Intro:
Tin HiFi really made a name for themselves with the release of the T2. I bought into the hype train and picked up the T2, and to be honest, at first I absolutely hated the IEM. At the time, my daily drivers were a set of old Ultimate Ears Triple.Fi 10’s reshelled into a CIEM, and a set of (also old) Westone UM3X. Both units seal well and provide great isolation. The T2 on the other hand, made almost no seal, fell out of my ear constantly, had very little isolation, and overall, sounded just...ok. Back in the draw it went, only to come out a while later with all the P1 hype. After some more tip rolling, I found that large comply foams got the T2s to stay in my ears, and the sound was much improved. They moved into my daily driver spot at work, and I have grown very fond of them. I skipped the T2 Pro and T3 given all the reviews mentioned that those IEMs were just different and not really upgrades. With 40+ IEMs, I don't need (or want) similar but different anymore. But now, the P1 comes along, and things get a lot different, and I was intrigued.
The Tin HiFi P1 shifts from a dual dynamic (T2 / T2 Pro), or a dynamic driver and balanced armature hybrid (T2), to a 10mm planar magnetic driver. Several companies have tried this driver (this exact one, or one very similar) but failed to get the tuning right (Tin HiFi sorta falls into this camp too, but more on that later). Tin HiFi with their new P1 seems to have come the closest to nailing the tuning compared to the competition, assuming the musings of other reviewers are to be believed. Having spent over a week exclusively using the P1, I can say I am in love with this IEM, but that love is only half of a love / hate relationship.
Accessories:
The P1 comes well equipped with the standard S/M/L silicone tips, in both large bore and small bore, as well as a large set and a small set of memory foam tips (Comply clones). Note, the foam tips are not like the non-memory foam tips that Tin HiFi includes with the T2. The P1 also ships with a leather (real leather?) magnetic closing flip top case. Personally, I would prefer a zippered clamshell style case, as I have found the case open and the IEMs loose in my bag more than once now. And finally, the cable, oh that cable. The P1’s use MMCX connectors (I really wish these were two pin), and Tin has included a cable that is a major step back from the T2 and T3 versions. The cable on the P1 has pre-formed ear hooks, a standard Y split, a useless clear bead for a chin slider, and an annoyingly loose braid on the lower portion of the cable. Also, I wish the cable were a bit longer, because (spoiler) these IEMs are NOT great for portable use, and given that you really need to be at a desk with an amp to use them, the cable does not have reach to facilitate that use case. Luckily it is detachable, so you can replace it easily enough.
Build and Comfort:
The P1 is built like a tank, making nice use of full metal housings. These feel like they will last a lifetime. The only grip I have about the build is minor, and it’s that the P1 shells smudge up with fingerprints very easily.
The shape of the IEM, and medium length stem allow for a nice fit and all day comfort. For the past few days, I have put these in my ears at the start of my work day, and left them in until lunch, about 5 hours, without issue. The same story repeats after lunch. I personally found the foam tips the most comfortable, but given that I do have to remove them from time to time to converse with co-workers, I have switched to the narrow bore silicone tips for ease of insertion.
Sound Signature:
Now on to the meat of this review, the sound! But first let's get some logistics out of the way. For starters, these IEMs need power. For the sake of this review, I will provide my interpretation of the sound when using the P1 with an external amp (FiiO E12A) and DAC (Venture Electronics Odyssey and Google Pixel USB C dongles). I tried a few other devices such as the FiiO E17K, my 2018 MacBook Pro, LG G6, and an older FiiO E7/E9 DAC Amp combo. Turns out, the P1 is picky with amps, and in my experience, sounded meh on all but the E12A.
Trebel:
This is where the P1 excels. Tin HiFi got the upper registers of this IEM tuned right. It delivers air and sparkle without fatigue or harshness. I have not experienced any sibilance. And the detail retrieval is simply addictive. The P1 brings out micro details in music effortlessly, and with speed and clarity that make the music very engaging. When listening to my favorite tracks while working (read: not critically listening) I found that I kept noticing details that stood out in the music that I would otherwise have to “listen” for using other IEMs.
I have played in several bands, had a drummer for a roommate, and seen a lot of live shows. I know what cymbals sound like. The P1 delivers cymbals with amazing accuracy, and it’s very satisfying to listen to. In short, the P1 crushes the treble game.
Mids:
The P1 is a very vocal forward earphone, and both male and female vocals are delivered front and center, but without forcing other parts of the music into the background. I’ve not really heard anything quite like how the P1 treats vocals, and I have to say, I really love it.
I found the tonaily of the midrange to be very natural, never overly warm, never impacted by bass bleed, but sometimes it did come off a bit dry and clinical. The P1, without EQ (read: foreshadowing) is very neutral, and some (including me) would say it’s bass light, causing that added warmth many of us prefer to feel absent, and leaving a bit of a hollow sound in more complicated musical tracks.
Bass:
Here is where the P1 takes a nosedive. The bass on the P1 is neutral, but just barely. Personally, I prefer a bit of a bump to the sub bass, with a more neutral midbass. The P1 delivers the neutral midbass, but lacks slam, and has poor sub bass extension. The IEM never feels dynamic in stock form. What bass is present is very well textured and detailed however, as the P1 gives the bass the same treatment as the treble when it comes to detail retrieval. This is a great thing, because with a bit of EQ this IEM turns into a whole different beast.
Imaging / Instrument Separation:
The P1 and that mini planar dynamic driver, as you may have expected, delivers sonics with amazing speed and clarity. This leads to fantastic imaging. You really get a sense for each instrument that is present in a mix. For instance, listening to fuzz rock such as Truckfighters, the bass line was very present, where as most other IEMs conceal it lower in the mix and force you to really try and pick it out. Orchestral records are a real treat as well with the P1, as you can definitively tell what is happening with each instrument section.
Soundstage:
While the P1 delivers micro details and instrument separation very well, it falls short on producing a wide soundstage. The P1 never really delivers music with any of that fun “out of your head” feeling. This isn't uncommon for IEMs given that they’re shoved in your ear canal though, and I really didn’t expect much in this category.
That said, the P1 does manage to provide a deep stage, that lends to its ability of conveying quality instrument separation.
Conclusion:
So where does that leave us with Tin HiFi’s newest, the P1? Well, it’s a great IEM with a lot of potential. Stock, It’s not worth the hype it initially received. But, and this a large but, with a little help it turns into one of the best IEMs I have heard, and my personal favorite for daily use with.
First, power. Give it good, clean power, and try several amps if possible. Second, EQ and / or bass boost. The FiiO E12A, on high gain, with it’s tastefully implemented 4db bass boost activated, does something magical to the P1. It takes them from neutral, dry, and analytical, to warm ,lush, dynamic, and oh so very engaging, all without any negative impact on the pros that the P1 possesses. Therein lies the problem with the P1. Stock, it’s ok at best. It’s terrible at being a portable IEM, and it really should be thought of more as a headphone alternative for desk / home use. But,when used in that situation, given a bit of EQ / bass boost, and some quality power, the P1 moves into a class well above its $169 asking price. This is not an IEM for someone looking for an all rounder, or that first high end piece. This is not an IEM for someone that wants to use it on a commute or outside the house. This is an IEM for the collector that wants something new and different, and knows how to put the work in to tweak audio gear to their liking. That is why the Tin HiFi P1 is the best set of earphones that I won’t recommend, but will love and use daily for a good long while.
Tin HiFi really made a name for themselves with the release of the T2. I bought into the hype train and picked up the T2, and to be honest, at first I absolutely hated the IEM. At the time, my daily drivers were a set of old Ultimate Ears Triple.Fi 10’s reshelled into a CIEM, and a set of (also old) Westone UM3X. Both units seal well and provide great isolation. The T2 on the other hand, made almost no seal, fell out of my ear constantly, had very little isolation, and overall, sounded just...ok. Back in the draw it went, only to come out a while later with all the P1 hype. After some more tip rolling, I found that large comply foams got the T2s to stay in my ears, and the sound was much improved. They moved into my daily driver spot at work, and I have grown very fond of them. I skipped the T2 Pro and T3 given all the reviews mentioned that those IEMs were just different and not really upgrades. With 40+ IEMs, I don't need (or want) similar but different anymore. But now, the P1 comes along, and things get a lot different, and I was intrigued.
The Tin HiFi P1 shifts from a dual dynamic (T2 / T2 Pro), or a dynamic driver and balanced armature hybrid (T2), to a 10mm planar magnetic driver. Several companies have tried this driver (this exact one, or one very similar) but failed to get the tuning right (Tin HiFi sorta falls into this camp too, but more on that later). Tin HiFi with their new P1 seems to have come the closest to nailing the tuning compared to the competition, assuming the musings of other reviewers are to be believed. Having spent over a week exclusively using the P1, I can say I am in love with this IEM, but that love is only half of a love / hate relationship.
Accessories:
The P1 comes well equipped with the standard S/M/L silicone tips, in both large bore and small bore, as well as a large set and a small set of memory foam tips (Comply clones). Note, the foam tips are not like the non-memory foam tips that Tin HiFi includes with the T2. The P1 also ships with a leather (real leather?) magnetic closing flip top case. Personally, I would prefer a zippered clamshell style case, as I have found the case open and the IEMs loose in my bag more than once now. And finally, the cable, oh that cable. The P1’s use MMCX connectors (I really wish these were two pin), and Tin has included a cable that is a major step back from the T2 and T3 versions. The cable on the P1 has pre-formed ear hooks, a standard Y split, a useless clear bead for a chin slider, and an annoyingly loose braid on the lower portion of the cable. Also, I wish the cable were a bit longer, because (spoiler) these IEMs are NOT great for portable use, and given that you really need to be at a desk with an amp to use them, the cable does not have reach to facilitate that use case. Luckily it is detachable, so you can replace it easily enough.
Build and Comfort:
The P1 is built like a tank, making nice use of full metal housings. These feel like they will last a lifetime. The only grip I have about the build is minor, and it’s that the P1 shells smudge up with fingerprints very easily.
The shape of the IEM, and medium length stem allow for a nice fit and all day comfort. For the past few days, I have put these in my ears at the start of my work day, and left them in until lunch, about 5 hours, without issue. The same story repeats after lunch. I personally found the foam tips the most comfortable, but given that I do have to remove them from time to time to converse with co-workers, I have switched to the narrow bore silicone tips for ease of insertion.
Sound Signature:
Now on to the meat of this review, the sound! But first let's get some logistics out of the way. For starters, these IEMs need power. For the sake of this review, I will provide my interpretation of the sound when using the P1 with an external amp (FiiO E12A) and DAC (Venture Electronics Odyssey and Google Pixel USB C dongles). I tried a few other devices such as the FiiO E17K, my 2018 MacBook Pro, LG G6, and an older FiiO E7/E9 DAC Amp combo. Turns out, the P1 is picky with amps, and in my experience, sounded meh on all but the E12A.
Trebel:
This is where the P1 excels. Tin HiFi got the upper registers of this IEM tuned right. It delivers air and sparkle without fatigue or harshness. I have not experienced any sibilance. And the detail retrieval is simply addictive. The P1 brings out micro details in music effortlessly, and with speed and clarity that make the music very engaging. When listening to my favorite tracks while working (read: not critically listening) I found that I kept noticing details that stood out in the music that I would otherwise have to “listen” for using other IEMs.
I have played in several bands, had a drummer for a roommate, and seen a lot of live shows. I know what cymbals sound like. The P1 delivers cymbals with amazing accuracy, and it’s very satisfying to listen to. In short, the P1 crushes the treble game.
Mids:
The P1 is a very vocal forward earphone, and both male and female vocals are delivered front and center, but without forcing other parts of the music into the background. I’ve not really heard anything quite like how the P1 treats vocals, and I have to say, I really love it.
I found the tonaily of the midrange to be very natural, never overly warm, never impacted by bass bleed, but sometimes it did come off a bit dry and clinical. The P1, without EQ (read: foreshadowing) is very neutral, and some (including me) would say it’s bass light, causing that added warmth many of us prefer to feel absent, and leaving a bit of a hollow sound in more complicated musical tracks.
Bass:
Here is where the P1 takes a nosedive. The bass on the P1 is neutral, but just barely. Personally, I prefer a bit of a bump to the sub bass, with a more neutral midbass. The P1 delivers the neutral midbass, but lacks slam, and has poor sub bass extension. The IEM never feels dynamic in stock form. What bass is present is very well textured and detailed however, as the P1 gives the bass the same treatment as the treble when it comes to detail retrieval. This is a great thing, because with a bit of EQ this IEM turns into a whole different beast.
Imaging / Instrument Separation:
The P1 and that mini planar dynamic driver, as you may have expected, delivers sonics with amazing speed and clarity. This leads to fantastic imaging. You really get a sense for each instrument that is present in a mix. For instance, listening to fuzz rock such as Truckfighters, the bass line was very present, where as most other IEMs conceal it lower in the mix and force you to really try and pick it out. Orchestral records are a real treat as well with the P1, as you can definitively tell what is happening with each instrument section.
Soundstage:
While the P1 delivers micro details and instrument separation very well, it falls short on producing a wide soundstage. The P1 never really delivers music with any of that fun “out of your head” feeling. This isn't uncommon for IEMs given that they’re shoved in your ear canal though, and I really didn’t expect much in this category.
That said, the P1 does manage to provide a deep stage, that lends to its ability of conveying quality instrument separation.
Conclusion:
So where does that leave us with Tin HiFi’s newest, the P1? Well, it’s a great IEM with a lot of potential. Stock, It’s not worth the hype it initially received. But, and this a large but, with a little help it turns into one of the best IEMs I have heard, and my personal favorite for daily use with.
First, power. Give it good, clean power, and try several amps if possible. Second, EQ and / or bass boost. The FiiO E12A, on high gain, with it’s tastefully implemented 4db bass boost activated, does something magical to the P1. It takes them from neutral, dry, and analytical, to warm ,lush, dynamic, and oh so very engaging, all without any negative impact on the pros that the P1 possesses. Therein lies the problem with the P1. Stock, it’s ok at best. It’s terrible at being a portable IEM, and it really should be thought of more as a headphone alternative for desk / home use. But,when used in that situation, given a bit of EQ / bass boost, and some quality power, the P1 moves into a class well above its $169 asking price. This is not an IEM for someone looking for an all rounder, or that first high end piece. This is not an IEM for someone that wants to use it on a commute or outside the house. This is an IEM for the collector that wants something new and different, and knows how to put the work in to tweak audio gear to their liking. That is why the Tin HiFi P1 is the best set of earphones that I won’t recommend, but will love and use daily for a good long while.