pataburd
Headphoneus Supremus
Ric Schultz-modded Oppo 970HD
Fitz-max Bada PH-12, w/1x Mullard ECC33 and 2x Raytheon 6SN7GT
Right now I am a/b-ing the DT880/600 and the PRO2500, both of which have been recabled with Zombie_X's excellent "Nucleotide" UP-OCC quad-braided copper wire. This is a tough one, but right now anyway, overall, I tend to prefer the PRO2500. They're a bit "darker" and less open sounding than the Beyers, but also--to my ears--more tonally complete, organic- and dimensional-sounding.
(When I say "organic", I mean having a sense of all the parts working together holistically or synergistically.) In addition, more break-in time may be warranted for both the PRO2500 and their accompanying re-cable.
The Beyers are definitely more detailed--remarkably so, especially in the upper registers, and have a pristine/crystalline midrange with excellent spectral balance and tonal nuance, but do concede--appreciably--to the PRO2500 in terms of bass reach, presence and drive.
While not as detailed as the Beyers, the Ultrasones provide--IMHO--a more complete-sounding midrange: immediate, involving and more liquid. The Beyers, in absolute terms, sound midrange lean (or upper-midrange tilted) by comparison; this is probably due to their relative lack of palpable bass (and while they do provide fairly deep, accurate audible bass, it lacks the depth, thickness, "shape" and weight of the Ultrasones).
Last night I listened to the PRO2500, DT880/600 and the UP-OCC re-cabled K501 with Cat Stevens' "Into White" from Tea for the Tillerman. It was a tough one indeed to judge. But for me, the DT880/600 finished just slightly behind the PRO2500. But both lagged the K501. : )
A lot depends on your listening tastes and the types of music you prefer. I'll probably end up keeping both the Beyers and the Ultrasones for a while yet. Meanwhile my appreciation and fondness for the K501 continues to grow. : )
Fitz-max Bada PH-12, w/1x Mullard ECC33 and 2x Raytheon 6SN7GT
Right now I am a/b-ing the DT880/600 and the PRO2500, both of which have been recabled with Zombie_X's excellent "Nucleotide" UP-OCC quad-braided copper wire. This is a tough one, but right now anyway, overall, I tend to prefer the PRO2500. They're a bit "darker" and less open sounding than the Beyers, but also--to my ears--more tonally complete, organic- and dimensional-sounding.
(When I say "organic", I mean having a sense of all the parts working together holistically or synergistically.) In addition, more break-in time may be warranted for both the PRO2500 and their accompanying re-cable.
The Beyers are definitely more detailed--remarkably so, especially in the upper registers, and have a pristine/crystalline midrange with excellent spectral balance and tonal nuance, but do concede--appreciably--to the PRO2500 in terms of bass reach, presence and drive.
While not as detailed as the Beyers, the Ultrasones provide--IMHO--a more complete-sounding midrange: immediate, involving and more liquid. The Beyers, in absolute terms, sound midrange lean (or upper-midrange tilted) by comparison; this is probably due to their relative lack of palpable bass (and while they do provide fairly deep, accurate audible bass, it lacks the depth, thickness, "shape" and weight of the Ultrasones).
Last night I listened to the PRO2500, DT880/600 and the UP-OCC re-cabled K501 with Cat Stevens' "Into White" from Tea for the Tillerman. It was a tough one indeed to judge. But for me, the DT880/600 finished just slightly behind the PRO2500. But both lagged the K501. : )
A lot depends on your listening tastes and the types of music you prefer. I'll probably end up keeping both the Beyers and the Ultrasones for a while yet. Meanwhile my appreciation and fondness for the K501 continues to grow. : )