Do you listen to hear the music, or feel it?
Recently I reviewed Penon's 4xDD
Quattros and was starstruck from first listen, in fact they've become my #1 choice under $500.
The Quattro magic lies in their tonality - effortlessly rendering instruments & voices in a way that feels right, but without sounding "correct" in audio parlance.
Fascinating how when we absorb music what we hear, as opposed to what we feel, can be so different. Perhaps that's why less & less I enjoy earphones that portray melodies coldly & clinically.
So when Penon sent me a pair of their new
Fan2 IEMs in exchange for a my thoughts I had no idea they're much akin to the Quattros - born to magnify musical enjoyment through feel, rather than thought.
...and discovering this delighted me.
Yes, I'm ready to abandon the world of analysing every note to the nth degree, fixating on the minutia whilst losing sense of the whole. Are you prepared to embrace this path with me? Then read on.
Packaging
The USD $279
Penon Fan2s arrive in a small cardboard box, inside is a synthetic blue carry case large enough to comfortably house the earphones whilst remaining flat enough to fit in a jacket pocket.
The IEMs and cable, two sets of silicone & one set of foam eartips are included along with a shirt clip.
Speaking of the stock cable, Penon have included their 2pin black nylon-sheathed
OS133 which uses OFC silver-plated conductors & sells separately for $99, with your choice of 4.4, 3.5 or 2.5mm plug.
Ergonomics
The Fan2s are 3D printed from medical grade resin and feel extremely smooth against the skin, fully vented for pressure relief.
They're on the larger side by the standards of IEMs with lower driver counts, without being enormous. Fit is a personal thing, and though I find them nicely sculpted to my ear geometry they do stick out quite far.
Comfort is reasonable and can keep them in my ears for hours without issue, but wouldn't say they're the most comfortable IEMs Penon have sent me with the
DOMES being more shapely &
Turbos smaller.
The stock
OS133 cable is incredibly thin & light which aids comfort, in fact I almost wish it contained four rather than two wires but I do have a preference towards chunkier cables these days.
Sound Impressions
I used a
Luxury & Precision P6 Pro set to hi-gain mode at 6/60 volume to evaluate the Fan2s. My taste consists largely of EDM, Orchestral, Film Scores & Vintage Rock and I listen at lower volumes.
The Fan2s use two 6mm 'crystal-plated biological diaphragm' DDs to deliver powerful sub bass, one Sonion BA for the midrange which is very smooth & rich, and a Knowles BA for treble which is quite dark.
Bass
The Fan2 dual-DDs deliver impressive bass with an emphasis on midbass, but sub bass isn't lacking. It isn't slow or bloated, but is kept in check to avoid overshadowing the midrange with excess warmth.
Bass texture is satisfyingly visceral with an impressive amount of thump - this is a real highlight where the Fan2s punch well above their weight, with punchy being an apt description.
However bassheads may be left wishing for greater bass quantity, as although there's sufficient low end for bass-driven genres to be satisfying, Penon have elected to keep things more neutral.
Midrange
The Fan2s' midrange is the star of the show, with a refined tonality befitting more expensive IEMs.
Vocals aren't shouty or excessively forward, with an even balance between the lower & upper midrange. Voices are rendered with pleasing warmth and smoothness and are capably resolving with superbly delicate texture.
Penon IEMs often deliver a superb midrange experience and the Fan2s carry on that tradition.
Treble
This is Fan2's weakest area, which Penon have wisely de-emphasised to focus attention on its' strengths.
The single Knowles BA does a capable job but upper treble sparkle is largely absent, resulting in fairly dark treble that's less likely to fatigue, cementing the presentation's feeling of smoothness & refinement.
The Fan2's aren't as dark as the
Quattros I recently reviewed, but you may prefer slightly brighter IEMs for genres like classical where string instruments will benefit from more definition in this area.
Technical Performance
Fan2 technical performance is something of a mixed bag, so let's start with the good.
Coherency is excellent, contributing to the Fan2s being very non-fatiguing for longer listening sessions. By contrast dynamics are on the weaker side, perhaps a culprit of the smoother presentation.
Soundstage dimensions are nothing out of the ordinary for this price, width is fairly good without feeling artificially stretched, avoiding claustrophobia. Depth is decent without being exceptional, thankfully not completely flat like many budget IEMs.
Imaging is solid, though greater treble emphasis would've improved it further, and resolution is very impressive through the midrange where vocals are well articulated but weaker in the treble area.
IEM Comparisons
I compared the Fan2s to other IEMs with a
Luxury & Precision P6 Pro set to hi-gain at 6/60 volume.
NiceHCK F1 Pro – 1xPlanar (USD $99)
The F1 Pros are much brighter to the point some may find them slightly sibilant, and by comparison sound thin with a palpable lack of note weight.
F1 Pro vocals can be shouty but less resolving than those of the Fan2s, the NiceHCKs are also much less bassy with bass texture not as satisfying either.
The F1 Pros do boast better dynamics with a blacker background & better imaging, but the Fan2s feel more refined with greater midbass & lower midrange presence creating a smoother, darker sound.
Simgot EA1000 - 1xDD 1xPassive Radiator (USD $219) – used with
Simgot LC7 Cable (USD $69)
Simgot's LC7 cable elevates the EA1000s' technical performance substantially so I generally keep them paired, making this a tough matchup for the Fan2s.
The EA1000s have a much more fun & bouncy v-shaped sound which is significantly brighter than the Fan2s but less smooth & refined. The EA1000s possess deeper sub bass but slightly mushier bass texture, with better dynamics, a wider soundstage, and slightly improved resolution.
The EA1000s' DD driver also feels slightly faster, but tonality is a problem with excessive upper midrange leading to vocals that lack weight. Whereas the Fan2s possess much more midbass and a deeper soundstage, and generally sound far more earthy & natural but also significantly darker.
ISN Neo5 – 4xBA 1xDD (USD $289)
The Neo5s are much brighter, energetic & v-shaped with a thinner midrange than the warmer Fan2s, emphasising the upper midrange slightly more which result in vocals being occasionally shouty.
Neo5s are more bombastic with slower, more satisfying bass texture and more powerful sub bass making them a better choice for bassheads, and they're also far more dynamic.
However the Neo5s are more aggressive whereas the Fan2s are smoother & more coherent with a blacker background and slightly wider soundstage, painting a more refined but less excited picture.
Penon Quattro – 4xDD (USD $399)
The Quattros are similar to the Fan2s, but smoother & darker with an even thicker, warmer midrange.
Quattro sub bass goes deeper and bass quantity is higher in general, note weight is superb and dynamics are also a step up from Fan2, as is Quattro midrange resolution.
I find the Quattros' tonality is almost flawless since no BA drivers are used, but the Fan2's DDs feel slightly more nimble. I recommend purchasing the Quattros if you want to double down on that smooth, dark & refined sound whereas the Fan2s feel slightly more neutral & excited but less bodied.
Penon Turbo - 6xBA (USD $549)
The all-BA Turbos sound quite different, being much brighter with greater upper midrange emphasis, definitely more aggressive and occasionally shouty.
The Turbos' BA bass is very capable but lacks the texture of the Fan2s' twin DDs, though overall bass quantity may be higher and their bias is weighted towards midbass.
The all-BA Turbo configuration results in higher technical performance with greater resolution, a blacker background and sharper imaging, and instruments that stay separated during busy passages more easily. However the Fan2s have better note weight with a much smoother, warmer tonality I prefer.
Cable Comparisons
I tested the Fan2s with a number of aftermarket cables to gauge how effectively they scale.
NiceHCK Blacksoul (USD $50)
A surprisingly great pairing right off the bat, BlackSoul thickens the lower midrange even further, improves dynamics and slightly deepens the soundstage.
Vocals come forward & midrange resolution goes up a notch, note weight is also a bit better. I don't hear BlackSoul darkening the treble in this pair-up either, despite it being known for that.
NiceHCK FirstTouch (USD $89)
This is another satisfying pairing with FirstTouch widening the stage and improving note weight as BlackSoul did.
However FirstTouch's shielded (or at least heavily-sheathed) nature also creates a blacker background with resolution up across the board, along with sharper imaging.
Penon Obsidian (USD $149)
I'm using the 4.4mm Rhodium plug on the modular Obsidian cable in this pair up, and immediately notice higher midrange resolution with a blacker background & sharper imaging.
Note weight is also improved, as are dynamics, stage dimensions feel largely unchanged but treble seems slightly less prominent, though it doesn't negatively impact tonality.
Effect Audio Ares S 4 Wire (USD $179)
Ares S increases resolution across the board, improves note weight and dynamics in particular are improved substantially.
The entire presentation feels punchier and more bass driven, and the stage is also slightly deeper. This is a very impressive pairing for the excellent dynamics alone.
Penon ASOS+ (USD $215)
This is something of a sneak peek as I'm currently working on a review of this impressive new cable.
ASOS+ widens & deepens the stage more than other cables I tried, boosting the impression of space between each instrument substantially.
Bass is deeper though it's mostly midbass that benefits, resolution & dynamics are both improved and treble is a little brighter too. This is the sort of pairing that exemplifies the difference cables can make.
Conclusion
I've gravitated to a warmer sound over the last few months, so the
Penon Fan2s have tickled my fancy.
They're capable all-rounders with a beautifully organic midrange & satisfying bass thump, plus great cohesiveness. All three of those traits I value highly in earphones, so it's no surprise I'm impressed.
Nitpicks? My experiments suggest the stock cable leaves much room for sonic improvement, the shells aren't as petit as some other Penon IEMs, and the Fan2s are quite dark in the treble which won't appeal to everyone. Oh, and dynamics could be better.
What they do have is a lovely smooth refinement one rarely encounters for $279, allowing us to sit back & listen for hours in complete security our ears won't be pestered by troublesome peaks.
The Fan2s remove those impediments to enjoyment, leaving behind sonic landscapes of richly emotional texture I will relish exploring.