mbgrace
Member of the Trade: Grace Design
- Joined
- Nov 5, 2004
- Posts
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- 44
Hi all,
Here are the results of the USB jitter and bit tests. Please let me
know if proper etiquette would be to start a new thread with this sort of
technical stuff.
The Mac Power Book (OSX) will play 44.1kHz and 48kHz files over the usb
interface to the m902 with perfect bit accuracy. Again, as I mentioned
in a previous post, you must open the MIDI/Audio setup panel and set the
output sample rate to match the file being played or else sample rate
conversion occurs. (We will have these details in the owners manual)
SACD:
As far as I know there are no SACD players that have digital output when playing SACD disks with the possible exception of units with the I-link port. I think this is a firewire-like interface but the data is encrypted and (correct me if I'm wrong) asynchronous which would provide for jitter prone transfers. In the professional world DSD equipment uses SDIF-3 which consists of separate clock and data signals on BNC connectors. I think EMM Labs makes a modification for a SACD player so that it will output DSD data to a DSD dac...
USB jitter:
Measured at the spdif output of the PCM2902 the recovered clock from the PCM2902 measures about 240 pico seconds of RMS jitter when playing a 44.1kHz file and 390 pico seconds when playing a 48kHz file. Note that the 44.1kHz performance is very near to the noise floor of the Terrasonde Digital Audio Toolbox which is about 200 Pico Seconds when measuring spdif data streams. To really know the jitter of the PCM2902 would require access to the sample clock inside the chip. Oh well. However, this is not shabby jitter performance. I was expecting worse. With a good secondary PLL (like the s-Lock circuit) this can be reduced to less than 40 pico seconds.
If there was any confusion earlier in this thread, the usb interface is limited to a *maximum* sample rate of 48kHz and 16bit word length. 44.1kHz works fine. While there are USB solutions that support higher sample rates and bit depths, they are marginaly reliable. For higher sample rates and bit depths the only viable solution is IEEE 1394 (firewire) as it is designed for audio and video streaming. USB 2.0 will probably not become a popular audio transport for its lack of clear standards for audio streaming.
On another note a friend of mine who is a Linux guru is working on determining the requirements for making the m902 work with Linux.
I'll report as soon as we know anything.
Michael
Here are the results of the USB jitter and bit tests. Please let me
know if proper etiquette would be to start a new thread with this sort of
technical stuff.
The Mac Power Book (OSX) will play 44.1kHz and 48kHz files over the usb
interface to the m902 with perfect bit accuracy. Again, as I mentioned
in a previous post, you must open the MIDI/Audio setup panel and set the
output sample rate to match the file being played or else sample rate
conversion occurs. (We will have these details in the owners manual)
SACD:
As far as I know there are no SACD players that have digital output when playing SACD disks with the possible exception of units with the I-link port. I think this is a firewire-like interface but the data is encrypted and (correct me if I'm wrong) asynchronous which would provide for jitter prone transfers. In the professional world DSD equipment uses SDIF-3 which consists of separate clock and data signals on BNC connectors. I think EMM Labs makes a modification for a SACD player so that it will output DSD data to a DSD dac...
USB jitter:
Measured at the spdif output of the PCM2902 the recovered clock from the PCM2902 measures about 240 pico seconds of RMS jitter when playing a 44.1kHz file and 390 pico seconds when playing a 48kHz file. Note that the 44.1kHz performance is very near to the noise floor of the Terrasonde Digital Audio Toolbox which is about 200 Pico Seconds when measuring spdif data streams. To really know the jitter of the PCM2902 would require access to the sample clock inside the chip. Oh well. However, this is not shabby jitter performance. I was expecting worse. With a good secondary PLL (like the s-Lock circuit) this can be reduced to less than 40 pico seconds.
If there was any confusion earlier in this thread, the usb interface is limited to a *maximum* sample rate of 48kHz and 16bit word length. 44.1kHz works fine. While there are USB solutions that support higher sample rates and bit depths, they are marginaly reliable. For higher sample rates and bit depths the only viable solution is IEEE 1394 (firewire) as it is designed for audio and video streaming. USB 2.0 will probably not become a popular audio transport for its lack of clear standards for audio streaming.
On another note a friend of mine who is a Linux guru is working on determining the requirements for making the m902 work with Linux.
I'll report as soon as we know anything.
Michael