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V-MODA Crossfade M-100

96% Positive Reviews
Rated #27 in Over-Ear


Pros: Excellent mobile headphone, really great chest-hitting bass, fairly detailed, non-fatiguing treble, folding mechanism is sturdy, modular design

Cons: Shallow earpads, odd presentation of instruments/soundstage, too much bass, laid-back midrange, laid-back upper-treble, fragile zipper on case

Table of Contents

You can CTRL+F or Command+F the following to get to a certain point in my review, or just scroll through and look for the big, bold headings. If you want the gist of my review, sections V and VI are the most important parts.


Preamble (Introduction to the M-100)

I. VTF-100 and the Package Contents

II. Unboxing the M-100

III. My Initial Impressions of the M-100 Before Burn-In

IV. My Impressions of the M-100 After 144+ Hours of Pink Noise Burn-In

V. My Final Impressions of the M-100 (Section "V the People")

VI. Conclusions and Final Thoughts

VII. Customisation and Modularity

VIII. Thank You's

IX. Future Improvements for V-MODA


Preamble (Introduction to the M-100)

The V-MODA Crossfade M-100 has provided me with a headphone experience unlike any other headphone I have encountered.


If you've heard of the M-100 before, chances are you've come across the colossal thread at one point in time. Now, this thread can be thought of the M-100 developmental thread, a V-MODA fanboy thread, a bunch of random off-topic posts, or a super-thread including all of the above plus a lot of hype. I joined this thread in early July and have been pretty active in it since I joined. Originally I was intending to purchase a new headphone that would better suite my needs for mobile listening, mainly a warm-sounding, bass-boosted, durable, compact headphone.


The question is, does the M-100 live up to its hype? Well, ladies and gentlemen, boys and girls, please take your seats and enjoy the ride.





*Disclaimer: all of what I say in this review are purely my own observations. This review is not influenced by major Head-Fiers such as Jude or Tyll and are not influenced by "headphone measurements".

Furthermore, my thoughts of the M-100 have not changed significantly throughout my "journey".


Of course, just like any review, these are my own personal impressions and thoughts. People hear things differently, so what I say might not completely coincide with what you think of the product. Personal preferences as well as getting used to a headphone's sound signature both play a role in headphone reviews.


Before taking this review to heart, as with most products, it is best to try out the product yourself to see whether or not you like it. V-MODA offers a 60-day test trial guarantee, so if you don't like the M-100, and you purchased it from an authorized retailer, you can return your M-100 to V-MODA for a full refund within 60 days.*


I. VTF-100 and the Package Contents

Through this colossal M-100 thread, a secret code was revealed, "VTF-100", in early August. With this code, people were able to pre-pre-purchase a M-100 for $310 USD through V-MODA's official website by typing the code into the search box. A very limited amount of people were allowed to have this pre-pre-order opportunity as only ~300 of these units were to be sold. Some people have called these units the "pre-production units" (PPU), others have called it the VTF-100. Val Kolton (CEO and founder of V-MODA) himself stated that the "VTF-100 is actually the limited first production run of M-100." Because of this, I like to call these units the "First Edition" Crossfade M-100's.


What's in this pre-pre-order special?

  • The standard Crossfade M-100 package [includes 1 Crossfade M-100, 2-year limited warranty, 1 hard-shell "exoskeleton" carrying case, 1 carabiner, 1 SpeakEasy Cable (4 ft., 1 button, 1 microphone), 1 SharePlay Cable (6 ft., headphone splitter at the "MP3" player jack), 1 6.3 mm (1/4") gold-plated adaptor, and 2 VCORKs] - $300 MSRP
  • A second pair of shields of a colour and custom design of your choice - $45
  • A different earpad colour (as of right now, these have not been shipped to customers yet) - $15
  • Boom Pro Mic cable (6 ft., boom microphone (not noise-canceling), mute switch, volume dial) - $??
  • V-MODA Faders VIP tuned earplugs - $20 MSRP
  • A hand-written note from either Val Kolton himself, or V-MODA (although some people did not receive a note)


Total value of package: $370+ USD


II. Unboxing the M-100


^ I just posted the link because having videos in a headphone review on Head-Fi is just weird...and it takes up a lot of screen-space in the review itself.


Don't forget the hidden box feature!



III. My Initial Impressions of the M-100 Before Burn-In

Sound (using the Sansa Clip Zip)


  • Bass punch is decent, not the best, but it's there
  • To me the bass seems a bit too much, at least in a quiet home it seems that way
  • Bass guitars are really nicely textured, well-defined, and have much presence (such as in Fourplay's songs)


  • Mids seem a bit withdrawn/laid-back, but still very acceptable for me
  • Nice warmth in the mids
  • Upper mids sound pretty good to me


  • Less shimmer in the treble compared to the SRH940, but that might be a good thing for mobile listening
  • Treble seems to be laid back and seems a bit plastiky to me (testing using Cloudkicker - Amy, I Love YouFourplay - Bali Run, and 12 Girls Band - 莫高窟 (Mo Gao Ku))


  • Soundstage is decent, not as large as what I was expecting. It seems deeper than wide.


  • I don't think the M-100's would be good for rock music if you like to "be the drummer" (pretend you're playing the drumset)
  • ^ I like to move my hands when playing a rock track as if I were playing the drum set, just a weird quirk I do. The bass pedal of the drum set has some good thump and authority in tracks that I've listened to. To me, the cymbals sound laid back; they're present and they have some sparkle, but I feel that they're somewhat veiled by the bass pedal, when I think the cymbals are inherently louder-sounding than the bass pedal. This happens on the multiple rock tracks that I've listened to. As a result of this, I find that it's harder for me to "be the drummer" since it's harder for me to hear the cymbals over the mids and lows.
  • List of tracks I've used for testing (Click to show)

    12 Girls Band - 莫高窟 (Mo Gao Ku)
    Battles - Futura
    Cloudkicker - Amy I Love You

    Fourplay - Bali Run
    HIGH and MIGHTY COLOR - Pain (I've seen them live)
    Illness Sickness - Anything But Postrock
    Malice Mizer - Le ciel

    Matt Mayfield - It's All About You

    Moi dix Mois - D+SECT (I've seen them live)

    Stereopony - ツキアカリのミチシルベ (Tsukiakari no Michishirube) (I've seen them live)


The Headphone Itself

  • Comfort doesn't seem to be an issue for me, but my ears are starting to warm up after 15 minutes of use.
  • Earcups are actually kind of shallow. The edges of my ears don't touch the earpads themselves, but they do touch the driver enclosure
  • The noise leakage is very minimal despite the semi-closed V-PORT design
  • No one has really mentioned it, but there is a felt patch on the M-100's V-PORT that might affect how it sounds (possible opportunity for modding?)


  • The M-100 in-person is TINY when folded! I am still surprised at how small it is!


               ^ For a size comparison, the headphone on the left is the Logitech UE6000, the Sansa Clip Zip is below it, and an iPad on the far left

  • The new CLIQFOLD hinge mechanism is pretty clever. I don't know why there are so many of the metal discs on the hinge, but the main mechanism is that there is a nub on one disc, and when you fold it, the nub goes into a little niche on another disc, which makes the *click* sound. Doing it in the reverse is the same process. I'm not sure how long this "nub" will last, but since it's made of metal, I'm assuming it will last a while.




  • The Boom Pro Mic cable's microphone has pretty good audio quality I think


Boom Pro Mic audio quality test (Click to show)

Audio Test - Boom Pro Mic on Mac OS X

...compare to...
Audio Test - MacBook's built-in microphone

  • Microphonics seems to be an issue for me. For example, when I turn my head to the left (with the cable being in the left earcup), I can very clearly hear microphonics as the cable rubs against my shirt. The cable microphonics of the SRH940 (kind of a rubbery cable) are much less noticeable and seem very dampened in comparison (kind of a low-piched sound as opposed to the M-100's higher pitched sound)
  • Shield swapping seems to be pretty easy once you get the hang of it
  • Simultaneously SharePlay cable and dual-source listening seems to work just fine


               ^ Post rock combined with shamisen sounds pretty wicked!


The Box

  • I don't have a smartphone to scan QR codes, but the M-100's box seems to have 4 such codes on the box and one for registration
  • The box's material is a very soft-feeling, thick, sturdy cardboard. None of your average, everyday thin cardboard boxes.
  • The "ribbon cutting ceremony tradition" is something unlike any product I have encountered in my entire life. I have honestly never felt more excited to open a package then with the M-100.
  • The handle of the M-100's box is made of the same material as the headphone's headband, which is still an unknown material to me
  • The boxception design of the M-100 box is very clever and is pretty neat in my opinion. This is definitely a box I'm going to keep!


IV. My Impressions of the M-100 After 144+ Hours of Pink Noise Burn-In

Thought I was kidding when I said 144+ hours of pink noise burn-in? After all, who wants to wait for their headphone to burn-in for nearly a whole week without using it? Apparently me + science does:

Big Boring Burn-In Log <- that's a tongue twister (Click to show)

Tracks used:

5-Minute Pink Noise (300 second, 0.8 amplitude pink noise generated by Audacity in Mac OS X, exported as WAV signed 16-bit PCM file, mono)
5-Minute Pink Noise (300 second, 0.8 amplitude pink noise generated by Audacity in Mac OS X, exported as WAV signed 16-bit PCM file, stereo)

Media player used:

iTunes 10.7 (21) on Mac OS X (maximum volume output)

DAC/amp used:

FiiO E7 USB DAC/amp (bass boost 0)

Cable used:

V-MODA SpeakEasy cable

Phase 1 - Left Earcup Mono Track Burn-In
Saturday October 13, 2012
Left earcup with cable, right earcup with V-MODA "cork"
Loud volume (E7 volume level 10) start: 00:35:57 (0 plays; start)
Medium volume (E7 volume level 05) start: 16:00:57 (~185 plays; ~15.41666667 hours later; ~15.41666667 hours from start)
Quiet volume (E7 volume level 01) start: 20:20:57 (~237 plays; ~4.93250003 hours later; ~19.77 hours from start)
No volume (disconnect headphone jacks and suspend in air) start: 00:36:25 (~288 plays; ~4.271666667 hours later; ~24.0077777778 hours from start)

23:55 of "resting time"; reset MacBook


Phase 2 - Right Earcup Stereo Track Burn-In
Sunday October 14, 2012
Right earcup with cable, left earcup with V-MODA "cork"
Loud volume (E7 volume level 10) start: 01:00:20 (0 plays; start)
Medium volume (E7 volume level 05) start: 16:31:42 (185 plays; 6:22 video break (paused iTunes and disconnected E7 from MacBook); ~15.41666667 hours later; ~15.52277778 hours from start)
Quiet volume (E7 volume level 01) start: 20:48:30 (~236 plays; ~4.28 hours later; ~19.80277778 hours from start)
No volume (disconnect headphone jacks and suspend in air) start: 1:48:30 (~296 plays; 5 hours later; ~24.8083333333 hours from start)

23:55 of "resting time"; reset MacBook


Phase 3 - Left Earcup Stereo Track Burn-In
Monday October 15, 2012
Left earcup with cable, right earcup with V-MODA "cork"
Medium-loud volume (E7 volume level 07) start: 02:12:25 (0 plays; start)
Quiet volume (E7 volume level 01) start: 22:12:25 (~240 plays; 20 hours later; 20 hours from start)
No volume (disconnect headphone jacks and suspend in air) start: 02:12:25 (~288 plays; 4 hours later; 24 hours from start)

34:20 of "resting time"; reset MacBook


Phase 4 - Right Earcup Mono Track Burn-In
Tuesday October 16, 2012
Right earcup with cable, left earcup with V-MODA "cork"
Medium-loud volume (E7 volume level 07) start: 02:46:45
Quiet volume (E7 volume level 01) start: 22:50:00 (~240 plays; 20.05416667 hours later; 20.05416667 hours from start)
No volume (disconnect headphone jacks and suspend in air) start: 02:46:45 (~288 plays; 3.945833333 hours later; 24 hours from start)

34:20 of "resting time"; reset MacBook


Phase 5 - Left, Dual-Entry Stereo Track Burn-In
Wednesday October 17, 2012
Left earcup with cable, right earcup with Shure SRH940
Medium-loud volume (E7 volume level 07) start: 03:21:05 (0 plays; start)
Quiet volume (E7 volume level 01) start: 23:21:05 (~240 plays; 20 hours later; 20 hours from start)
No volume (disconnect headphone jacks and suspend in air) start: 03:21:05 (~288 plays; 4 hours later; 24 hours from start)

34:22 of "resting time"; reset MacBook


Phase 6 - Right, Dual-Entry Stereo Track Burn-In
Thursday October 18, 2012
Right earcup with cable, left earcup with Shure SRH940
Medium-loud volume (E7 volume level 07) start: 03:55:27 (0 plays; start)
Quiet volume (E7 volume level 01) start: 23:55:27 (~240 plays; 20 hours later; 20 hours from start)
No volume (disconnect headphone jacks and suspend in air) start: 03:55:27 (~288 plays; 4 hours later; 24 hours from start)

34:22 of "resting time"; reset MacBook


Friday October 19, 2012
04:29:49 Listen and write impressions

Rest until 08:20

This concludes the pink noise "burn-in" period.


Sound (using the Sansa Clip Zip, and MacBook + FiiO E7 + Audirvana Plus)


  • The bass extension is really good
  • Drum pedals have a really nice kick/thump to them


  • They have a nice lush/organic-sound to them
  • Upper midrange seems to have a slight emphasis


  • There is a nice sparkle without having the feeling of fatigue


  • The sound has barely changed (if at all) since pre burn-in
  • I still think the cymbals/upper-treble are laid back relative to the mids (initial cymbal and drum hits don't have the "bite" I think they're supposed to have)


The Headphone Itself

  • For people who wear glasses, the M-100's pads don't press on your glasses' arms too much and still retains a good seal


V. My Final Impressions of the M-100 (Section "V the People")

On October 26, 2012, I received the JDS Labs Objective2 and ObjectiveDAC. These devices are known to be pretty transparent and Tyll of Innerfidelity is actually using the Objective2 as his benchmark amplifier for measurements.




In this point of the review, my impressions will be listed as follows:

  • Overall build quality and design
  • Noise isolation and noise leakage
  • Comfort
  • Unamped (home listening vs. mobile listening)
  • Amped (home listening vs mobile listening)
  • Applying a sound equalizer
  • Earpad modifications (yes, earpad modifications can drastically change the sound of the M-100)
  • Tracks and albums I've listened to


I uploaded a video review on my YouTube channel if you're interested in a different way of presenting my thoughts of the M-100. It's more geared towards the average consumer, as opposed to an audiophile, so the level of detail is less, and is more of a "soft" review. Read-on below for my full-on review and you'll see what I mean.




Build Quality and Design

Overall the M-100 has a really good build quality and a good design

  • There are lots of metal pieces in important structures in the headphone
  • The STEELFLEX headband is able to be stretched in many directions without having to worry about it snapping


  • The new CLIQFOLD hinge seems to have a very sturdy build-quality and I don't foresee any problems with it in the future. The hinge itself is secured in place with 4 hex scews (the same screws as the replaceable shields), two on each part of the folding hinge
  • The dual entry headphone ports is a really neat feature as I like to have the cable on the right earcup in certain situations, but the entry is so narrow and deep that many cables won't be able to fit in it
  • The SharePlay cable's headphone splitter is a nice option to have. I only know of one other headphone company that offers a headphone splitter cable
  • The V-PORT vents on the earcups allows air to flow through the drivers, which most likely decreases the noise isolation. This is good for me because I like to be aware of my surroundings while listening to music. It might be a problem to others though.
  • As a result of the V-PORTs, there is some sound leakage but it's very minimal. It shouldn't be a problem to people sitting next to you in a quiet library.
  • The M-100's can withstand heavy rain pretty well


  • The hard-shell case it comes with is extremely handy for storing the M-100 and is very small in size too.



There are some problems I have with the build and design though

  • The white silver model is more of a créme colour than pure white. I was expecting a pure white, but the créme colour doesn't look too bad.


               ^ Those are the LP/LP2 pads installed on the M-100

  • The metal yokes are screwed into plastic pieces that act as the pivot point for the earcups. These plastic pieces are not held in place by anything in the earcup other than with a plastic peg. This peg can pop out of the earcup.
  • The plastic wing-plates that are at the adjustable headband are prone to cracking as a lot of stress is applied to the 3 screws holding it in place, especially when stretching the headband outward to place on one's head
  • The inner-headband is made of a fabric material. Whether or not that material absorbs sweat and consequently bacteria is unknown to me, but since it is fabric, I will say this is a design problem. For a headphone built for portability and active listening, this is probably not the ideal choice of material to use.
  • The earpads, although really soft, tend to compress too much for me when worn for more than 1.5 hours. As a result of this, the tips of my ears are hard-pressed against the driver enclosure of the earcups. The driver enclosure itself is dome-shaped, so you get less clearance in the earcup than one might think. This effect happens even sooner when exercising.



               ^ M-100 pads are on the left, LP/LP2 pads on the right; they are different in size and the LP/LP2 pads do affect the sound quality

  • The cables are made of fabric, so there tends to be some microphonics. Even more so for the SpeakEasy cable since that cable in particular is rather stiff and non-pliant.


               ^ SpeakEasy on the right, SharePlay on the left

  • Also related to the fabric cables, they have a tendency to fray. I've used the SpeakEasy cable for about 3 weeks and it's already fraying near the microphone portion of the cable.


  • The earpads are made of pleather, so they tend to warm up and while exercising, tend to get really moist/wet


  • The white hard-shell case is prone to show signs of dirt/wear/tear


Noise isolation and sound leakage

For a full-sized, closed-back headphone the M-100 doesn't isolate a whole lot. They seem to isolate most of the higher frequencies, but much of the midrange frequencies still seem pretty audible, just lower in volume.


Despite the V-PORT "hole" in the M-100's earcups, they don't leak a lot of sound at all. They do leak a little, but by the time the leakage is audible, the volume has to be pretty high. The sound leakage should not be a problem for the majority of people.



  • Generally speaking, the M-100 is pretty comfortable even if my ears touch the driver enclosure a little. While wearing glasses, the comfort of the M-100 seems to be fine as well.
  • When using the M-100 for more than 1.5 hours on the other hand, my ears do feel pained from the compressed earpads and I have to set the M-100's down and take a break.
  • This effect happens even faster when I exercise and I usually have to take them off my ears after 30 minutes.
  • The headband of the M-100 is fairly large, but flush against one's head. From my experience, the M-80's headband was extremely small and I had to adjust it to nearly the last "click". With the M-100, I only need to adjust the headband to "click" number 3 of 11.
  • The pleather eapads do tend to warm up pretty quickly, which may be an issue to some

Your mileage may vary as there have been plenty of people with no comfort issues.


The M-100's unamped

While listening at home, the M-100's are limited to the genres of music you listen to because

  • The bass presence is really the first thing that you notice for the M-100 and thus takes the main spotlight in a song
  • The lower-mids are thus slightly veiled from the bass and thus sound more distant than they should be from the listener
  • The upper-mids/lower-treble is slightly emphasised so that female vocals are more forward than male vocals, but also emphasise the hits of snare drums so it can get a bit fatiguing to listen to
  • The upper-treble is laid-back just like the lower-mids. As a result of this, cymbal crashes seem to occur behind the drummer with the snare drum rather than being in-line with the drummer
  • The soundstage seems pretty deep, but not too wide. This gives the effect that the music is being played in a long narrow hallway as opposed to a spacious room.
  • The instrument separation is pretty good overall. Instruments are pretty identifiable within a song but the lower mids kind of blend-in with the upper bass and the upper-treble is laid-back so some cymbal notes are hard to follow.


While mobile listening, the M-100's sound really fantastic to my ears

  • The bass presence is decreased due to external background noise, thus causing it to sound more balanced with the rest of the audio spectrum
  • The chest-thumping bass is still audible over the background noise in most cases
  • The midrange as a whole sounds more balanced with the bass and is not nearly as laid-back as it might be
  • The upper-mids/lower-treble is not as pronounced, so the snare drums sound less fatiguing
  • The upper-treble doesn't seem to be as laid-back as well, similar to the mids, so it presents a balanced sound with the mids and lows
  • The soundstage is more narrow than it might be, so the headphone sounds more "closed-in"
  • Instrument separation is still pretty good


The M-100's amped

When amped with either the FiiO E7 or the Objective2, the M-100 generally

  • Has more of that chest-thumping bass
  • The whole frequency spectrum just sounds a little cleaner to my ears
  • Instrumentation separation is improved and details are more apparent, which may be a cause for the previous point
  • The soundstage is larger, both in terms of width and depth (again, maybe it's due to more instrument separation)
  • The upper-treble is brought a tad bit more forward in the stage, but not drastically

I notice these differences both while home listening and during mobile listening (yes I brought the O2 with me to school/on the bus).


EDIT: I recently purchased a Retina MacBook Pro, so I will compare how it sounds to the 4-year old MacBook I originally used in this section.


4-year old MacBook

  • MacBook headphone-out: OK sound
  • FiiO E7 (line-in connection, bass boost 0) -> M-100 = better sound in my opinion (harder-hitting and cleaner bass, better L/R imaging and instrument separation, slightly more detailed, better upper-treble response)
  • JDS Labs O2 (line-in connection, fully-charged battery-powered) -> M-100 = better sound than E7 in my opinion (tighter bass that's less boomy but loses some of that chest-thump, midrange is more detailed and slightly less laid back, upper-treble response is smoother/less sharp than E7)


Retina MacBook Pro

  • MacBook Pro headphone-out: better sound than the setup above with the E7 in my opinion, I was genuinely surprised (lots of chest-thumping bass, very good L/R imaging and instrument separation, relatively speaking, good upper-treble response)
  • FiiO E7 (line-in connection, bass boost 0) -> M-100 = "meh", I can't tell if it's any better than without the E7 :/ The treble sounds a little grainier/artificial to me and the soundstage is more of that closed-hallway kind of sound (not as good L/R imaging). There is more clarity in the midrange and the bass is tightened up a bit. Strange indeed.
  • JDS Labs O2 (line-in connection, fully-charged battery-powered) -> M-100 = honestly, there's not a whole lot different from without any amps (bass is tighter and better-controlled, slightly better upper-treble response, a bit more detail with the midrange and it's slightly less laid back, slightly better L/R imaging, better instrument separation)


Would I recommend a more powerful amp for the M-100? Probably not. A portable amp is sufficient.


Conclusion: if you already have a good source and amp, amping won't help the M-100's a whole lot. On the other hand, if you have a "meh" amp (as was the case for the 4-year old MacBook), amping does provide some benefits. I wouldn't spend more than $100 on an amp though, personally, as the $144 JDS Lab Objective2 didn't sound substantially better over the E7 at half the price; in other words, you don't miss out on very much if you buy a "cheaper" amp.


Sound Equalizer

Generally speaking, a bass reducing, upper-treble increasing sound equalizer makes the M-100 sound more balanced for home-listening and brings out the mids a little with more definition and clarity, especially the lower-mids.


In iTunes, I applied an EQ for many different genres of music and I came up with this "average EQ" composed of 11 EQ's total:


Of course EQ-ing is a subjective process so your mileage may vary. Using a sound equalizer with more bands, or better yet, a parametric EQ would probably be better, but the above EQ should suffice for most people.


Earpad Modifications

For the sake of keeping this strictly a review for the M-100 as it is, as it was meant to be, I will place all modifications in a spoiler tag. Readers may read through this spoiler at their own leisure.

Earpad Modifications (Click to show)

miceblue's earpad modification (Click to show)
Photos (Click to show)






How I did the mod


Paper towel info:

Brand: Up & Up (I think this is Target's house brand)

Size: 11 in (27.94 cm) X 10.4 in (26.416 cm)

Layering: 2-ply

  1. Take the paper towel and tear/cut it into fourths
  2. Using one of the fourths, tear/cut it in half
  3. Fold each of these so that you are left with 2 long strips (see second photo)
  4. Use one of these pieces in each earcup (I lined the right, bottom, and left sides of the earcup)
  5. Repeat steps 2-3
  6. Cut one of these pieces in half so you have 2 shorter pieces
  7. Use one of those pieces in each earcup so that each earcup has 1.5 long strips (I lined the upper right, top, and upper-left parts of the earcup). In the top photo, the smaller piece is the other half of a fourth that is leftover.



  • The bass is reduced in quantity, making it sound more balanced with the rest of the audio spectrum
  • The midrange is more forward and details are clearer to hear
  • The highs are much easier to hear (in particular the cymbals, which is the one main area of the unmodded M-100 that I think could have been improved; they are muuuuch better defined with the mod and they still remain not sibilant to my ears)
  • Surprisingly the soundstage seems to have gotten wider too. It sounds much more spacious with the mod. This soundstage can rival the SRH940 in my A/B comparison on my MacBook + Audirvana Plus + FiiO E7 setup (it's still not as wide, but it's much wider and deeper than the unmodded M-100)



  • As for fit, yes the pads are stiffer, but my ears no longer touch the driver enclosure as much, so it's more comfortable as a whole.


Test tracks:

Joanna Wang - Lost In Paradise (the vocals are brought more forward and sound a little clearer)

Battles - Futura (the bass pedal isn't emphasised as much, but the punch is still there, so the cymbals are easier to hear; drummer-mode is activated! :)) )

Cloudkicker - Amy I Love You (same result as ^)

Ottmar Liebert - Snakecharmer (the guitar seems more up-front)

Massive Attack - Teardrop (the bass isn't as prominent, but it sounds more balanced to me; the "ssss" vocals are still sharp as before probably due to the recording, but they are again not ear-grating like they were on the SRH940)

Fourplay - Chant

Raw notes/scribbles (Click to show)

good instrument separation
drum up front
drum pedal has punch, a little too much for me
bass guitar is very prominent, and has lots of authority
cymbals ts ts ts audible, more in background (quiet)
snare drum easily heard, back on stage
1:11 very good left/right imaging, lots of air between instruments
voices in background in front of snare drum a few steps
other drums have very forward sound
1:40 voices slightly in front of drums, front stage, bass guitar in front of drums (well defined notes)
piano is very clear, in front of drums and background vocals, front stage
2:50 guitar? now takes front stage, piano good distance away, bass next to piano, cymbals barely audible
cymbals clearly defined, nice authority
very good L/R imaging for drumset
5:50, cymbal ting ting ting ting audible, voices in front, bass guitar slightly behind voices

good instrument separation
drum up front, but more behind than modded, tonality seems off (sounds flatter in sound)
drum pedal has more punch
bass guitar is not as clear, (bu duuuuum ditto dooom, doom part is much quieter than modded), but louder than modded overall
cymbals ts ts ts ts is barely audible, still in background
1:11 ok left/right imaging (less wide)
snare drum easily heard, might cover "doom", seems farther back than modded
voices in background seem further back than before, but still in front of drums
decent left/right imaging, not as wide
1:40 main vocals seem quieter than bass guitar (doom doom doom doom doom bass), bass guitar in front stage, notes not well defined
piano is clearly defined again, not as forward, but in front of drumset and bass guitar, behind background voices (sound nasally)
2:50 guitar takes front stage, piano behind, bass guitar in front of piano (overshadows)
cymbals clearly defined, way behind vocals
good L/R imaging for drumset
5:34, cymbal ting ting ting ting audible, next to voices, bass guitar in front

Overall, modded sounds like a wider stage with better instrument separation, but not as deep (sounds like 1st row in a concert?), unmodded sounds like a deeper stage with less width and the bass guitar is more forward in the stage (sounds like 10th row in a concert? more reverb sound?).



Listening in a noisy environment


After trying the M-100 at school and on the bus, I concluded that:


  • It does have better noise isolation but not a whole lot more, as I mentioned. The bus's engine noise was drowned out a bit more, especially the higher frequencies.
  • Cymbal crashes and other higher frequency sounds were more apparent than unmodded



  • The U-shaped sound is more preferable, to me, while walking on campus/with extra background noises
  • The bass was more easily heard over the outside noise than the modded version, so it was actually really pleasant to hear the bass guitars in some tracks over people's conversations
  • Laid back lower midrange was harder to hear over outside noise, but the upper mids were nicely balanced with the bass (snare drum and cymbal hits can get a bit fatiguing though)
  • The quieter [upper?] treble was also more pleasant to my ear since it's not fatiguing (the modded version was a similar experience with my SRH940, too little bass and lower mids, too much upper mids and highs)



Isolation test

Raw notes/scribbles (Click to show)

Test track played on $20 desktop speakers: Quincy Jones Back on the Block

(M-100 is not connected to anything, cable is removed from earcup)



Isolation is pretty good

Most of the highs are blocked out

The mids/vocals are somewhat blocked out (I can still hear the singer's lyrics and the background "ooo waaai eee ooh")

Bass guitar is kind of audible



Isolation is still pretty good

More of the highs come through to me (the snare drum's hit is more audible), but they're still mostly blocked out

The mids/vocals, just like the highs are a tad bit louder to me (the lyrics are more distinguishable)

The bass guitar is is also more audible

Overall there is slightly more noise isolation when modded, but it's not a deal-breaker.

Both versions isolate a decent amount. With this mod, the higher and upper-midrange frequencies are blocked out more. They don't isolate as much as the SRH940, which I thought was good (Innerfidelity says it has a -14 dB isolation rating, which is about average for a full-sized headphone), but it's pretty close.



Soundstage test


Using this video as a test for the soundstage, it gave me a good sense of the M-100's soundstage.


  • I definitely sense more depth than width as I've mentioned before. The two sentries at the L/R locations at 1:48 in the video seem to be more diagonal L/R, giving a larger sense of depth. On the SRH940, the L/R locations are much more accurate from my quick listen, and the echo effects in the TF2 room makes the room much more realistic-sounding than the M-100 relatively speaking.



  • Wow OK this is kind of scaring me. With this mod, the soundstage IS in fact wider as I previously mentioned as well. The L/R imaging of the sentries is more accurate (L/R as opposed to diagonally behind L/R) and the echoes of the sentries in the room make the room sound much larger than it was in the unmodded version....this larger soundstage actually does rival the SRH940, also as mentioned before. blink.gif




I've been switching from modded to unmodded and the sound difference is very clear to me. The best thing about this mod is that it's completely reversible and is easy to do.


DigitalFreak's earpad modification (Click to show)

DigitalFreak suggested a different mod that uses smaller paper towel pieces.


Photos (Click to show)



Raw notes/scribbles (Click to show)


Setup: MacBook + Audirvana Plus (integer mode, exclusive access mode, use max I/O buffer size, best quality sample rate conversion) + FiiO E7 (volume level 05, bass boost 0)

Track used: Fourplay - Chant


DigitalFreak Modded
very good instrument separation
drum up front, mid-stage
lots of bass pedal punch
bass guitar in front of drums, very prominent, well-defined notes
cymbals ts ts ts ts audible
vocals up closer to front stage
good L/R imaging
bass guitar in front (dun dun dun dun dun sound), cymbals behind vocals
piano slightly in front of bass guitar, drumset behind
guitar takes front stage, bass guitar behind, piano behind bass guitar, drumset behind that
3:29 very clear cymbals and drums, vocals slightly in front, bass guitar behind vocals
5:50 cymbal ting ting ting ting present, next to bass guitar, vocals in front, piano slightly behind

ok instrument separation
drum further back
more bass pedal punch
bass guitar in front, VERY prominent (I can feel it rumbling my gut), slightly slurred notes
cymbals ts ts ts ts barely audible (bass guitar/pedal overshadows)
vocals next or slightly behind bass guitar
OK L/R imaging
bass guitar in very front (dun dun dun dun dun sound), cymbals next to vocals
piano in front of drums, behind bass, vocals slightly in front of piano
guitar takes front stage next to bass guitar, piano behind both, cymbals barely audible
3:29 cymbals sound lacking in higher ring, vocals next to or slightly behind drumset
5:50 cymbal ting ting ting ting back on stage, vocals slightly in front, piano next to vocals, bass guitar slightly behind vocals/piano

miceblue Modded
excellent good instrument separation (lots of air between instruments)
drum up front, mid-stage
least bass pedal punch, still good though
bass guitar slightly in front of drums, prominent, well-defined notes
cymbals ts ts ts ts is audible
vocals closer to front stage
very good L/R imaging
bass guitar in front (dun dun dun dun dun sound), vocals very slightly behind, drums slightly behind vocals
piano in front stage, bass guitar behind, vocals slightly in front of bass guitar
guitar in front stage, piano slightly behind, bass guitar behind in front of drumset
3:29 very clear cymbals and drums, vocals in front of drumset, bass guitar slightly in front of drumset
5:50 cymbal ting ting ting ting present very clear, vocals in front, piano slightly behind bass guitar next to drums


Overall impressions, DigitalFreak's mod is mid-way between miceblue's mod and not modded. miceblue's mod seems to have better instrument separation and stage width, but at the loss of some bass impact/presence, sounds more balanced overall. DigitalFreak's mod still retains the M-100's signature bass but is more clearly defined/cleaner and the midrange is brought more forward as well as having clearer treble.


Given the slight differences between mods, I could actually go for either! They both sounded good to me for that particular track.

I like DigitalFreak's mod a little more since 1) it retains the signature M-100 sound for the most part, and 2) it's easier to install. My mod, on the other hand, significantly changes the sound and it's much more cumbersome to install.


Tracks and Albums I've Listened To

Because this part can be quite boring to some, I'll place all of the tracks and albums I've listened to in a spoiler tag. I used all of these tracks and albums to help formulate my thoughts of the M-100's sound.

As you can see, I listen to a wide variety of music genres.

Tracks and Albums I've Listened To (Click to show)
Most of the albums are either in the form of a CD, accurately ripped EAC FLAC files, or FLAC files downloaded from Bandcamp. If I used an MP3 file, except where noted, it was likely encoded as a V0 LAME MP3 file.

László Szendrey-Karper - Hungarian Chamber Orchestra - Guitar Concertos & Sonatas - Antonio Vivaldi & Francesco Geminiani
Leo Ku - Strings Fever
Opus Two, Charles Bernard, Marin Mazzie - Leonard Bernstein: Violin Sonata, Piano Trio, New Transcriptions
Yo-Yo Ma - Richard Strauss, Benjamin Britten: Sonata for Cello & Piano, Simply Baroque 2
Yury Boukoff, Mark Drobinsky, Rasma Lielmane - Richard Strauss: Les Trois Sonates

Classical Crossover
Lindsey Stirling - Lindsey Stirling

ThePiano Guys - ThePianoGuys

Ambidextrous & Morkva - A&M
Amon Tobin - Bricolage, Foley Room, ISAM, Out from Out Where
Basshunter - LOL <(^^,)>
Deadmau5 - 4x4=12, For Lack of a Better Name, Random Album Title
Fighter X - various unreleased tracks
Fila Brazillia - Luck Be A Weirdo Tonight
Ladytron - Best of 00-10 Deluxe Edition
Little People - Mickey Mouse Operation, Unreleased Bits & Pieces (Part 1), Unreleased Bits & Pieces (Part 2), We Are But Hunks Of Wood
Massive Attack - Mezzanine
Tiësto - Magikal Journey: The Hits Collection
Trash80 - Hologram EP, Icarus EP, Weeklybeats 2012, various singles
V2V Online - various music streams (available on SoundCloud)
Yosi Horikawa - Wandering EP

Ottmar Liebert - The Hours Between Night + Day, Up Close

12 Girls Band - Eastern Energy, Romantic Energy
Beth Orton - Comfort of Strangers, Daybreaker, Trailer Park
Chen Dacan Chinese Ensemble, Soloist Li He - Classical Chinese Folk Music, Featuring the Chinese Flute
Joanna Wang - Start From Here
Shan Di Orchestra - China-The Middle Kingdom
Various Artists - Pu'ukani: 'Sweet Music' of Hawai'i

Jon Cleary - Jon Cleary and the absolute monster gentlemen
Tower of Power - Bump City

M-Flo - Cosmicolor
Quincy Jones - Back on the Block

98.9 Smooth Jazz KWJZ - Free CD Music Sampler
Colin Stetson - New History Warfare Vol. 2: Judges
Deems - Deem's Greatest Hits
Fourplay - Between the Sheets, Fourplay
Mongo Santamaría - Montreux Heat!
Quincy Jones - From Q, with Love
Vince Guaraldi - A Charlie Brown Christmas [Starbucks Exclusive]

Gabriela Montero - Baroque, En Concert à Montréal - Frédéric Chopin, Sergei Rachmaninov
Yuja Wang -

Adele - 21
By2 - Twins
Fahrenheit - 越來越愛, 雙面飛輪海
Fiona Sit - Funny Girl
Gigi Leung - 怕寂寞的貓
Jane Zhang - 我相信, 改变
Lady Gaga - Born This Way, The Fame, The Fame Monster
Magnetic North & Taiyo Na - Home- Word (Deluxe Edition)
Peggy Hsu - 奇幻精品店
Pet Shop Boys - Please, The Most Incredible Thing
Rainie Yang - 任意門
S.H.E - Play, SHERO, Super Star, 愛的地圖
Taylor Swift - Fearless, Speak Now, Taylor Swift
Vitas - Say You Love, Philosophy of Miracle
加藤ミリヤ - Ring

Slightly Stoopid - Chronchitis, Everything You Need

1724 Records - Beijing Post-Rock
Battles - Gloss Drop
Boris - Heavy Rocks
Cloudkicker - Beacons
GACKT - Diabolos, Episode.0, Mizérable
Linkin Park - Meteora
Matt Mayfield - A Dozen Doughnuts For Feeding Thirteen
Moi dix Mois - D+SECT, Diaxandu
Nightwish - Angels Fall First, Imaginaerum, Made in Hong Kong (And in Various Other Places), Once, Over the Hills and Far Away, Wishmaker
Pink Floyd - The Wall
Stereopony - Over The Border
The National - Exile Vilify
Versailles - Noble

Isaac Hayes - Hot Buttered Soul
Seal - Seal, Seal 6: Commitment, Soul 2
Usher - Confessions

Chiaki Ishikawa - Bokurano OP & ED
Daft Punk - Tron Legacy Original Soundtrack
Jun Maeda, Shinji Orito, Magome Togoshi, OdiakeS - various Key anime soundtracks (Air, Clannad, Clannad: After Story, Kanon, Kanon 2006)
Isaac Hayes - Shaft
Official Music Created for Tutankhamun: The Golden King and the Great Pharaohs - Sound Sketches of Ancient Egypt
The Track Team - The Legend of Korra Unreleased Music (16-bit, 48 kHz, 256 kbps)
TM Revolution - Ignited (128 kbps), Invoke (192 kpbs)
Tokyo Philharmonic Orchestra - 涼宮ハルヒの弦奏
Two-Mix - Just Communication (128 kbps), White Reflection (128 kbps)
Various artists - Tron Legacy Reconfigured

Yoshida Brothers - Ibuki, Yoshida Brothers II, Prism


VI. Conclusions and Final Thoughts

So why did I give the value of the M-100 a 5/5 rating when everything else is a 3.5/5?


Let's step back for a second. As I posted in the first paragraph of the Preamble, I was looking for a headphone that "would better suite my needs for mobile listening, mainly a warm-sounding, bass-boosted, durable, compact headphone". Does the M-100 deliver that requirement? Absolutely yes! The M-100 passes those criteria with flying colours!!! Therefore to me the M-100 is totally worth the $310 I paid for it. From this criteria, I would give the M-100 a 4/5 for sound quality. The laid back midrange is really the only thing I would want fixed for mobile listening.




However, on the other hand, this is [SPARTA!!] Head-fi and wherever there is hype, people are expecting a high-fidelity product. In this sense, I do not think the M-100 excels very well here.


The M-100 is a very "fun-sounding" headphone that oddly presents instruments in the stage in my opinion. The more depth-based soundstage sounds weird to me since I'm used to hearing headphones with a very wide, more realistic "looking" soundstage. From my own personal experience, when music is played live, on-stage, the stage itself is fairly limited in depth and more spacious in width.


The bass presence of the M-100 is so present, that the lower midrange is veiled somewhat. Bass guitars and drum pedals are placed front and center in the stage, placing guitars and male vocals behind them. This presents the bulk of the midrange, essentially, at half-stage instead of the front.


The slightly emphasised upper-midrange/lower-treble is near "sibilant" to my ears, where "sibilant" is not the traditional sssss sibilant, but more about how bright those sounds sound. Snare drum hits can get fatiguing for example.


The upper-treble is laid back, just as the mids are, so the cymbal crashes seem to be further back on the stage than the snare drums. This odd presentation makes the whole drumset sound weird because the bass pedal is in the front stage, snare drums slightly behind that, and the cymbals way behind the snares.



Or in short:

Bass lower-midrange upper-midrange lower-treble upper-treble

^ hence, a U-shaped sound signature


The M-100's are well textured and detailed, but due to the laid back midrange and upper-treble, the resolution of detail isn't as good as what other headphones might offer (mainly headphones with a forward midrange and more treble presence) at the same volume level.




Wrapping up this whole experience, it has been one of the most, if not THE most, interesting experiences I have ever encountered on Head-Fi.


Does the M-100 live up to its hype? In my honest opinion, going from what Head-Fiers usually want from a super-hyped headphone, no. It doesn't seem to have the same sound signature of the M-80 from my experience and is more of a consumer-audiophile headphone as opposed to the M-80's more audiophile-consumer sound. Some people on Head-Fi looking for an upgrade from the M-80 might find themselves a bit disappointed with the large increase in bass, more "sibilant" treble, and still laid back midrange. Resulting from this is a very "iffy" headphone when it comes to different music genres. Electronic music excels with this kind of sound signature, but many do not benefit from this type of signature.


Does this mean the M-100 is a bad headphone? Not in a chance is it bad. The M-100 was developed for the purpose of fulfilling the needs of "Modern audiophiles", which I interpret to be "audiophiles" who listen to more modern genres. This is why I gave the M-100 a pretty positive review on my YouTube video as most viewers are likely going to be listening to modern music on their modern iPods. The M-100 excels for this purpose in my opinion, but at the same time may disappoint hard-core audiophiles expecting a more traditional audiophile output from the M-100.


For me and my purposes, the M-100's are the best portable, mobile headphone I have ever touched and so they have a high value to me. As a mobile "road warrior" listener, the M-100 provides a very balanced sound for nearly every genre of music I throw at it from my Clip Zip. Again, I must emphasise that the M-100 is by far the best-sounding mobile headphone I have touched. I've tried many different portable headphones and the M-100 is almost always on the top. The Crossfade M-100 really is the perfect headphone for my purposes as it easily, EASILY slayed the criteria I had prior to going through this "journey" and it goes way beyond what I had in store. In comparison, other headphones I've tried can only meet, but not exceed these criteria.










....OK it's 4:45 AM where I am. I might be missing a thing or two in my review, but I really, really, really need to get some sleep. >_<''


VII. Customisation and Modularity

As with V-MODA's previous headphones, the ability to customise your headphone is a really neat feature. V-MODA offers a level of customisability unlike any other headphone in the market, to-date, so if you're looking to purchase a M-100, I would highly recommend taking advantage of this feature.


The M-100 comes in 3 default colour schemes:

  • Matte-black - everything on the headphone is matte (non-glossy) black, even the branding; comes with matte-black shields, black earpads, a bright orange SpeakEasy cable, and a black SharePlay cable
  • Shadow - it has a suede-like headband with red stiching, a red "V" on the glossy wingplate, and the earcups are a glossy black; comes with brushed-aluminum shields, black earpads, a black SpeakEasy cable, and a red/black SharePlay cable
  • White silver (the one I purchased) - everything is a créme coloured white, with chrome accents on the earcups and "V" on the wingplate, the wingplate and earcups have matte-finish, the headband is made of a leatherette-like material and has visible "dots" on them; comes with matte-silver aluminum shields, grey earpads, a two-tone grey SpeakEasy and SharePlay cables


From these default schemes, different coloured shields can be purchased separately via their V-MODA's Custom Shield Kits. Each kit comes with 2 shields with an optional, laser-engraved, V-MODA-designed logo with text of your choice, extra hex scews, and a hex (AKA Allen) key. These kits sell for $25 each, except for the gold-coloured shields, which are $50 each.


For an additional $20 fee, you can have V-MODA engrave a custom logo of your choice. More information regarding this process can be found on V-MODA's custom shields webpage.

My custom design ended up looking like this (on the ocean blue colour):




Furthermore, you can add more customisation options to your headphone by having different coloured earpads. As of right now, V-MODA does not have extra earpads in stock, but in the future, they should have black, grey, and white earpads available to purchase for $15.


^ That's a white LP/LP2 earpad, not an M-100 one


And if that wasn't enough, there are the different colour options for cables. Right now V-MODA, again, doesn't have this as an option yet, but I'm assuming in the future, once they start shipping the M-100's to the public, different cable colour options will be available to purchase.


Relating to cables, there are a plethora of cables available for you to use.

  • Got an Android device? There's a cable for that (1-button SpeakEasy).
  • Got an Apple device? There's a cable for that (1 or 3-button SpeakEasy).
  • Are you a gamer? There's a cable for that (Boom Pro Mic). This cable has a built-in flexible boom microphone. This cable has a single TRRS jack at the end, so if you need a VoIP connection, a separate adaptor is needed.
  • Are you a DJ or a professional sound engineer who needs the flexibility of long cables? There's a cable for that (CoilPro Cable).
  • Are you a mobile listener who likes to share music with others? There's a cable for that (SharePlay).
  • Maybe you're just an audiophile who wants an audio-only cable. Well good news for you, there's a cable for that (Audio only).


The best thing about the cables with the M-100 is that you can plug-in your cable into either earcup. Sometimes I put my portable media player in my right pocket, so it's convenient to have the cable going to the right earcup; at other times it's in my left pocket, so having the cable going to the left earcup is more convenient.


VIII. Thank You's

Thank you V-MODA for allowing me to have this incredible pre-pre-order opportunity.

Thank you Val Kolton for dedicating so much time and energy with the Head-Fi community to create this first semi-open-source headphone. It is truly an honour to interact with the CEO and founder of a company. It has been quite a journey going through the M-100 develpmental thread and I appreciate all of the hard work you have done to:

  1. Cope with everyone's requests, complaints, questions, and burdens
  2. Manage to create a product that meets many of the requests

I think many people in that thread are going to be satisfied with what the M-100 offers as a direct result of your hard work in trying to put everyone's requests into one product.


Lastly, thank you readers for taking the time to read through this incredibly long review. I have spent a great deal of time compiling my experiences, photos, videos, and afterthoughts into this review and I hope you get a thing or two out of it.


IX. Future Improvements for V-MODA

This is mainly for Val and V-MODA to read, as I will offer some constructive criticism. Normal Head-Fiers or readers may disregard this section.

Dear Val and V-MODA, (Click to show)

In all honesty, think the Crossfade M-100 is a very successful product for mobile "road warriors" as well as "Modern audiophiles". The M-100 is by far the best portable, mobile headphone I have ever encountered and I wholeheartily think the M-100 is an absolute bargain for the $300 price tag if you need a headphone for those purposes.


You took the sound of the very successful M-80 and tweaked it to match the needs for "road warriors" and "Modern audiophiles" alike. Bumping up the bass as well as the lower-treble region to create a U-shaped sound signature is very ideal for such listening purposes. I think many people are going to love the sound of the M-100, and it has been very favourable so far as evident by tech blogs and major reviewers.




On the other hand, tweaking the M-80's sound to be more "fun" may disappoint die-hard audiophiles who were expecting a more audiophile-like output from the M-100. In this regards, I don't think the M-100 is very successful in creating this kind of sound. The bass presence is way too much for many genres of music, the laid-back upper-treble (cymbal crashes) isn't sparkly enough to satisfy many rockers out there, and the laid back midrange makes the M-100 an "iffy" headphone for mid-centric music genres, and especially those featuring vocals.


Because of this choice of tuning, the M-100 presents instruments in more of depth-based stage rather than a more realistic-sounding wide-stage. This is especially noticeable while listening to orchestra music as the cello is placed right up in the front stage (which is okay), but the violins and other strings are placed much farther back, and are limited in their left/right positioning. A full-staged orchestra is now compressed into a long, narrow hallway. A similar effect is noticed when playing rock music. I noted this effect the first time I posted my impressions on Head-Fi a few hours after unboxing the M-100.


Pianos have good timbre, but, again, because of the tuning, the presentation of the piano seems off and is more of a distant background instrument rather than the main spotlight in many of the tracks I've listened to. I feel like I am sitting in row M in a concert rather than in the front rows, the piano just seems so distant to me.




Enough with the examples, you're probably asking "where is the constructive criticism?"


For a future headphone, whether it's in the Revolver, or the Milano, I think Head-Fiers would really like a true-audiophile headphone produced from V-MODA.


The M-80 is a huge success in the audiophile community, and you'll soon find out how the M-100 will fare in the same community. I personally don't think the M-100 will receive too many good marks for pure, home-listening audio quality, but rather it will receive excellent marks for "road warrior"/"Modern audiophile"/casual-listening audio quality. They are two different kinds of sounds desired by two different audiences.


For a more pure, home-listening, traditional audiophile experience, I think the following can be improved:

  • Reduce the bass quanity - most true audiophile headphones have a slight bass boost, but the M-100 has too much of a bass boost. Something like the M-80 but with an ever-so-slightly boosted bass with the M-100's bass extension looks to be a desireable sound in the bass region.
  • Reduce the lower-midrange veiling - as many have noted with the M-100, myself included as evident by my immediate initial impressions, the M-100 has a laid-back midrange. Val has mentioned that the mids are "neutral", but neutral means presented without colouration. The mids, and especially the lower-mids are coloured by the accentuated bass, and give the impression that they are further back in the stage than where they should be. The mid and sub-bass seems to take the most authority in the M-100 so it overshadows, hence veiling, the lower midrange.
  • Bring the whole midrange more forward - as with the M-80, the M-100's midrange as a whole is fairly clear, but is held back. Bringing the midrange more forward would offer a more realistically-presented midrange. The singer and/or other midrange instruments such as violins or guitars would take the front stage as they should, being the main spotlight of the song, rather than the bass instruments.
  • If all of the above are done, lower the lower-treble a tad bit - snare drum hits would be more aligned with the rest of the sounds, so not a huge alteration should be made for this region of sound. At the moment, the M-100's lower-treble is slightly fatiguing for home listening as a result of the U-shaped tuning
  • Increase the upper-midrange - the M-100 has decent sparkle, much better than the M-80 from my experience, but is still lacking for home listening since it still seems relatively laid back compared to the upper-mids/lower-treble and the very forward, in-your-face bass
  • Increase the width of the soundstage - the M-100's depth-based soundstage is odd to hear. The different amounts of layering on the stage due to depth sounds rather unusual and un-realistic because, as previously mentioned, most headphones with a "large soundstage" have much more width in the stage than depth, as is the case for concert stages.

Resulting from all of the above, I think a more audiophile-like output can be achieved. Reducing the bass quantity, making the midrange more forward, and increasing the sparkle of the headphone will ultimately allow the listener to hear things more accurately and thus is able to pick up details in recordings much better.


Like I said, these are my thoughts for how the future headphones of V-MODA can be improved to create a more traditional, home-listening, audiophile-friendly headphone. In my mind, the M-100 is a huge success for its intended purposes, and is definitely my recommended headphone of choice for "road warriors" out there, but those looking for a more "audiophile M-80" will be slightly disappointed with the more "fun" sound signature.


Finally, not related to headphones, I think V-MODA in general has fantastic customer service. The "Six Star Service" experience has been a very positive one for me. However, throughout this M-100 journey, I noticed that there were several inconsistencies that occurred. To help improve the "Six Star Service":

  • The V-MODA support staff should be notified of changes that Val has mentioned - I can imagine this is extremely hard to do, but it was kind of frustrating to hear Val say one thing, V-MODA support to say another
  • Have "due dates" that are either accurate, or over-estimated - it was also frustrating to hear that the M-100 was going to be released X, and then it got "delayed" until Y, and then it got moved to Z, and then it finally shipped on V. It is also equally frustrating for some people to see the broad message of: "will ship within 60 days".


Thank you for taking the time to read this, and I am really looking forward to seeing how future V-MODA headphones will turn out!

Veni. Vidi. Vici.


- Miceblue


Revision 1: November 12, 2012

  • Fixed a few typos
  • Changed the formatting for the photos
  • Added a Table of Contents before the Preamble section
  • Added a small disclaimer in the Preamble section regarding my observations
  • Added an equalizer , noise isolation and leakage , and "tracks and albums I've listened to" sections in section V
  • Update the comfort section in section V to include the headband size
  • Added some more details about why I like the M-100 in last sentence/paragaph of section VI
  • Added a seventh (VII) section regarding customisation options and modularity for the M-100

I have concluded that this "review editing window" is not very convenient


Revision 2: December 3, 2012

  • Fixed a few typos
  • Added more details in the The M-100's amped section


Revision 3: December 9, 2012

  • Changed the cons section at the top of the review to include shallow earpads and a fragile zipper on the case (I originally had "emphasised upper-mids/lower-treble" in the cons list but it's a minor complaint compared to the new ones I added)
  • Added "horizontal lines" to better indicate when a new major section appears in the review


Pros: Crisp and clear highs, punchy bass.

Cons: Hot, low mids, uncomfortable.

After picking up these headphones, I soon returned them. This is why.

1. They get HOT. Due to the memory foam, my ears were sweating under these.

2. They leak more sound out than in.

3. The reduced treble left some parts of songs lacking - cutting out vocals almost entirely at some points.

4. V-Moda's apparent refusal to accept returns of their headphones from sellers aside from themselves - even when they advertise the return policy on the seller's website. (Buy through Amazon instead)

5. DAMN UNCOMFORTABLE, DOWNRIGHT PAINFUL. I stuck paper towels between the pads and the drivers to get some relief from the pain of the metal cage pressing against my ear. I guess that is the price of slim headphones.

6. I had difficulty getting them to sit symmetrically on my head - either a product of the pads and their slight inconsistency in accomidating my ears under them, or a factor of my own ears.


But here I am - a month later and I miss them. I'm a novice to high end audio, but I did like some areas of these. They fit well with most electronic music.

1. The crisp, clean, sparkly highs were beautiful, and feeling the cans vibrate with the lowest bass was incredible.

2. Sturdy headphones - I was not worried at all about damaging them.

3. They're just purty.

4. The pain part of them was more or less fixable. If bigger pads come out, I would pick those up without a second throught.



I'll probably pick these up again when the price goes down, I think 250 is about right for these. It will be interesting to see how future production runs compare in audio quality, as the whole time I had them I hunted through songs for tiny pops of static and little imperfections in the headphones. I found very few.


To reiterate- if you have tiny ears and like listening to nothing but electronica and dubstep these are for you. They're nice by all means, but they didn't fit me.


Pros: Comfortable, non-fatiguing, portable w/mic and controls, very enjoyable sonic presentation (musical, w/adequate detail)

Cons: Slightly recessed lower mids.

These are not flat or analytical sounding cans, but they are a pretty good slice of the sonic cake for portables. I'm crowning these cans as Electronic Dance Music (EDM) king contenders for sure.

First off, let me say that I love Head-Fi, and I enjoy reading so many impressions of so many pieces of gear. I've learned so much about portable sound over the years thanks to this place and Head-fi has cost me a lot of money (in a good way) too! Thanks to Head-Fi again, I discovered 2 more treasures to add to my growing collection (V-Moda V80 and M100). I typically read way more than I post, but I felt like giving back a bit and offering my impression of the M100 cans I recently bought.

I was really after a portable headphone that offered an overall sound arrangement that was fun, clean, non-fatiguing, yet not lacking in detail so much as to sound muddy or overly veiled in the mids. I had trouble finding what I was looking for until I stumbled upon the M100, which gave me everything I was looking for.


The M100 does NOT have overbearing and fatiguing bass that destroys the rest of your music like Beats do (tried & compared Mixr). The M100's have deep, clean, and plentiful bass WITHOUT over-delivering. I did not find mids and highs getting crushed in the aftermath of bass punch, which was epic relief to me since I like bass, but not the absolutely dominating and overbearing amounts that kill any hope of hearing the rest of your music. I never felt like I was having a sonic tug of war like I did with Beats Mixr headphones, where I know my music well, and I had to struggle to hear subtle pieces I know are supposed to be there. Also here, you get good sub-bass, which is more felt than heard. I absolutely love how these drivers deliver bass frequencies and volume. This bass is not as tight and punchy as the M80, but this is my preference.


I'm enjoying the arrangement of the mid emphasis where it is, which seems to be upper mids, with slightly lowered lower mids. I tried the Sony MDR-1R, which sounded horribly forward in the mids, and artificial IMO. I don't feel frustrated trying to discern anything in the lower mids in this arrangement either, but as others pointed out before me, female vocals really stand out with emphasis to upper mids nicely here. Overall, I love the articulation here and clean presentation that lets me effortlessly pick up inflection and great nuances in female vocals, especially.


Highs on the M100s are about perfect for a portable, and is rolled off at a sweet spot that still gives me a good taste of effects and instruments in the upper spectrum without the fatigue. I think they got this right for a portable setup, and I love listening to these for hours on end without my ears feeling like they have to throw in the towel.

Value Assessment:

What is interesting about these cans is that I resented paying 300 for them at first, until I discovered that there aren't many other portable choices that offer a combination of competing sound, style, portability, comfort and build quality. These are very good quality cans on the go. I really couldn't find a better pair that offered the same combinations, and I love the inline mic and control buttons on the cable!


These are not analytical, flat cans, no. These are high quality portables with warm, clean, adequately detailed and non-fatiguing sound. Seriously, these are what Beats really should have been in my opinion. And to offer more context to my impressions, it should be noted that I listened to Electronic Dance Music (EDM) extensively, contemporary R&B, soul, reggae, some alternative, rock, and some metal. I like so much music (except most country), but EDM is my favorite, and it sounds amazing on these. I use Neutron as my music player on a Samsung GS4 (hence the desire for portable cans), EQ off, dithering on. I rip my own CDs with Exact Audio Copy to 320 CBR using lame as the encoder. The stock Samsung music player sucks and adds noticeable distortion to the sound.

Finally, I was surprised to hear some people feel that the bass was too heavy... These cans never crushed upper frequencies with bass and the bass is not overwhelming either - it's perfect in my opinion since it has good sub-bass and decent punch, and no distortion on anything I put through them, even at max volume.


Pros: Superb build quality, excellently rendered bass, really fun sonically

Cons: Genre specific



V-Moda M-100 Unboxing Picture Post


Warning: Picture Heavy


Today I received a production version of the V-Moda M-100. As I was not a part of the pre-release run these aren't the VTF-100s with additional accessories, etc. As such there are no pictures of the additional accessories. This is the retail on-the-shelf stock package.


I also have to thank you very much to the V-Moda team (Val, Gavin, Bill), and to VentureCraft (Hamada-san) for making this happen for me. I feel very privileged to be able to get these in my hands so early post production. I deeply and truly appreciate this gesture by them.


As mentioned in other posts in other M-100 threads, I won't be giving a sonic review in this post. I'll make one after the M-100 has been run in overnight at least. As a end-user, I personally do believe in burn-in, some headphones required more than others, some longer than others too. But at least in the past V-Moda headphones I've owned, I gather the M-100 will be similar to them where most of the changes are within the first few hours and thereafter, the improvements taper off over time (diminishing returns).


Along the picture post, though, I will be giving my thoughts about the construction, fit, comfort, etc. in note form.




As can be seen, V-Moda has pretty much kept to the similar concept & design of the packaging as with their other models. The exception is the colour now is orange rather than deep blood red. As always the product is packaged with style.





The Clamshell Case & Contents


The carry case now has more clamshell design since the M-100 can collapse. As with the other cases for other models, it's a reasonably hardshell. Aesthetically it looks really clean and classy. The zipper slider is now seamless and the zipper tab (at least for this white M-100) is the same as the white M-80 zipper tab - note that the M-80 shadow case, the zipper tab was more normal. V-Moda has added more style to their packaging.




With the clamshell open, included (aside from the headphones of course), are 2 cables - a 1 button SpeakEasy cable, and a SharePlay audio cable. Also included is a 1/8"->1/4" 24k gold pro adapter. And of course a carrying spring clip.




I'd like to add a quick note about the cables. Not microphonic!! I wonder if this is the reason the material weaving pattern had changed from the M-80's.



The Headphones


The Hinges

The way the M-100 collapses is unique and well thought of.



These hinges are heavy duty. I remember when I first saw these at the Tokyo Fujiya Spring Festival, I mentioned in the forums that I thought they looked chunky and they don't seem to flow with the V-Moda lines. However I look at them now and they don't stick out like a sore thumb the way I first thought. It's probably as simple as their colour blending into the headbands and fork.





A close up of where the headband forks attach to the cups. I think these have remained the same as the other V-Moda headphones :-


The Headband

Having seen a few different M-100 prototypes, this is one component where I've seen it changed back 'n forth. In the May '12 Fujiya Spring Festival, the M-100 had an LP2-styled wider headband. Whereas in June '12 with Val & Gavin's visit to Tokyo the M-100 prototype then had a more M-80 slimmer styled headband. This final white production version has gone back to the LP2-styled headband. I know that the M-100 will be offered in Shadow too and I'm wondering if that will have the M-80 slimmer styled headband or not.



The Cups

At least with the thee white M-100s, the cups have a satin white texture. They do seem to be quite durable ABS too (ABS??). Although I'm not about to try any destruction tests on my first day of having them in my hands.



The face plates are vented with the standard 3-V ports (sorry, not peeling off the skin protector yet).



Now really the important side of the cup. Here's your 50mm driver protected by a thin diaphragm porous material (sorry, at this stage I'm out of technical jargon ;-)...I'm tired). The foam memory cushions seem to be the same as the LP2 (Val to confirm?).


I'm sure readers will ask about isolation and for I would rate their isolation as average (as with LP2 and M-80). In later planned reviews when I compare the M-100 with other competing headphones, I can give an isolation comparison too. The clamping force is strong and I may need to adjust it for my head size.


As for fit, to me these are true circumaural and my ears fit inside the cups. However I'd say that it's a just perfect fit. i.e. if you do have large ears, then your ears may not necessarily fit inside the cup. This however is true for the LP/LP2s too.



The other features which I've glanced through but not talked much about is the dual headphone jack port, one per cup. I've tried switching back 'n forth but I have not attempted to have both plugged into different sources. That may be an interesting test later.


Pictorial Conclusion


I think V-Moda has given the M-100 a lot of thought into every detail from functionality to styling. All else, the M-100 has followed the trend of it's predecessors and sister models of aesthetics, durability and comfort.


However I feel competing products are quickly learning from V-Moda's design and aesthetic philosophies and stepping up to the challenge very quickly. It would be interesting to see what V-Moda comes up with next to stay ahead of the challenge.



Next Post Review - SQ


But after I've burnt in and given the M-100 a good listen. And so the burn-in begins.



P.S. Please let me know if any inaccuracies, inconsistencies, or clarification. I'd be happy to fix this post.

Edit #1: Added circumaural fit comment.

M-100 Sonic Review


The M-100 is probably one of the most long awaited headphones this year. Ever since it's announcement a year ago, Val has kept his customers and e-audience updated and involved throughout the entire development process of this headphone. This frequent interaction is a risky and daring move as it leaves very little room for the product to fail and still expected to impress upon delivery. And has he pulled it off? Now as the early-bird VTF-100/M-100s are being delivered on customer doorsteps throughout the world, I believe he has!


Disclaimer: My M-100 review has been based on my personal sonic capabilities, and in addition, my sonic preferences based on the genre of music I like.


Headphone Fit


I have an average headsize and the M-100 fits quite well on me. The ear cup-size is just the perfect fit for my ears. There's little room to play though which means that if you have large ears, then it may be a tight fit. The headband and clamping was initially tight however as advised by Val, flexing the headband and wearing the headphones regularly, the pads eventually mould to one's head shape. This not only makes the headphone more comfortable but by having a proper seal, also improves sonically. After 2 weeks of having the headphones this was an accurate advice.


When I'm home I wear my glasses and the M-100s don't cause any discomfort even them on. The arms of my glasses also arch out a little (i.e. they don't sit flush on the sides of my face) but I'm still fine with the M-100s sitting on them.


I find the isolation on the M-100 to be on par with the LP2s. They're quite decent but using it on the trains, some higher frequency ambient noise leaks in enough to be distracting. However there's very little leakage out. The person sitting next to me can hear "noise" from my headphones but not identify what kind of music I'm listening to.


Sound Signature


By far the strongest sonic trait of the M-100 is it's rendering of its bass. At least to my ears, this is the defining signature of these headphones. Before getting into the nitty gritty details, overall I felt the headphones had a somewhat U-shaped signature. In my conversations with Val, it's really more the prominence of the bass and slight forwardness in the trebles give this perception. The mids are somewhat more neutral/flat however due to the characteristics of the bass and trebles, the perception appears U-shaped.



As mentioned previously, the bass rendering is the most prominent feature I picked up in the M-100's sonics. This was the same trait I personally fell in love with even on the June M-100 prototype. I can't say honestly if it's the same then as now or if it's improved (my sonic memory can't go back that far) but I can say that it wow-ed me then and continues to wow me now in the production model. I won't call myself a bass head but the M-100's bass traits have enlightened me on how to appreciate good quality bass. It has resulted in an addiction that has led me scouring for new tracks that emphasise on this quality.

The bass on the M-100 to me has done something few headphones have achieved before. It's reached deep (and I mean really deep!) yet extremely well controlled. Where other headphones attempt to reach that deep resulting in boomy or bleeding bass into the mids, the M-100 maintains a tight control of the bass. However it doesn't end there and only gets better. On tracks that do emphasise on bass, there is this beautiful 3D rendering that's fluid and reverberating. I've called it the "rumble" but Val has more accurately described it as "purr". 




To my ears the mids are somewhat pulled back and as mentioned above Val describes it to be neutral/flat which I can see where he's coming from. For me, I find this particular signature less ideal for strong vocal tracks but good for more modern R&B, Hip Hop, and Electronic genre. Because of the bass are well controlled and doesn't bleed into the mids, my ears still can focus on it and there's clarity and detail in the mids. However, for my personal sonic preferences this factor has made my M-100s to be more genre specific.



The trebles make a comeback but just above neutral. Back to my conversations with Val, he confirmed my opinions. It's approx 1-1.5dB but nothing like the other treble-forward competing brands out there. This in itself is a positive trait especially for those who are sensitive to sibilance. From around 8kHz onwards it peaks up and mostly flattens. I would state that in my early days of listening to the production M-100, I felt I wasn't getting enough treble however, over time I don't know if the earpad moulding, the burning in, or me getting used to it's signature I found the trebles have been creeping up to be a little more forward and I'm appreciating it a lot more than 2 weeks ago. It's airy, transparent and micro-detail.


Soundstage & Imaging Presentation


When I first heard the soundstage I felt it was large but nothing to be impressed about. After getting my hands on a few more headphones that are in competition to the M-100, I realised I was wrong! I had merely been used to very high end headphones. The soundstage actually feels quite large by comparison to other closed headphones around the same category. In addition, primarily due to the bass 3D rendering, the imaging is beautifully textured. The combination of these two factors make the instrument separation (and therefore ability to focus on instrument detail). The way I'd summarise the soundstage and imaging to my ears is that some of the other headphones sound like a big gig in a small pub/bar but the M-100 sounds like a gig in a concert with you sitting around the 5th row from the front.


Other Non-Sonic Features


Do I really need to comment on the durability? If not known already, the V-Moda headphones are extremely durable and V-Moda spends a lot of time on testing these headphones to ensure they meet their tight standards prior to production. Even with the new collapsing hinges, they feel extremely rugged and durable. When you hold a the M-100, it doesn't rattle, it doesn't shake, and it doesn't convey any sense of flimsiness. It's like German engineering with an Italian design.

Another special feature is the dual headphone jack. Val & I actually tried plugging in two different sources - each into each earcup. WIth the right kinds of source, you can actually mix if you wanted to! It's quite a surreal experience.


Conclusion for Now

I have to say, to my ears I'd still classify the M-100s to be somewhat coloured, and for my personal use, not reference headphones since I feel for my sonic preferences the M-100s are genre specific. I've mentioned this to Val and he understands. However this coloured-ness in itself is an extremely positive feature and in fact a great selling point for this headphone. As mentioned before, the strong deep bass is so well controlled and rendered that it's made me (and others I'm sure) wanting to find new music tracks to exploit this feature.


Combined with the ruggedness and compactness, and low profile of headphones, I do find myself grabbing the M-100s more when I go out and about the city. If I just want to enjoy music these are the headphones I'll grab.


Sample music I enjoy with the M-100's :-


TRON Legacy (check out the C.L.U track!)

Sting's Brand New Day (More specifically A Thousand Years track)

Bond's Viva!/Wintersun & Born

Vanessa-Mae's Art Of War

Alex Gaudino's Destination Calabria (ok I admit, I do like the video a lot too)

Il Divo Il Divo (makes my hair at the back of my neck stand!!)

The Postal Service Give Up (Such Great Heights track)

Jamiroquai A Funk Odyssey

Akon Freedom

Ne-Yo Year of the Gentleman

Sean Kingston


Where can the M-100 improve?

In my mind, the M-100 is the top in its class of which I wouldn't hesitate in recommending. However, it's also reaching up to the next level and category. There's potential for the M-100 to come close to competing with some of the higher end headphones. In my honest opinion, the next few features for V-Moda to focus on for the future would be (aside from the M-100s current features), are further detail and increased resolution.


A Little Durability Update


This morning, in attempting to take some extreme pictures of the V-Moda M-100, it decided to take a swim in an almost frozen lake. The headphone surprisingly still works but naturally sonics are affected.





Pros: Stylish,

Cons: Bass is a bit bloated, Really recessed mids, Lacks detail, No soundstage to speak of, Overpriced

I tried the v-moda m100 a few months ago when I purchased it and deciding between them and the hd 650. In the end I kept the 650, these headphones are without a doubt pretty overpriced for the sound quality.


Pros: The m100 is pretty stylish is it one of the most stylish heaphones out there, build quality seems somewhat solid though I am not a big fan of those metal hinges it just seems a bit delicate for my tastes. These headphones are without a doubt for bass heads they are pretty v-shaped but it also seems like it is lacking or a bit rolled off on the treble. Bass extension is great but just a tad bit farty and uncontrolled (stock pads).


Cons: The m100 is pretty overpriced for what it does perhaps not Bose overpriced but around there. My kevlar cable had these little white wires coming out of it, after a week of use and to be honest the sound quality is not that great. The mids are really recessed, with the bass basically overwhelming them bass it is not as controlled or defined as it should be it sounds bloated and slightly farty. The soundstage is extremely closed in there is basically no sound stage with these headphones. Due most likely to the slight roll off on the treble, this headphone is missing a ton of detail and resolution in the mids. The bass doesn't help much as it overpowers them. Basically for what this headphone retails for $300 it is not worth it at all, at that price point you are better off getting a deal on an hd 650 or 600 and if you just care about bass heavy music I would suggest the he-400 instead. If you want something portable the momentum sounds better than this heck even the m50 is better.


Pros: Fantastic build, engaging sound, great accessories, super cool carrying case, very responsive to EQ, customizable, portable

Cons: White case is prone to stains, not great worn around the neck, bass is slightly overpowering with some genres, audio cable frays

I was one of the lucky few who received the M-100 back in September as part of a Head-Fi.org promotion, so I've had ample time listening, wandering, traveling, subwaying and airplaning these heaphones. I've also had some time to compare the M-100 to my other pair of V-MODA headphones, the V-80, as well as to other headphones I've managed to play with at various retailers in New York City such as the Apple Store and B&H Photo.


My video review is located at the bottom of this text.


Form and Function:
The photos of the M-100, especially the one gracing the front of its box, are misleading. It is indeed as aesthetically pleasing in person as the pictures suggest (and possibly more so) but is surprisingly much smaller than it appears. On my head, which is medium/large, it is form fitting and doesn't protrude out on the sides unlike other headphones I've tried, such as the V-MODA V-80, or the ubiquitous Beats by Dre Studio. Folded up it is about the size of a grapefruit.

Also included is an amazingly well thought out case that is as beautiful as it is utilitarian. Besides protecting your headphones in snug, rubberized shell, the case also contains straps to hold your audio cables, a 1/4-inch headphone adapter, a memory stick and even a pair of V-MODA Faders(earplugs).

The M-100, like the V-80, is mostly made of metal and feels solid. Solid enough to break you out of a rickety building should that situation arise. There are many plastic based headphones out there, Bose, Beats, Skullcandy, Sony, that feel as though an accidental meeting with one's posterior would result in a snapped headband. Not so with these. I have sat on them, dropped them onto hard tile, walked through the rain and had my audio cable snag and get ripped out of the port. All is in working order with nary a scratch to show for it.

The hinge is a patented V-MODA design and it has a satisfying "click" upon opening and closing and I have yet to see any wear and tear on the joints.

My one complaint about build quality is the audio cables which tend to kink or get twisted when wandering about. They're also prone to fraying. I use mine nearly everyday on the streets of New York City and the cables are starting to resemble the fingertips on wool gloves. They also cause some unavoidable microphonics which was a problem I didn't notice as much with the red, one-button cable that came with my V-80s. The red V-80 cable also didn't fray as much.

Build: 5/5
Portability: 4.75/5
Case: 5/5
Cables: 4/5
Weather the Weather: 4.5/5

First off, I must mention that I wear glasses and that these do pinch my earhooks slightly. It's not bothersome, but it's noticeable and requires adjustments every now and then. The earcups fit around my entire ear and the soft pleather pads feel plush against my head without putting too much pressure on any one area. The same goes for the headband. I've been able to wear these for 3-hour stretches before feeling the need to take them off. When worn around-the-neck, either for bling-ability or during a performance of the National Anthem or whatever, the earcups are a little too big and end up limiting head movement. Since it's wintertime they double as fantastic earmuffs, but I think summertime use will be a sweaty, steamy affair.

Cranial Embrace: 4.25/5
Necking: 3/5
Earmuffiness: 4.5/5
Heat Retention: 4/5

I have used these on flights and they block out the ambient noise pretty well, although not as well in in-ear monitors or noise-cancelling headphones. I also use these daily on the subway and they are fine in most situations. Random events, such as breakdancers, crazy preachers, panhandlers, and just plain obnoxious people still manage to seep into your sound space, but I find it beneficial to be aware of these people for safety concerns. At really high volumes these do leak a good amount of sound, although you shouldn't be listening to it that loudly. At normal listening volumes, leakage isn't a problem.

"Excuse me? Can you hear me? Hello?": 4/5
"While I like 'Mambo No.5' I'm trying to study here.": 3.5/5

The most prominent frequency of the M-100 is its punchy, deep, and sometimes rumbling bass. Val Kolton, V-MODA's CEO calls this deep rumble "purring." On certain songs, if you turn up the music loud enough and hold the M-100 with both the earcups aligned and touching each other, you can feel the entire headphone vibrate in your hand. The sub-bass on the M-100 is among the best I've heard(felt) and shows up in songs where lesser headphones often fail. For those of you who are into dubstep, EDM, and hip hop these will give you all the bass punch you need to groove to your music. But none of this lower-end oomph is at the expense of the other frequencies. The bass is there when it's called for, but backs off when the song doesn't require it.

Vocals on the M-100 are intimate, clear and lively. They are a small step behind the V-80 in terms of mid-range presence. The V-80 provides a more forward mid-range, but the M-100 provides more clarity and detail retrieval than its smaller sibling despite its more laid-back nature. A better way to illustrate what I'm saying is that the M-100 sounds like you're sitting near the stage at a concert while the V-80 is more like sitting on stage directly in front of the singer.

Part of Val Kolton's sound philosophy involves the reduction and prevention of hearing loss. Hearing loss is one of the fastest growing problems among young people in this post-iPod era and, because of the low isolation and low sound quality of pack-in earbuds, most people listen to their music at dangerously loud volumes. Out of all the sound frequencies treble is the most damaging especially when you're exposed to it at high volumes for prolonged periods of time. Therefore, the treble on the M-100, while greatly improved over the V-80 in terms of extension and sparkle, is still slightly rolled off. For treble heads, this may not provide enough sparkle or crunch, especially if you have experience with Sennheiser or Grado headphones. However, the benefit of the M-100's treble is that there is little to no sibilance and the sound signature is less fatiguing during marathon listening sessions.

The soundstage has both good depth and width, though not quite on par with open headphones, and you genuinely get a 3D effect of being in a club with speakers pumping sound all around you. Action movies also sound very immersive especially during actions scenes involving shoot outs and explosions. They are relatively easy to drive and can provide plenty of volume straight out of a laptop or a cell phone/MP3 player, and they respond extremely well to eq'ing. Although an amp isn't necessary, they do benefit from amping and, when paired with my cMoyBB v.2.03 with bass boost turned on, can provide face melting levels of thump.

Bass: 5/5
Mids: 4.5/5
Highs: 4.25/5
Soundstage: 3.75
Instrument Separation: 4.25

Music I used to compare include:
Adele - Rolling in the Deep, Set Fire to the Rain
Carly Rae Jepsen - Call Me Maybe
Black Eyed Peas - Boom Boom Pow
Girls' Generation - Genie (Tell Me Your Wish), Gee, Run Devil Run
George Gershwin - Rhapsody in Blue
Fun - Some Nights
Shinee - Lucifer, Juliette
Maroon 5 - This Love, Misery, Payphone
Skrillex - Bangarang
Bassnectar - Ping Pong



Pros: Easy to drive, great sound, immersive feel

Cons: Can't find anything yet... missing the apple 3 button cable if it also counts

M-100 is a very easy to drive headphones.  Before that I am using M-80s on-ear, and really do not belive any headphones can replace it.  As the M-80 can deliver very high quality audio even with bare iPhone 4S with lossless music tracks!  With an headamp the sound is just bigger and better a little bit but it is not 'day and night'difference.


The first hour I tried M-100 I found the bass a bit too much, maybe I have used to M-80 sound.  But after a few tracks I feel that all music becoming more rich and help me to get higher involvement.  And to my surprise that almost every types of music I like including classical music can deliver same nice feeling.  I always think that classical music should be lean and I always use Senn HD800 for classical.  Now I know that it is not a correct approach, v-moda + classical = BIG SOUND.


And of course, for pop music, v-moda is a sure winner, my recent flavor is Adele's "someone like you", it is live version "live at the royal albert hall", the part that everyone is singing together with Adele, it is reallllly shocking!


Pros: Fabulous bass without destroying the mids or highs. Fun, made for contemporary electronic music.

Cons: Stock pads are uncomfortable. Buying XL pads is essential if your listening time exceeds 30 minutes.

This is a quite controversial pair of headphones. You hate it or you love it.


People who love it usually come from the 'masses'. Leaving behind Beats and Apple earphones. These people are over enthusiastic by the M-100s, saying they have never heard this much details and controlled, detailed bass without destroying the overall soundscape, especially bloating to the mids. (As many bass centric headphones do.)
For them M-100 is the audio nirvana.

On the other hand there are the "Audiophiles". Who come from high-end opened back hp-s. Most of them complain about the limited space (no surprise as an opened back can will always have more space than a closed one). Bass is too much for them, and the sound is colored, bass heavy and not natural, neither neutral.

 And they are right. They just picked the wrong pair of headphones for their purposes.
Most of the so called audiophiles are looking for the most natural, lifelike representation, and they usually listen to live instrumental music like classical and jazz.
And for those genres M-100 is not a good choice. Take a good pair of opened back hp with a good amp for that purpose. (HD600, K702 etc.)


M-100 was made for contemporary music, especially with music containing any kind of electronic part in it. Not just house and edm but ambient, chill, pop, (even rock)... (Infected Mushrooms, Die Antwoord, Vibrasphere, Thievery Corporation, etc.) These genres and type of music just sound awesome on these. This kind of music sounds better on the M-100 than it sounds on the HD600 with a good amp.
Because an opened dynamic can will never be able to give back as punchy and strong bass as a good closed can is able to do so with the right kind of music.
 Not the 'best headphones in the world' as some say. But for the above mentioned purposes these are the best headphones ever made.

 Big positive is the carrying case and accessories it comes with.

If you want to hear lifelike string instruments with the medieval songs you listen to, or the changed voice of a jazz singer due to a recent sore throat, than do look further.

If you want to enjoy your edm or instrumental music with electronic parts in it, look no further. You won't find better headphones for that. With the right kind of music it just gives you a cracking good time. You do not want to take it of from your head even after 2-3 hours of listening. (Just make sure you buy a pair of XL pads too.) :)



Pros: Good bass, good overall sound, great sound isolation in even the noisiest of environments

Cons: As purchased they are on ear, need to replace pads at cost to make them over ear, but they're too tight to be on ear

I purchased these headphones about 6 months ago.  The first thing I noticed was not the sound, it was the amount of pressure on my ears.  Within 15 minutes, my ears were sore from wearing them.  A quick look around found that many people had the same problem, and that the answer was to purchase the larger pads and replace the default set.  I did so, but still had issues with the amount of pressure that was now around my ears instead.  It took months to find out that the headband was meant to be bent little bits at a time to set the head size.  Stretching it out a couple times resolved most of the remaining comfort issues without making them loose.  As a result, I can no longer use the nice hard case they came with, because the case forms them back to the original size and shape every time I put them away.


On to the sound, these headphones can be driven by just about anything, but will definitely see a marked improvement using a good amp.  I have used them with standard on-board computer sound cards and cell phones and they sound better than your average headphone by far.  Connected to an Asus Xonar STX, they're noticeably improved.  I now have them connected to a Schiit Bifrost/Asgard 2 combo, and it's again a big improvement over the Xonar.  When idle, I would estimate they drown out 75-80% of the surrounding noise.  When playing, they drown out 99%+.  Bass is good with an ordinary amp, almost too hot with a good amp.  Running the "ultimate headphone test" at http://www.audiocheck.net/soundtests_headphones.php demonstrates a clearly audible 10Hz tone.  5Hz sine wave is nearly undetectable, but I suspect that is as much about human hearing as it is about product.  High frequency test, I hear tones starting at 18KHz (Update/edit: I found out after writing this that 18KHz is the highest I can hear, your mileage may vary).  Using the sweep tones, I do notice a couple of drops in volume both going into and leaving the "mid" extremities as it passes each crossover, but they are not large drops, and are well within the abilities of an equalizer to fix should one want to.


It is true that when driven hard and when a lot of bass is in the source material, the drivers can generate a little heat, but I have not experienced a scenario where the amount generated was uncomfortable.  Outbound sound leakage is almost non-existent.  If you put your ear up to the outside plate of them, you can hear it, but not without doing so.  Friends stopping in have repeatedly noted this to be true, that they can never tell if I'm actually listening to anything or not when they walk in if I don't tell them.


In summary, and with the caveats above that require some listener knowledge of the product to make them ideal, I would recommend these, especially to someone just starting out in headphone audio, as they make a very good stepping stone while you're still deciding on your equipment.


Pros: Bass Response, uncolored midrange, extended Highs

Cons: Can become uncomfortable over extended periods, a little "hot" around the ears.

I think they're five stars at the price I paid. I might have to trim a piece of a star at the MSRP. My two references are the Sennheiser 650 and the Ultrasone Pro 900's, but these are preferable for portable applications and have virtues of their own.  They have an "immediacy" that I assign to their efficiency, I am encouraged to listen at lower levels on these 'phones rather than turning them up to try to get them to "enunciate" or bloom.  It's an unexpected virtue.  The Pro 900's hit me more like ear "speakers".  The 650's are where I get the most "reference" bang for my buck.  (I vacillate between it and my 600's, which I've had over a decade.  To not sound identical, they both certainly are seductive.) So many Headphones, so little time.  (And cash.....)  Appearances (outside of not looking "cheap") aren't of great importance to me.  I'm definitely a "function" over "form" person.  Nobody likes "plug ugly", but if they're thoughtfully designed and executed I'm pretty easy to please.

V-MODA Crossfade M-100

V-Moda Crossfade M-100 50m foldable closed headphones.

Model Name/TypeMPNEAN/UPC
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