly. If I had to fault these for anything it would be their low-end extension. I felt like there was very little sub-bass. I this setup is near perfect for classical; Tupac or Busta Rhymes is another matter entirely. I bet this setup would make the string sample on the Lox’s “Money, Power, Respect” sound great. Cat Stevens would probably sound terrific.
- This isn't a gear impression, it's a people impression: everyone there was awesome, welcoming, curious, respectful, and interesting. This could have been a couple day event and I would have been cool with that.