OK, I'll be the first to throw a stone.
I have the A12's. They sound great. Fantastic bass and wide soundstage. I sold my Noble K10's after buying these.
I question the whole "Saves your hearing" thing. I'm not going to debate the sound pressure as I'm sure that has merit. However there is no debating that loud levels of noise can damage your hearing. That's a fact. So a loud dance club, rock concert, leaf blower, chainsaw, heavy equipment, etc, etc, do cause hearing damage with prolonged exposure and there is NO pressure on the eardrum.
As far as volume, I do not see the volume control on my Calyx M any lower using the A12's than when I used my K10's or my Roxanne's that I still have. So pressure may be relieved but there is still loud music being played directly into ones ear. So again, my argument is the music VOLUME can cause damage, and not just pressure.
Personally none of this bothers me as I did not but the A12's for the save my hearing feature. I bought them because they sound great. I'm just commenting that I don't believe the hype.
Ken
of course there is pressure on the eardrum when a loud sound is heard. the very fact that we're hearing a sound comes from the change in air pressure between the 2 sides of the eardrum. a single tone will increase then decrease the pressure in the ear canal at the frequency of said tone. so it's not one single constant pressure, but the louder the sound, the stronger the pressure at the ear(going up and down).
where you're right though, is that loud is bad, be it in a sealed ear or not. and longer exposure to loud sounds makes it worst. those are the 2 variables that really matter in the end.
the ADEL idea (and I don't endorse or refute it), is that when we use sealed IEMs, we can create an extra pressure from inserting the IEM. that in turn, would result in our ear's dampening protection to kick in sooner(or at a quieter volume than usual). and then, because our ear has reduced the sensitivity of the eardrum, we would in turn rise the volume level even more to compensate and get the "same" feeling of loudness. but here is the thing. in most cases, to get that feeling of loudness, we would reach a loudness level where the ear mechanism would kick in anyway.
so it looks like kind of a specific problem for people who would listen close to a certain level, but not really above it. or am I missing something?
so my first reserve come with when our ear decides to increase the dampening.
second is about how it's uncomfortable when you get much pressure on the ear from inserting some IEMs in the ear. even with customs, I always try to unseal for a sec after I placed it in, moving the jaw, pulling the ear, moving the IEM around or all of the above at once. this as a way to reduce said pressure from the insertion. do I end up even, probably not exactly, but do I still get any benefit from such a valve? IDK. what are the added distortions from this system? IDK. is the valve having some kind of dynamic compression effect at certain frequencies? IDK. do I like the tuning of the IEMs with that tech? IDK. ^_^
overall I would enjoy seeing a all lot of measurements done on that system to get a real idea of what is happening and at what price for the sound.
about
As far as volume, I do not see the volume control on my Calyx M any lower using the A12's than when I used my K10's or my Roxanne's that I still have.
your volume control tells about how many volts can go into the IEM. if you push it up, you send more volts, but different IEMs can have different sensitivities.
116db for 1mw and 15ohm(at 1khz and only there) for Rox, 116db for 1mw 16ohm for the A12. and not a clue about the K10, looking at the spec section on the website, it could just as well read "I ain't gonna tell you shiiit". at least the first 2 look like a close enough sensitivity for you to try and feel if something is obviously different. but again, measurements would do better given the differences in signature.