First of all I like them so much that it is hard for me to be objective. But I’ll try.
sr325e are open “on the ear” dynamic headphones. Top of grado “prestige” line that includes 60, 80, 115, 225 and 325 models. “E” in the name means enhanced (if I’m not mistaken). The cable is very thick and the overall design looks a bit weird. They are handcrafted in brooklyn and the build quality is not always perfect.
The sound. The soundstage and separation is very good. On binaural recordings it is hard to believe that the musicians are not in your room. Seriously. The bass is nice, but not the best. The impact could be better. However it’s not bass that makes them special. It’s mids and highs. They are crystal clear, very upfront, crunchy and aggressive. That is what makes a “grado sound” that is usually either loved or hated. There are a lot of controversies in opinions. Some say that they are for rock only and not enjoyable with jazz or classics, some say that they are not good for electronic music. Some say that they are astonishingly good for everything you throw at them and I agree with this. There are some imperfections in sound (but these are not summit-fi headphones after all). However listening to rock sends shivers down my spine and I just can’t get used to it. They act as an arrogant and aggressive bandit but in a good way. If that makes any sense. The guitar riffs never sound like that (not even close) in any other headphones I tried. The jazz sounds amazing. The saxophone is just like never before.
sr325e are not neutral allrounders. They are just very special. I would recommend trying them for a number of tracks. Led Zeppelin, Guns and Roses, ACDC or anything similar would be a good showcase of what they can do to you. And then you may or may not like them. Actually the model doesn’t matter that much if you would like to understand what “grado sound” is. The signature will be the same even on sr60 that are sold for a fraction of the 325 price.
sr325e are open “on the ear” dynamic headphones. Top of grado “prestige” line that includes 60, 80, 115, 225 and 325 models. “E” in the name means enhanced (if I’m not mistaken). The cable is very thick and the overall design looks a bit weird. They are handcrafted in brooklyn and the build quality is not always perfect.
The sound. The soundstage and separation is very good. On binaural recordings it is hard to believe that the musicians are not in your room. Seriously. The bass is nice, but not the best. The impact could be better. However it’s not bass that makes them special. It’s mids and highs. They are crystal clear, very upfront, crunchy and aggressive. That is what makes a “grado sound” that is usually either loved or hated. There are a lot of controversies in opinions. Some say that they are for rock only and not enjoyable with jazz or classics, some say that they are not good for electronic music. Some say that they are astonishingly good for everything you throw at them and I agree with this. There are some imperfections in sound (but these are not summit-fi headphones after all). However listening to rock sends shivers down my spine and I just can’t get used to it. They act as an arrogant and aggressive bandit but in a good way. If that makes any sense. The guitar riffs never sound like that (not even close) in any other headphones I tried. The jazz sounds amazing. The saxophone is just like never before.
sr325e are not neutral allrounders. They are just very special. I would recommend trying them for a number of tracks. Led Zeppelin, Guns and Roses, ACDC or anything similar would be a good showcase of what they can do to you. And then you may or may not like them. Actually the model doesn’t matter that much if you would like to understand what “grado sound” is. The signature will be the same even on sr60 that are sold for a fraction of the 325 price.