Rob Watts
Member of the Trade: Chord Electronics
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- Apr 1, 2014
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Its a brain issue, and is (mostly) down to two technical problems - one being noise floor modulation, one being timing uncertainty. With timing uncertainty, when the sampled digital data is converted back to a continuous signal, the DAC creates timing errors. These timing errors then interfere with the brains ability to actual perceive the starting and stopping of notes - and when the brain can't easily recognise something, it has to work harder to make sense of what is going on. Its a bit like one being in a party trying to understand somebody speaking with a lot of noise - your brain has to work harder to understand the voice, and its tiring. The noise floor modulation problem, means that the brain has greater difficulty separating sounds out into individual entities. What people forget, as we take hearing for granted, is that the brain is processing the data from the ears, and separating things out into individual entities, and also putting a placement tag onto that entity. Noise floor modulation makes it more difficult for the brain to separate things out into individual entities, so the brain has to work harder to make sense of the music. And when it has to work harder, you get listening fatigue.
Now the timing issue is a unique problem with digital audio, and noise floor modulation is about ten times a larger problem than with amplifiers, so you can see why listening fatigue is a particular problem with digital.
Rob
Now the timing issue is a unique problem with digital audio, and noise floor modulation is about ten times a larger problem than with amplifiers, so you can see why listening fatigue is a particular problem with digital.
Rob