CustomArt Ei.3 acrylic custom IEM

General Information

This our first step into acrylic monitors and we brought our A-game to make this very enjoyable-sounding IEM for affordable price.

What to expect? Ei.3 sounds BIG, we have incorporated one dedicated sub-woofer, one full-range and one tweeter. Everything has been carefully tuned to make sound coherent and effortless.
Bass is the foundation of the signature, there's plenty of sub-bass vibration and texture without distortion, we didn't forget about good control so despite warm presentation there's no mid-bass bump. Mids are smooth, intimate, Upper frequencies are airy and spacious but tamed accurately to be smooth with hints of precision.

You'll definitely hear Custom Art's house sound in this monitor, slightly more powerful than before.

For customization we will offer 4 basic colors, 6 special colors and possibility of custom color.
All options like canals, faceplates etc. will still be available.

Ei.3 comes with detachable cables only.

Specs:
- Three Balanced Armature per earpiece
- 3-way configuration
- 118dB @1kHz @0.1V
- 65 Ohm @1kHz
- 10Hz-17000Hz (+-20dB into IEC711 coupler)
- Acrylic body

Latest reviews

Jesse Oh

Head-Fier
Pros: Bass goes low with satisfying impact and rumble, customization options, perfect fit, PRICE!
Cons: Treble lacking, mids slightly unnatural, not ideal for acoustic recordings
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Let me start this review by saying that I am relatively new to the world of audiophilia. The only notable iem I have owned prior is the ATH-IM70, although I have tried and own(ed) a decent amount of low end to high end headphones. This is my first review on head fi.

I won’t mention accessories or go into too much detail on build quality, as you can read all about those in the reviews prior. Let me just say that I was very happy with the design.

(I purchased these myself and what follows are my 100% honest impressions)

Ordering

I must say custom art’s ciem order page is superior to most others out there on the net, letting you see what each option looks like in real time on a custom shell. This can result in you fiddling over the options for a long time, designing hypothetical iem shells and evaluating them endlessly, which I can confess I did.

Even when I reached my final design and ordered, I changed my mind and sent Piotr my new request, which he was happy to take! Just over a month and they were in my hands.

Fit

Being a newcomer to custom in ear monitors, it took some time for me to get used to inserting them. Initially when I put them in I thought I couldn’t get a proper seal. Turns out they “click” into the cymba portion of the ear when enough force is applied. Once I figured that out, I had a perfect, secure fit. Isolation is impressive; you can still hear outside noises but they are quite faint, the edge is taken out of them. They are vastly more comfortable than my im70’s which was my main issue with those; those just never felt secure. Props to Piotr on that front.

Sound

The first feature I evaluated in the Ei.3’s sound signature was its bass response; bass is often the first thing we notice in any sound signature and this works to the Ei.3’s advantage, because the bass is full and extends well into the lower registers. I enjoyed its impact and rumble quite a bit, and it was fast enough not to sound overbearing. Listening to old-school trance and techno was a blast (“Forbidden Paradise 5” trance mix [1996] and Drexciya – “The Journey Home” [1995]), and I found myself upping the volume in spite of myself.

I am not adept at describing mids so I will simply state that the sound of the ei.3 is not hollow or distant. Vocals have presence without sounding too laid back or too forward; there is nothing particularly noteworthy about the Ei.3’s vocal performance. Switching straight from the Audeze LCD 2 however, the upper midrange is significantly less natural sounding; female vocals sounded a bit unnatural. I am aware that this is hardly a fair comparison, but something to note anyway. As I used the Ei.3 on its own for longer, I grew accustomed to them and this became less of an issue.

Now highs – this is where the Ei.3 falters. Treble takes a general downward slope past 6K or so, which we can generally see from Crinacle’s measurements shown. The result is a lack of air/sparkle in the sound. I prefer warm sound signatures in my headphones, and I was surprised by how warm the Ei.3’s were if that is any indication. I don’t think that many people accustomed to high or mid-fi audio will be 100% satisfied with this ciem’s treble.
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These aspects in combination give the Ei.3 a thick, somewhat weighty sound and non-fatiguing sound signature. This is great for beat-centric electronically produced music like techno, trance, house, juke, DnB/Jungle, dubstep, UK garage and hip-hop. But contrary to what other reviews have stated, I find the Ei.3 to be inadequate for acoustic or vocal-centric music like rock, jazz or soul/funk. Listening to Alice in Chains’ “Nutshell”, the Ei.3 was too congested, with not enough detail or air. I hesitate to say “muddy” because that is going to extremes, but there is a certain muddiness to the sound which reveals itself in natural, acoustic recordings but isn’t really there at all for electronically produced tracks.
So when Piotr markets this ciem as a product best used for electronic music, he is 100% right and is obviously fully aware of the Ei.3’s strengths and limitations when promoting them this way, because the Ei.3’s do shine in that regard. However I have to disagree with some of the points made in other reviews which pitch this ciem as a balanced iem capable of handling all genres.

Verdict

As an avid consumer of electronic music, these ciems are a great start for me. I can forsee myself using them as my main portable/outdoor drivers for many years into the future. And at the price they go for, you really can’t do better.

Value: 10/10

Design: 9/10

Fit: 10/10

Sound: 7/10

Wyville

Headphoneus Supremus
Pros: Very engaging and musical CIEMs, excellent quality bass, smooth and clear mids, fatigue free treble, outstanding value for money
Cons: Treble might be too polite for some, stock cable might be a little annoying for some people with glasses
Disclaimer
I do not have any affiliation with, or am being compensated by, Custom Art or Aid2Hearing. With this review I wanted to put into words some of the things I have been learning recently and hope it will benefit others. This is also my first review and reflects my impressions as someone quite new to critical listening.
 
Custom Art Ei.3
3 balanced armatures (1 x low, 1 x full-range, 1 x tweeter)
3-way crossover
Vented woofer for improved bass response
10Hz-17000Hz (+-20dB into 711 IEC coupler)   
118dB @1kHz @0.1V          
48 Ohm @1kHz
Acrylic body only
 
Links
https://thecustomart.com/
https://www.facebook.com/thecustomart/
http://aid2hearing.co.uk/
 
Background
I recently became more seriously interested in moving into a higher segment of portable audio because I use music to manage my ADHD, a neurological condition that reduces my ability to focus on anything that does not have explosions and falling anvils in it. Despite having the attention span of the dog in the movie Up (squirrel!), I still work as an academic and use music to help me focus, relax and blow off steam when I need it. This made me curious about sound quality and signature, and I wanted to explore how it could help me use music more effectively. That is where Head-Fi came in.
 
I felt that for me personally “enjoyment” would be the key term and thus I did not set out to find the most technically superior IEMs, but rather those that would cause an irresistible urge to booty shake. The key criteria: comfort, isolation, engagement and smoothness
 
The audiologist
Because the Ei.3 are so (relatively speaking) affordable, starting at €340, they make an excellent introduction into custom IEMs for many people, myself included. I will therefore briefly mention the process of getting my custom IEMs.
 
I went to Aid2Hearing in London, which is run by the very charming and skilled Gisele Flower. She also happens to be the UK distributor for Custom Art. During my first visit I auditioned a number of IEMs to see if anything fit my needs. I ended up selecting the Ei.3 and booked another appointment for a week later in order to get my ear impressions done. This is a very important step and having it done by a skilled audiologist is essential. Gisele was clearly a perfectionist, as she took two sets of impressions on both sides and did a third one on the left just to get the last bit of detail out. For those who are new to it: Impressions are made by inserting little spongy bits to protect the ear drums and then injecting green goo to fill your ears. The goo takes a little time to set during which you sit there for three minutes drooling all over yourself because you have to keep your mouth open a little. This is made easier with the use of a bite block and less embarrassing if you bring tissues. The more detailed the impressions, the more there is to work with for Custom Art (or any other company) to get the perfect fit. Gisele selected the best impressions to be sent over to Custom Art and we went through the design I had come up with so she could place the order and take care of everything. She’s a star!
 
I believe Custom Art keep the impressions in their archive for a period of two years after the initial order, making it easier to order another pair of CEIMs with them if you feel like upgrading or adding a complimentary pair.
 
Enter the agonizing wait…
 
Custom Art
Custom Art is a small company based in Poland. It was founded in 2012 by Head-Fi member Piotr Granicki (@piotrus-g) with the aim to deliver affordable, high-quality CIEMs in silicone and later in acrylic.
 
My own experience with them has been wonderful. Although Gisele took care of the order for me, I still had regular contact with Piotr and his colleague Kamil throughout the process. Their response was surprisingly quick. At one point I was quite literally chatting to Kamil through emails, taking only minutes for a reply to come back. It made the whole experience a lot of fun and really emphasised that I was working with fellow enthusiasts who understood how caught up you can get in wanting all the nice new shiny things, especially when it comes to a custom order.
 
The build time for my Ei.3 was around six weeks, a little longer than the standard four to five weeks. I find this perfectly acceptable, especially considering that the website clearly states turnaround depends on workload and I knew Piotr was travelling through Asia at the time mine were being built.
 
In terms of customer service Custom Art is five stars all the way and they do it for everyone in equal measure. Nobody and everyone is special at the same time.
 
The design
Custom Art, like other CIEM companies, offers a design tool on their website where you can spend days on end trying out various colour combinations and designs. (Yes, that is an admission of guilt.) Their Facebook page also offers a large number of photos to get inspiration from. If you want even more options it is always possible to contact Piotr and discuss the feasibility of your creative outbursts.
 
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I went only a little extravagant and, inspired by the fresh combination of sky blue transparent shells and solid white faceplates I had seen earlier (see Acain’s review), decided to add some custom artwork. I love Calvin & Hobbes, as it almost reads like my biography, and so they had to go on the Ei.3. The artwork also fit the fun and engaging sound signature of the Ei.3 perfectly. It was easy enough to test out my design on the website and when I found I had placed Calvin and Hobbes just right, contacted Piotr to make sure the design was possible.
 
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Fit and isolation
Comfort and isolation are key criteria because I use my IEMs to reduce distraction while I work, and environmental noise when I travel through London… on the Tube… that glorious achievement of mankind’s ingenuity in solving the problem of how to cram as many people as possible in the smallest space available. Yes, I wear them a lot.
 
Normally when I am in the warm comfort of a London Tube at rush hour my brain tries to kill me by following every conversation, every bit of music leaking from headphones and, when above ground, every annoying caller telling their loved one they are just five minutes from home and will remember to pick up milk for tonight’s curry. The Ei.3 have changed that dramatically. The fit was perfect first time and the level of isolation they provide is remarkable. What struck me most was that when I travel through London, I automatically lower the volume, rather than increase it as I used to do. The fit and isolation are so good that I can have a very low level of music in the background and it makes for a very pleasant experience despite being packed in like sardines. The same goes for when I try to do some work at home. I live across from a construction site, this is London after all, and I can’t hear any of it. Just the delicate tunes of Haydn’s piano concerto, and I can listen to them all day long without any issues because the Ei.3 are very comfortable.
 
Despite being very comfortable there are two things I have come across, not related to the fit of the Ei.3 themselves. One I have had before and that is that after several 8+ hours a day my left ear develops some issues that persist even without my IEMs in. I still need to figure out what that is, but I think I know a good audiologist I can visit for that. Then there is the cable. The stock cable is a perfectly good cable for the job, but I wear glasses and these have memory wire. Unfortunately I started to experience discomfort from them and could not find a way to solve it. Eventually I decided to replace the cable and while looking around Custom Art offered me a cable from Effect Audio for a good price. This cable solved the issues with the memory wire and to my surprise paired exceptionally well with the Ei.3. I highly recommend anyone interested in the Ei.3 to have a look at a higher end cable because it takes the already musical and engaging Ei.3 to an even higher level.
 
Source
All my impressions are based on use with the Astell & Kern AK70 without equaliser and using the stock cable. Much like the Ei.3, the AK70 has an engaging sound that is detailed, yet smooth and I think makes for a great pair.
 
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Sound
This is where it gets interesting because the sound is key to how effective the Ei.3 can be in my case. When I auditioned the IEMs, I was specifically looking for a sound signature that would draw me in and push all distraction away. Equally, because I am highly sensitive, I am also sensitive to certain tones such as sharp treble. The EIMs thus needed to be smooth, but not too smooth because engagement also comes from details and layering.
 
It would be unfair to do a detailed comparison because I did not listen to them long enough, but I tried the Noble Trident, Savanna, Sage and Ducle Bass before I tried the Ei.3. My favourite was the Dulce Bass, which I dare say was technically superior to the Ei.3 with more clarity and detail retrieval. However, I listened to the Dulce Bass and Ei.3 back to back and the Ei.3 just made me forget the Nobles. This was exactly what I was looking for. The sound signature pulled me in and did not let go. It even stayed in my head for several days. To me the Nobles were great, but slightly more analytical and required a bit of effort when listening to them (or perhaps just required a longer audition to appreciate). The Ei.3 in comparison were effortless and made me forget I had created a playlist with carefully selected test tracks. Instead they made me greedy to listen to everything. It was instant, infinitely enjoyable addiction. After getting my own Ei.3 I listened for about 50 hours or so before writing down my more detailed impressions.
 
Bass
When I first listened to my Ei.3 I had a slight moment of panic because I thought I lost the bass. It took me a while to realise what it was. See, I am used to listening to the Shure se215 and Trinity Vyrus, both dynamic drivers with elevated, bloomy bass. I got so used to an ever-present and overpowering bass that it took a few hours of listening before I could appreciate just how good the bass of the Ei.3 is. It is very well controlled with little bloom, rather it hits fast and precise with impact and texture. It is like a swift, well-placed kick to the back of the head. Moreover, it is only where it should be and leaves the mids completely unspoiled. That is what I needed to adjust to the most, the bass not overpowering the mids. 
 
The Ei.3 are certainly capable of a bit of sub-base rumble, but they are not bass-head IEMs. Still, when I put on Device’s cover of Nine Inch Nails’ ‘Wish’ it really shows the quality of the kick in the bass. Not bloomy, but impactful nonetheless and certainly a better quality impact than the bass of my se215 or Vyrus. This bass works really well in the overall signature and shines with its quality. It is like a heartbeat that creates an impactful and energetic rhythm, which I think is a key component to why the Ei.3 are so thoroughly engaging.
 
Mids
I love the mids of the Ei.3. They are clear and detailed with a hint of warmth and smoothness. I love how both male and female vocals are presented, smooth and natural with a good balance between the two when I listen to vocal pieces such as Mozart’s Requiem. Oh, and I absolutely love the voice of Agnes Obel with these.
 
To me the mids do not sound forward of recessed, but are placed in such a way that they form the core of a very coherent signature. I feel the notes are a bit thicker and this gives the experience of the sound stage filling up at times to create a full sound, like a sound bubble with organically flowing music everywhere. These sound-flows touch, but don't merge and do not feel congested. It is still detailed while sounding full and it immerses the listener in the music.
 
Treble
The treble is pretty spot on what I wanted it to be. It sounds natural and has a little bit of sparkle, but not too much. I can imagine that for some the treble is too polite and I occasionally would like a little more sparkle myself. In Tchaikovsky’s Nutcracker for instance there are a lot of sparkling elements, indeed it was intended to incorporate toy instruments, and here I see the politeness of the treble detracting a bit from the performance. Still, this is what I expected as a trade-off to a signature that is completely free of sibilance. The treble is delicate, polite and natural sounding, with just enough sparkle to enjoy for long listening sessions without a hint of fatigue. That is exactly what I need it to be.
 
Soundstage, clarity and separation
Because I can’t compare the size of the soundstage to other IEMs in this price range I can only say that to my ears the stage is a good size with a clear sense of space in width, depth and height. It does not come across as vast, but certainly not restricted either. It extends in all directions and creates a sense of music existing all around the listener. There is air around individual instruments when only a few are present and the whole stage fills up when more instruments come into play. With large orchestral pieces this leads to a very full sound where the detail is not in your face and yet it is still there to be found when you look for it. “Smoothly detailed” I would call it.  
 
As mentioned earlier, I know that clarity and separation can be improved upon, but the balance Piotr gave the Ei.3 works exceptionally well to create that thoroughly engaging signature. The bass, mids and treble appear to each have their own task at which they excel and that never spoils the others. They work in such unison that the whole becomes a coherent signature that is natural, thoroughly engaging and non-fatiguing, even after hours of listening.
 
Presentation
Despite the Ei.3 being tuned for Rap and EDM, I feel they excel at acoustic music as well. Live performances by Sting, Eric Clapton and the Foo Fighters sound so very good. The instruments sound realistic, especially pianos and guitars, and the emotion of the singer is quite tangible. I also love The Rolling Stones’ album Blue and Lonesome, which is presented with so much energy through the Ei.3.
 
I mainly listen to classical music though and classical music from the 19th century often contains a story, one of revolution and revolt against the established order or one of love and personal tragedy. The music is meant to convey deep emotions and instruments are key to evoking the right emotional response with the listener. Light and airy wind sections can evoke a sense of triumph, while and thunderous tympani can create a dark and stormy atmosphere symbolising a struggle or even malicious intent. Getting the separation of these elements right while maintaining the harmony within the piece is very challenging. Instruments also need to sound realistic or some of the emotion is lost. The Ei.3 does this quite admirably well considering they were not tuned for it. Instruments, especially the wind sections (brass and wooden) sound realistic, although violins a bit less by comparison. Details are maintained quite well during complex and layered orchestral pieces and only occasionally do I notice some details missing or a bit far back, but only when I listen critically. When I just listen I do not notice it at all. The whole presentation is one of smooth, organically flowing music that conveys the emotion of the pieces really well and allows me to drift away in the music. It is coherent, musical and engaging.
 
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Conclusion
The Ei.3 are not detail monsters or analytical masterpieces, but despite not having heard many, I still fully expect they are among of the most engaging and musical CIEMs available. They are clearly built by someone who really knows their stuff. These will compel you to shake your booty, nod your head and tap your feet, or allow you to just float away in the gorgeously smooth music. If musical enjoyment is your aim, give these a try and experience instant addiction.  
 
Additional note
At the time of writing Piotr is introducing his new FIBAE™ technology, which stands for Flat Impedance Balanced Armature Earphone. The first models are close to being released, which will be a one-driver, FIBAE™ 1, and a two-driver, FIBAE™ 2, model. These will technically be the successors to the Music One and Music Two, although both lines will co-exist until the 30th of June 2017. They will also sound different. The FIBAE™ 1 will sit between the Music One and Music Two, while the FIBAE™ 2 will be a combination of the Music Two and the Ei.3. Because the FIBAE™ 2 starts at €475 it means that the Ei.3 will continue to present a very affordable entry-level CIEM that in my opinion offers exceptional value for money.
Layman1
Layman1
It's my first time reading a review by you (checked out your profile page and apparently you're a fellow London resident! Small world, haha).
Excellent review, that makes me extremely interested to try them!
NB: "It is like a swift, well-placed kick to the back of the head"; not sure this is really selling it to me though :wink:
linux4ever
linux4ever
Outstanding review. Loved it. I've been eyeing Ei.3 and Harmony 8.2 along with UERR. LEt's see if I end up getting them all :wink:
Wyville
Wyville
Thanks! Collect them all! :wink:
 
@Layman1 I have seen a few fellow Londoners around here already and know that Gisele is very popular in the Head-Fi community. If you are interested in trying the Ei.3, I can highly recommend visiting her! She had the FIBAE 1 and 2 at Headroom, so she might still have those to try as well (and plenty of other stuff from Custom Art, Noble, UE, etc).
 
Don't worry about the bass though. It is just a polite kick to the back of the head, not a bass kick that will rattle your teeth to the point of bankrupting the tooth fairy. :wink:

mrazik

100+ Head-Fier
Pros: Sound, fit, comfort, price, isolation and sound
Cons: Did not found any
First of all, please let me say thank you to Piotr from Custom Art, who provide to me nice discount in exchange of my honest opinions in this review attempt.
                Ei.3 are very special to me. They are mi first real custom earphones made based on my ear impressions. I was hesitating for long time and I always prefer universal versions because I did not believed, that custom shell can make so big different and because of liquidity later, when I like to collect funds for new audio adventures. So I´m believer now, that is for sure. Who did not try yet, can´t imagine level of comfort, isolation and general joy from listening. But there is really huge different. For impression I visit local audiologist in neighborhood and I got my impression. That was more than month before I placed order to CA and I did it for different purposes. I got at that time EE Athena VIII CIEM and I was considering to get them re-shelled for my ears. Problem is that get it done here in Europe is a bit complicated and despite of fact, that CA were willing to do so, I found is not fair to them. Instead I sold Athenas and I choose one model from Custom Art line. It took few more weeks, than I make-up my mind and I finally choose Ei.3. Of course I got a lot of questions before I placed my order and I like say thank you again for Piotr and Kamil patience. So on the end I placed order and after 4 weeks I got them. My first custom made earphones.
                I choose simple black design on shell and on face plate, just with CA logo mentioned on face plate. Nothing special, but I really do like it a lot. Except earphones you will get stock cable, cleaning tool, warranty card and simple manual. That all was packed in Peli case size 1010. Nothing extraordinary, but good enough.
                CA earphones are very well made, with no visible flaws. My only very minor criticism is regarding to logo print on face plate, that would deserve a bit more attention, but I got opportunity to test CA Harmony model in European tour and there was not this issue at all, so it is not for sure some consistent issue.
                Fit, fit is excellent. It took for me a bit get used to, but when I did, I can´t say anything else than it is superb. I would never expect, that I be so much happy with custom shells. Isolation is nothing what can be compared to any universal earphones I ever got. I believe that many of you, who have custom earphones already is this normal, but for those who are hesitating, please do not. With custom shells will open new universe of listening for you.
                Sound, well how to put it right. I´M MOST HAPPY DUDE UNDER THE SUN. Really Ei.3 got me and from day I got them from Fedex, I did not listen practically no other earphones from my collection. Ei.3 are ,, only “ 3 drivers units, but way how they are tuned is breath taking. It seem, that well tuned earphones with lower count of drivers are much better for me, than earphones with 6, 8, 10 or more drivers. Recently I got chance for short listening HUM Pristine ( two drivers only ) and that confirm that in full. Back to Custom Art Ei.3. What at CA achieved with Ei.3 is unbelievable. Sound is a bit on darker side, but it is perfectly balanced between all 3 bands. Ei.3 Have 3 balanced drivers in 3 way configuration (Single Low, Single Full-range, Single Tweeter ). Most impressive part of sound is bass, no discussion about that. Bass is deep, strong, confident and arrogant in most positive sense of that word. Middles are velvet in perfect coherency with bass, articulated and transparent. Trebles sound to e on first listening a bit recessed, but they are not really. Before Ei.3 I listen a lot my Spartans or earphones with dynamic drivers so compare to that got Ei.3 a bit less presence of trebles, but generally again highest band is perfectly tuned and integrate in to rest of sound spectrum and after longer session I did not missed anything. Details, airiness, sparkle. That all is underlined with decent sound stage, separation and clearness.
I must confess, that I do not use stock cables. I have my own inventory of decent aftermarket cables, so mostly I´m not taking stock cables even out of box. In this case I tried my PlusSound Xseries cable, but result was not anyhow amazing. So I replaced PlusSound by Forza AudioWorks copper series and I liked sound much more. It become to be more bodied with even more impactfull bass and very wide sound stage. But I suspect, that silver will get me a bit more sparkle on top end and will keep strength of low end. So I switch cables again and I now have Ei.3 paired with Beat AudioLab Signal cable. This combination is heaven for me. Sound is as before, balanced with strong bass, velvet middle, and well integrated trebles. Only trebles are now more airy and sound is more open. Compare to FAW copper cable is sound stage a bit narrower, but is still very good. Generally sound of Ei.3 is like sound from very good floor standing speakers. Another benefit is that Ei.3 are versatile in terms of music genres. Of course there are some which sound really exceptionally, like classic music perform by big orchestra. There will take you your earphones in to concert hall. It is hard to described, it is better to experienced. Ei.3 do not suffer from hiss and they are not sibilant at all. There are only positives I can mentioned. Only ,, negative “ is that with Ei.3 left me my hunting mood for to try new and another earphones J .
Ei.3 will be perfect choice for anyone who would like to get maximum from his iPhone. In combination with Hiby music player, you can get sound which is not equal to price you will pay for this gear. I mean that performance you will get for your money you will hard to find elsewhere, even for more money. But even in combination with dedicated players you will be not disappointed. I tried with Shanling M1 and xDuoo X10 and with both are Ei.3 nice to listen. Ei.3 are not analytic and have no reference sound signature. But for those who are considering entrance in to custom made world, I believe Ei.3 are good starting point. In fact I do believe that many of those who will choose them, will not feel desire to go further. That good, according to me, they are.
 
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Kerouac
Kerouac
The Ei.3 really seems 'bang for buck' the way it's tuned. Welcome to the wonderful world of customs mate...now your wallet definitely is screwed :wink:

Comments

GiRes

New Head-Fier
I agree with your conclusion. I really like the sound anyway listening complex layered in the treble area is a little bit congested.
Voices, by my side I have to say that I have the "s" problem sometimes. In pair with my X5iii they sounds in general really good.
Bass r fantastic
Best value for the price and excellent service for CA. Thinking to move to Harmony 8.2 for a more detailed listening and to buy a new balanced cable, so if you have any suggestion is absolutly welcome.


Ps. ..and anyway thanks for your review which helped me in this entry choice.
 
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