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T1 and HD800 - click any image
in the review
for larger version. INTRODUCTION
I’ve been incredibly lucky this year to have access to quite a few headphones – both owned by myself, and loaned by another wonderful NZ Head-Fier (62ohm) – who I’m incredibly indebted to. So this year for me has been very much a journey of discovery.I started back in January, when I wrote a comparison piece on the two Sennheisers I owned at the time (the HD600 and HD700) http://www.head-fi.org/t/725127/comparison-review-a-tale-of-two-sennheisers-hd600-vs-hd700, progressed to a comparison of the other two headphones I owned (Beyerdynamic’s DT880 and T1) http://www.head-fi.org/t/727739/comparison-review-beyerdynamic-s-siblings-the-classic-dt880-vs-the-flagship-t1., and culminated recently with my comparison of the HD600 and HD650 http://www.head-fi.org/t/740942/comparison-review-part-deux-a-tale-of-two-sennheisers-hd600-vs-hd650 - facilitated by the loan of 62ohm’s HD650.
It was during this review that I had a couple of requests for a comparison with the HD800. Thanks to the incredible generosity of Rizki (62ohm), I’ve had his HD800 with me for the last week, and today will write my final thoughts on a comparison of the T1 (which I own), and the HD800 which I’ve finally had a chance to spend quality time with. In the next few hours I’ll also add my thoughts on the HD800 and the HD600.
So take a stroll with me once again on my continued journey of discovery, and see which dynamic flagship will be in my long term plans. Do I stick with the wonderful T1 which I own, or will my heart be won by Sennheiser’s TOTL dynamic, the HD800?
ABOUT ME (or a base-line for interpreting my thoughts and bias)
I'm a 47 year old music lover. I don't say audiophile – I just love my music. Over the last couple of years, I have slowly changed from cheaper listening set-ups to my current set-up. I vary my listening from portable (Fiio X5, X1 and iPhone5S) to my desk-top's set-up (PC > coax > NFB-12 > LD MKIV > HP). I also use a portable set-up at work – either X5 > HP, or PC > Beyer A200p > HP. My main full sized headphones at the time of writing are the Beyer T1 and Sennheiser HD600. Most of my portable listening is done with IEMs - and up till now it has mainly been with the Fidue A83 & A81, Dunu DN-1000 and Altone200. A full list of the gear I have owned (past and present is listed in my Head-Fi profile).
I have very eclectic music tastes listening to a variety from classical/opera and jazz, to grunge and general rock. I listen to a lot of blues, jazz, folk music, classic rock, indie and alternative rock. I am particularly fond of female vocals. I generally tend toward cans that are relatively neutral/balanced, but I do have a fondness for clarity, and suspect I might have slight ‘treble-head’ preferences. I am not treble sensitive (at all), and in the past have really enjoyed headphones like the K701, SR325i, and of course the T1 and DT880.
I have extensively tested myself (abx) and I find aac256 or higher completely transparent. I do use exclusively redbook 16/44.1 if space is not an issue. All of my music is legally purchased (mostly CD – the rest FLAC purchased on-line).
I tend to be sceptical about audiophile ‘claims’, don’t generally believe in burn-in, have never heard a difference with different cables, and would rather test myself blind on perceived differences. I am not a ‘golden eared listener’. I suffer from mild tinnitus, and at 47, my hearing is less than perfect.
This is a purely subjective review - my gear, my ears, and my experience. Please take it all with a grain of salt - especially if it does not match your own experience.
I have used the T1 extensively over the past 6 months, but this is my first introduction to the HD800, so please excuse the relatively short-term listening experiences with it. I have clocked a lot of hours with the HD800 in the last week.
THE REVIEW / COMPARISON
RESOURCESFor the purposes of this review and comparison, I used both headphones mostly from my NFB-12 + LD MKIV. Both headphones were volume level matched using an SPL meter and calibrated (twice) with a constant 1 kHz test tone. This was rechecked periodically during the comparison. I used the Little Dot mainly because it was easier to swap with the correct volume matching (more precise markings on the pot). Tracks used were across a variety of genres – and can be viewed in this list http://www.head-fi.org/a/brookos-test-tracks.
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Test set-up = Foobar to NFB-12 to LD MKIV | The wonderful flagships HD800 and T1 |
One further note on my audio set-up. I know many will regard it as “budget” or “entry/mid level”. I know many people with better gear will probably comment that both the T1 and HD800 scale with higher end equipment. They may be right. But this is not the purpose of this comparison. The purpose is to see how well the two headphones perform on my gear. I genuinely like my NFB-12 and Little Dot. They sound wonderful. And both the T1 and HD800 absolutely shine on this modest set-up.
PUBLISHED SPECIFICATIONS
| Beyerdynamic T1 | Sennehiser HD800 |
Nominal impedance | 600 ohm | 300 ohm |
Weight (with cable) | 525g | 500g |
Transducer | Dynamic (open) | Dynamic (open) |
Ear coupling | Circumaural | Circumaural |
Cable length | 3 m | 3 m |
Termination | 6.3mm stereo | 6.3mm stereo |
Frequency response | 5 – 50,000 Hz | 6 – 51000 Hz (- 10 dB) |
SPL | 102 dB (1mW / 500 Hz) | 102 dB at 1 kHz (1 Vrms) |
THD | <0.05% (1mW / 500 Hz) | 0.02 % (1 kHz 1 Vrms) |
FREQUENCY RESPONSE GRAPH
Thanks to Headroom for making these resources available. Click on the graph for a better image.
A note on the purpose of the graph. It is not presented to validate any views I may have throughout the review, nor to give me a term of reference. I actually added it toward the end of the review – once my notes had been written, and then I went back and referenced the new material where warranted.
PACKAGING
Both the T1 and HD800 come in very solid cases, with a thin printed outer retail sleeve/box.
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HD800 outer sleeve and inner case | T1 outer sleeve and inner case |
The T1 comes in an aluminium outer case which “screams” quality (to me anyway). Inside is cut-out shaped foam. Included with the box is an information card, and small Beyerdynamic booklet.
The HD800 box is a reasonably solid black board, with a a cut-out shaped foam inner (similar to that used on the HD600/650 – but this time draped in a satiny fabric. It definitely gives that flagship / luxury feel. The HD800 includes 3 large booklet/manuals. Rizki’s are still sealed so, I haven’t opened them.
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HD800 inside the inner case - luxury and style | T1 inside the inner case - clean and utilitarian |
If I was forced to choose, I’d award a tie – simply because I like the T1 aluminium case, but think the HD800 inner padding just looks “right” for the contents.
BUILD
Both headphones are built extremely well – with the T1 (IMO) looking more traditional/clean/no-frills compared to the HD800’s very stylish space age design.
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HD800 stylish and almost space-age design | T1 is more traditional with clean lines and simplicity of design |
The T1 has metal yokes, metal and plastic cups, round and quite soft velour ear-pads, and extremely soft leather over foam headband. The drivers are angled to deliver sound slightly from the front of the cups toward the rear. The main selling point of the T1 drivers is the “Tesla” (or very strong) magnets designed to produce more than a Tesla (or 10000 Gauss) of magnetic field. The result should be very good control over the drivers, and very clear sound.
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T1's very robust build | T1's excellent padding and sue of velour and soft leather |
The cable is a 3 meter OFC dual channel type (Sommer SC-Peacock MKII) which is designed for two completely different channels – so could be split to a balanced connection very easily. The standard cord is terminated in a Neutrik 6.3mm plug. The cable is not removable – but would be one of the most heavy-duty cables I’ve ever encountered. It is also quite pliable – and easy to coil.
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T1's very soft and well padded headband | T1's ample inner cup size and angled drivers |
The ear-pads measure (internal) approx 55mm across and are approx. 35mm deep from the bottom of the cup to the top of the pads. I have no issues with my ears fitting inside the cups, and they’ve never touched the drivers. The outer ears are close to the pads though (it doesn't bother me) - the HD800 comparatively has more space.
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HD800 6.3mm plug top, and T1 plug bottom | HD800 cable top, and T1 cable bottom |
The HD800 also has a mix of metal and specially molded plastic (Leona) in the assembly, but the overall build is (while not maybe as robust as the T1) still well designed and put together. The headband top is stainless steel – but the actual sliders are plastic. The pads are “D” shaped, but the internal measurements are larger than the T1 – approx. 80mm top to bottom, 60 mm front to back, and approx. 25-30mm from the driver to the outer pads.
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HD800's very good build - a mix of metal and Leona fortified plastic | HD800's slimline profile - very comfortable when worn |
The pads and headband have less volume of padding than the T1 – but remain very comfortable with the outer material being alcantara (very soft).
The HD800 has its own specially designed driver – employing ring radiator technology, which is designed to minimise distortion. It also provides better imaging by angling back toward the ears (from a slightly forward position) – similar to the T1.
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Alcantara padding on the HD800 headband | HD800's larger cups and pads leave plenty of space around the ears. |
The cable is a 3 meter OFC twisted pair with an outer fibre sleeve, terminated in Sennheiser’s own branded 6.3mm plug. This cable is removable from the cups with a proprietary connection system. These connectors just snap into place (see photos).
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HD800 detachable cable plug | HD800 detachable cable socket |
Overall for straight build quality (robustness), I’d give the nod to the T1 – it’s built like a tank. But for aesthetics, I still think the HD800 has a magical style which (up close) I find very attractive. I also prefer the HD800’s cable for looks – but the T1 cable again for build.
FIT / COMFORT
The T1 is an extremely comfortable headphone – much like its forebears (DT880 / DT990). The headband molds nicely around my head, is very soft, and causes no pressure points. The pads encircle my ears, and give me enough space so that my ears never touch the drivers. The combination of velour and padding is very comfortable. The earcups also swivel up and down, and there is enough movement left and right to ensure a good fit.
The HD800 though is the most comfortable headphone I’ve ever worn. The alcantara covering is softer than the velour, and the bigger cups just completely encircle my ears without ever coming remotely close to my ears. They also seem to distribute any pressure perfectly. The cups have enough rotation (4 ways like the T1) to always provide a secure fit.
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Although both headphones are very comfortable ........ | My daughter had no confusion about which pair won the comfort stakes |
Both headphones are extremely comfortable – but this time I have to give credit where it’s due – HD800 definite winner for me. Over time the HD800s literally disappear when worn.
SONIC COMPARISONS
General frequency summary (supported by graph above):
These were my general notes before actually downloading the graphs from Headroom.
Both headphones are relatively similar with very similar bass quantity. Both are also relatively balanced overall – bass relative to mid-range, and again relative to treble – although both are what most would catgorise as having a brighter overall presentation (more emphasis in upper mid-range and lower treble.
After volume matching, and consistently track after track, I found the T1 (relative to the HD800) sounded slightly brighter, clearer, and more etched. Those who’ve read my comparisons in the past will know that female vocalists make up around 60% of my total music collection – and whilst both headphones coped magnificently with most of my female artists – it was the T1 which consistently gave a “sweeter” and more euphonic vocal presentation. This takes nothing away from the HD800’s presentation which is also exceedingly clear – revealing every detail that exists in the recording. The one thing that I did notice with the HD800 is that it had a tendency to add shimmer to cymbal hits – whereas the T1 was a lot cleaner.
Of the two – the T1 consistently was a more vivid listening experience for me – whilst the HD800 still had all the detail, but may have been very slightly laid back comparatively.
Soundstage / Imaging:
To test soundstage and imaging I used Amber Rubarth’s “Tundra” track from the album Tales of The 17th Ward. The track is binaural – so it gives good queues anyway – but can be very good for a combination of imaging and soundstage width and depth.
Both the T1 and HD800 display very similar soundstage size – in width and depth and height. The imaging is similar from the perspective of location and accuracy. Both excel in creating an out of head experience, and a sense of space. Both also excel at creating real 3D imagery – they’re not extremely L ---- C ---- R with less detail in between (like the AKG K7/Q7 series). The difference I have noted (and I’m not sure if it’s a by-product of the slightly different tonality), is that the HD800 has slightly more air (reverb/resonance?) around some spatial queues – creating a different atmosphere which is both captivating and entirely believable.
The T1 in contrast has the same ability to create space, and place images accurately within that space – but because of the slightly heightened clarity, it has less of this same quality (resonance?) that the HD800 portrays. Because of this – the stage seems ever so slightly smaller and more precise – whilst the same track with the HD800 appears just slightly larger, and a little more diffuse.
I should stress that this is only happening in tracks where the music has been recorded in such a way to create depth. One track I listened to recently (sorry folks it is youtube) was a Sara K track (https://www.youtube.com/watch?v=hmozdrQ4tFM). Both the T1 and HD800 render this track wonderfully – but the HD800 has a little added “something” that just really connects with me – the tone is subtly more organic and more involving. I apologise for the way I’ve described this – when I was editing it, I realised how imprecise I’ve described it – but at this stage I can’t really articulate the difference better than I’ve been able to in the last few sentences.
Switching to Loreena McKennitt’s “Dante’s Prayer” (with the T1’s back in place), and I’m at my usual spot in the audience – around row 3 or 4 back. Loreena is center stage, and that beautiful cello is sitting slightly back and over to the right. Both the T1 and HD800 give similar position and same imaging. On this particular track, when the song ends, the applause has always been so natural and enveloping (with my HD600) that I can close my eyes, and for a moment I’m actually in the audience. The T1 handles this well, the HD800 even better. It’s a magic moment – and one that both flagships manage – with slightly different presentations.
Overall on imaging and sound stage – I’d give a very slight nod to the HD800 on stage, the T1 on precision (for the imaging), but overall to the HD800 for the total portrayal. We’re talking small increments here though.
Specific Genre Notes:
Rock / Classic Rock / Prog Rock – tracks tested included:
- “Away from the Sun” – 3 Doors Down
- “Art for Art’s Sake” – 10CC
- “The Diary of Jane” – Breaking Benjamin
- “Hotel California” – The Eagles
- “Sultans of Swing” – Dire Straits
- “Boulevard of Broken Dreams” – Green Day
- “Elderly Woman Behind The Counter In A Small Town” – Pearl Jam
- “Immortality” – Seether (unplugged)
- “Money” – Pink Floyd
- “Trains” – Porcupine Tree
As I alluded to in the early summary – the differences between the T1 and HD800 with my selection of rock tracks center mainly round the presentation of upper mids and lower treble. Bass is very consistent in both headphones. Speed is no problem either – and both headphones cope with faster or more complex tracks admirably – with no smearing. A staple for me, with any headphone I test or compare, is how they cope with Pearl Jam (I’m an unabashed PJ junkie). The HD800 captures Vedder’s vocals perfectly – but is a little brash with cymbal splashes sometimes. The T1 comparatively offers slightly more contrast. If I could nit-pick, I’d take HD800’s vocal presentation, with T1’s overall contrast. Porcupine Tree (because of the quality of the recording and mastering) is a great band to test both headphones. Trains is a fantastic track because of the transitions between guitar, vocal melody, and bass. With the T1, the track is extremely vibrant with a lot of contrast. With the HD800 it is a little less vibrant, but more cohesive – transitions are smoother.
So for my preferences, this is too close to call. Both the T1 and HD800 are more alike with rock than different – but once again the HD800 proves more laid back comparatively.
Opera / Classical - tracks tested included:
- “Nessun Dorma” – Pavarotti
- “Flower Duet (Lakme)” – Netrebko and Garanca
- “Moonlight Sonata 1st & 3rd” – Wilhelm Kempf
- “Op.8, No.1, R.269 "La Primavera" - 1. Allegro” – Anne Sophie Mutter & Trondheim Soloists (Vivaldi’s Four Seasons)
- “OP 35 1st Movement from Tchaikovsky Violin Concerto in D” – Julia Fischer
This time I started with Netrebko and Garanca and the HD800. For me this was goose bump inducing. A perfect blend of soundstage, imagery, and simple tonal excellence. Restarting with the T1 and I can’t fault this either. If anything I prefer the vocal presentation with the T1s – but the overall ambience (orchestra and feel of the depth of the auditorium) with the HD800s.
Moving to solo piano, and this time for me there was a definite preference. The HD800 just somehow seemed to capture more emotion, timbre, passion. Don’t get me wrong though, both headphones present extremely well – but the HD800 somehow just nails the emotion that Kempff brings to the performance.
Finally on to straight orchestral – and whist both headphones excel (IMO) with classical – I’m actually finding myself once again preferring the HD800’s overall tonality, but the T1’s clear and clean contrast, and vividness of presentation.
I think overall for this genre – it will be very dependent on how you like your classical presented. Both headphones are expansive. The HD800 might be slightly better presenting tonality, whilst the T1 gives an added clarity that is very addictive.
Jazz – tracks tested included:
- “So What” – Miles Davis
- “Gaucho” – Steely Dan
- “Safer” – Gabriella Cilmi
- “Love Me Like A Man” – Diana Krall
- “Ruins” – Portico Quartet
I started with Miles Davis, and then progressed to Portico Quartet. Once again I’m in a quandary over which presentation I prefer, because they are so similar – yet at the same time quite different. The HD800 seems to give a little less energetic performance, almost relaxed in comparison to the T1, but for instrumental jazz I can’t help but favour this more relaxed style. So for me – it’s HD800 by the faintest of margins.
Switching to female vocals (Krall and Cilmi), and this time it is more clear cut. Once again (for my preferences) the T1 continues to present a more euphoric overall presentation. The HD800 is also truly excellent – but just doesn’t have the same level of overall captivation.
Pop / Rap / Dub / Electronic / Indie – tracks tested included:
- “Turning Tables” – Adele
- “You Know I’m No Good” – Amy Winehouse
- “Lose Yourself” – Eminem
- “Aventine” – Agnes Obel
- “Electric Daisy Violin” – Lindsay Stirling
- “Little Man” – Little Dragon
- “Royals” – Lorde
- “Tui Dub” – Salmonella Dub
- “God Is Speaking” - The Flashbulb
- “Dawn to Flight” – Wildlight
- “Is There a Ghost” – Band of Horses
I won’t go into an in depth track by track comparison here – as my findings have become more consistent as I progress. Both the T1 and HD800 are fantastic with bass – clean, clear, articulate, and extended. And once again the same presentation from my previous notes repeats. The HD800 displays a slightly more balanced but polite overall presentation, whilst the T1 is more energetic and vivid. Once again I find myself tending toward the T1’s presentation of female vocals – and this is particularly so with Agnes Obel’s “Aventine” and Wildlight’s “Dawn to Flight”.
One note here – because it was of particular interest to me in light of comments regarding the revealing nature of the HD800. The track “Is There a Ghost” by Band of Horses has some distorted guitar throughout, and it was interesting to note the two different presentations. Both headphones presented the distortion with no real gloss (it’s supposed to be there), but it was somehow more palatable with the T1. The distortion somehow seemed a little more “annoying” with the HD800, to the point that I actually turned the volume on the pot down a little. Is this the famed “unforgiving” nature of the HD800 – or just a frequency which resonates for my own particular tastes? I’m not too sure.
AMPING / SENSITIVITY
Using the T1 and HD800 with my LD MKIV OTL tube, and both headphones were actually not far away at the same volume on the pot. The HD800 was approx. 4dB louder than the T1 (73dB vs 77dB respectively using the test tones). I did briefly try both headphones with my Fiio X5, and whilst I could get both headphones to good listening levels, both displayed brighter signatures than evident with the LD. The sound wasn’t awful – but I did prefer the overall signature of the LD.
ERRATA – PARTICULARLY REGARDING HD800
Before I embarked on this journey of discovery, I had consistently been led to believe that the HD800 was:
- Overly bright
- Had a massive soundstage
- Was very source and amp picky
- Would lay bare any poor recordings
I thought I’d take a moment to address these points, in case anyone coming from a cheaper set-up (maybe similar to mine) wants an alternate point of view.
- Brightness?
First please take into account my lack of treble sensitivity. I was honestly expecting the HD800s to be brighter and more vivid than my T1s. This proved not to be the case. If anything, Rizki’s pair is a little more laidback and balanced. The T1 definitely has the more vivid overall presentation. Now this may be due to headphone variability – there is some evidence of this in impressions of both the T1 and HD800 threads. But for anyone not considering the HD800 due to expected brightness, I would encourage you to at least try them. You may be pleasantly surprised – I was. - Soundstage?
I’m not really sure what I was expecting with the HD800 – bigger than the AKG K7xx perhaps? Both the HD800’s stage didn’t seem much larger than the T1 – in fact they’re pretty close on my equipment. I’m actually happy about this because the last thing I wanted was something that didn’t sound real, or sounded too distant. The HD800 do a marvellous job in soundstage size, and imaging ability – totally believable, and very engaging. You do get some “wow” moments. - Source and amp picky?
Good question. Maybe they are, and maybe I’m just lucky. I’m sure I’ll get comments that my chain is not good enough to show their true potential. It’s probably not but I shall ignore those comments (nicely) anyway – you’ve been warned. What I can say is that on my set-up, both headphones absolutely shine (for my preferences). It has been well worth having the T1, and if I decide to get the HD800 I will be running them from the NFB-12 and Little Dot for the foreseeable future. Why – because I think both combos sound great. - Revealing?
Yep – they are. But they also sound great with 95% of the music I’ve thrown at them. Don’t be put off by comments that you’ll need to throw out half of your music collection because they aren’t master recordings. Quite simply – most of my music sounds better with the HD800 than with lesser headphones. Otherwise there would be no point in owning them. They are supposed to be a window to better fidelity, and I think they achieve this rather well.
CONCLUSION
Once again (see above section) I approached this comparison initially with some preconceptions which were shattered pretty quickly.The HD800 has proven to be an amazing headphone, but rather than being the reference class show piece reserved for special occasions and critical listening, I could see it easily as a favourite “everyday” go-to headphone. In fact if I owned one, I may not listen to anything else (more on this in a second).
The HD800 has exceptional comfort and fit, a wonderfully balanced tone with fantastic extension at both ends, and a holographic presentation – which with the right recording can literally take your breath away. It also has a very good build quality, and sounds wonderful with any genre I’ve thrown at it over the last week.
The T1 in contrast also has very good comfort and fit, exceptional build quality, good balance with excellent extension and a stunningly vivid overall presentation which is spacious, and images superbly. The T1 has better overall contrast IMO, but is also slightly brighter – which some may find problematic (I don’t).
The question for me was always going to be T1 or HD800, and it’s one I can’t answer ….. yet. I have one final comparison still to come, and although it is a real mismatch (HD600 vs HD800), it also sets the stage for my final decisions. At the current value of a used HD800, I can easily afford a T1 and HD600. The question therefore is whether I get more overall value from the T1/HD600 combo, or if the HD800 would be preferable.
If I was to only have one headphone – I think at this stage I would lean toward the HD800 over the T1. But right now for me it’s a choice of HD800 vs T1+HD600 – and it’s simply too hard to make a call right now.
As a final note – I’d like to thank my friend Rizki for the loan – he has been far too generous, and I hope sending him my X5 for a bit of a trial next week might make up for some of the opportunity he has given me.
Once again thanks for taking the journey with me – I sit now editing it, this time with the HD800’s on my head, listening to some live Joe Bonamassa, and wondering how exactly they managed to record the ambience of the Vienna Opera House so well that the HD800 captures it perfectly. Life doesn’t get much better than this sometimes ………