i love Joy Division, i'm probably the biggest Joy Division fan i know. my story started with my budding obsession with The Cure, and a friend of mine suggested to try out Joy Division. he said both bands have an equally dark sound and that Robert Smith was a fan, so i gave in. i bought Substance, which had came out not too long ago and to be honest, except for a few choice tracks like "She's Lost Control," "Transmission," "Digital," "Glass," and the classic "Love Will Tear Us Apart," i wasn't too impressed.
then i bought Unknown Pleasures and everything clicked... what a perfect album and an oustanding sound! i guess the Substance compilation was a bit too accessible for my taste but Unknown Pleasures has everything i was asking for, then Closer provided even more of it, although with a more polished sound in comparison to the stark, minimal, and atmospheric Unknown Pleasures. Still came last but the collection of aggressive outtakes still appealed to me more than Substance. i was hooked.
Heart and Soul is everything you'll need from Joy Division. besides a few tracks, it has almost everything the band has officially released. i didn't know Rhino was going to release the box set in the states, so i bought the very expensive import two years prior.
the producer Martin Hannett was basically Joy Division's fifth member. it was very well known that Ian, Peter, Barney, and Steve aren't the best of musicians back then (just listen to some of their concerts and you'll see how sloppy the band is when playing live), and Martin Hannett was able to mask some of their inabilities with his production and mixing techniques. it may not be the entire reason but it's been said that one of the reasons why the guitar parts on Unknown Pleasures are mixed so low (hence the resulting emphasis on bass and drums) was because of Barney's inabilities.
Peter Saville was also an important member of the Joy Division story, helping shape the band's mysterious public image with a series of cryptic sleeve artwork, promotion posters, and other graphics. to this day he still designs for New Order.
it's weird because most people discover Joy Division through New Order but i did it the other way around. i knew a few New Order songs at the time already but didn't become a fan until i exhausted Joy Division's catalogue.
there's a new movie out soon called Control, that's based on Ian's widow, Deborah Curtis' book Touching From A Distance, can't wait to see it.
as much as both bands would not like to acknowledge it, Joy Division/New Order and The Cure are basically twin bands for a good number of years... they were practically parallel with their musical development right up to around 1985 or so. compare Unknown Pleasures to Seventeen Seconds, Closer to Faith, Movement to Pornography, Power Corruption and Lies to The Cure's 1982-1983 singles (collected as Japanese Whispers), and Low-Life to The Head on the Door; it's almost uncanny.
i'm not sure if Sisters of Mercy can be considered similar to Joy Division except that both bands are highly influential to the goth scene. another Leeds Goth band that is far more similar to Joy Division (although cannot match JD's genius) would be Red Lorry Yellow Lorry.
umm... other stuff of interest would be Orchestral Manoeuvres in the Dark's album Organisation, which has been described as Joy Division-esque with lots of synths, and Simple Minds' album Real to Real Cacophony.
i guess Siouxsie and the Banshees, and Bauhaus should be mentioned as well with this group of gothy bands.
as much as i love Interpol, they can't compare to Joy Division. i know Paul Banks and Ian Curtis share a very similar baritone voice but i think that's where the most of the similarities end. Paul Banks has always said Turn On the Bright Lights came out as dark as it did was not by design, it just happened that way.
i'll mind as well throw in Editors in the discussion as singer Tom Smith also shares the similar Ian Curtis baritone voice.
i like The Bravery, although i can't really see why they're mentioned in this thread except they sound alot like your classic post-punk bands. i think i'll take The Bravery over The Killers though.
Bloc Party, i don't thnk they're MTVish, they're highly political aren't they? great band though.
ok... i'm done!