Alright, just came back from the audition event @Jaben for the W900. A very solid addition to the pantheon of TOTLs, that's for sure.
MSRP: SGD$2999
Here's the general consensus around the table:
- Soundstage is HUGE. Very, very wide.
- Treble extension is top notch.
- Instrumental separation is excellent, definitely one of its selling points.
- It's surprisingly flat and neutral.
- The bass is not as satisfying as it was on the W500.
- The tonality is a little on the dry side.
Here's my impressions of them. I think I spent the most time on the W900 compared to the rest of the patrons.
BASS
The W900 uses a different physical low pass filter to the W500, and the difference is quite apparent. Sub-bass retains the W500's legendary note articulation and rumble, and I think the lowest notes hit darker in comparison. Coherency is improved a lot; decay transition from bass to lower mids is much smoother and less abrupt than on the W500.
Mid-bass speed is greatly improved, making it snappier and more detailed. Rumble is better limited to the lowest registers, which makes for better pacing and rhythm compared to the relatively boomier W500.
MIDS
Perhaps a little cut-and-dry with just the tiniest hint of warmth from the dynamic's bass. Kevin mentioned that AAW made a lot of effort in separating the driver's influence from one another and it was achieved to great effect, perhaps at the cost of musicality. The W900 excels in instrumental separation and resolution and has a very neutral tonality to it. Male vocals do benefit from the added heft of the low end, but certain female vocals tend to stray into the analytical side of things.
The upper midrange spike of the W500 has been rectified on the W900, though comparatively speaking it cuts the energy from its midrange, making the W900 a little dull and boring. It's definitely less fatiguing though, and a whole lot more detailed and resolving.
TREBLE
AAW seems to have gotten greedy. It wasn't enough to have best bass, they had to have the best treble as well. The W900's upper frequency response is immaculate, being polite yet far reaching at the same time. Jelt praised the W500's treble for being flat and grounded; well the W900 achieves this to a even higher degree, with treble extension rivaling that of the Jomo Samba and the UERR.
It's not really the most energetic treble, in fact it almost touches on the "laid-back" line. However, it still manages to sparkle, and it sparkles all the way up into the stratosphere. Rarely do I hear IEMs reach past the 13KHz mark, and the W900 confidently blasts past that barrier with ease.
SOUNDSTAGE
A lot of people praised the W500 for its imaging and soundstage. I personally wasn't as wowed by it like the rest; sure it had great outward diffusal, but it was honestly a little congested and smoothed over for my liking. I mean, I listen to the D2000 whenever I'm home, so a CIEM's "soundstage" wasn't going to raise any eyebrows on me.
The W900 was a different case. Every single person around the auditioning table said the same thing.
The soundstage, it's so big! So wide! I was a little skeptical. There's not a lot that a mere IEM can do with soundstaging, right?
The issue with the W500 was twofold. Relatively congested midrange and treble extension. It wasn't exactly top-echelon material in those regards, and thus while it held the title for imaging, it's not exactly the cream of the crop for wide soundstaging. The W900 extends far out into both ends of the spectrum, and along with its elite separation made for an extremely wide stage being presented to you. That's not to say that the outward diffusal was sacrificed for it; decay control was still very well managed, allowing for extremely realistic 3D imaging on top of its wide stage. I won't say too much for now, but initial impressions have finally wowed me this time.
GENERAL QUALITIES
It's flat with a bass bump. It's
very flat with a bass bump. Some people will hate this. It's neutral and flat to a fault, and coupled with the bass boost makes for a very niche signature. The tonality is leaning towards the dry side though neutral for the most part. Detail isn't as in-your-face like the Samba is, but it can be considered a detail-oriented IEM per se.
Moving back to the W500... man, I shouldn't have. By itself, the W900 wasn't really that impressive, but jumping back to the W500 or even greats like the 64Audio A12 felt like a downgrade. Mids are thick and muddy. Treble is comparatively non-existent. Bass not as well controlled. The faults I never knew existed popped out to me.
Of course, I'm not saying that the W900 is better than the A12 just yet. That's a topic for when I'm writing up a full review.
CONCLUSION
i bought one