mathewaboujaoud
New Head-Fier
- Joined
- Feb 16, 2017
- Posts
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Hello everyone,
Before anyone suggests that mixing on headphones isn't the right way to go, I already have Yamaha HS-5 monitors and they've done their job beautifully for my film score work and my Progressive Rock work as well.
I've been using a cheap pair of AKG240s that I bought a while back when mixing on headphones, and although they've done their job so far, I'm upgrading a lot of my studio gear and decided it's time to invest in better headphones as well.
I usually alternate between mixing on my monitors and headphones and also use my headphones a lot late night when I'm working. So far, for my budget, I've narrowed it down to between AKG702 or Q701 (Quincy Jones edition) and the Sennheiser HD650.
Please note this will be mostly for mixing my film scores, as well as my progressive rock project, but mostly for my scores, so basically a lot of orchestras. Which of these have a more neutral and flat response, with clear / defined mids and highs, without lacking or having too much bass?
Would appreciate any other recommendations you could vouch for. But I've also read a lot of contradicting reviews about the ones I mentioned, so if you could also compare them from personal experience if you've had them or tried them, I would highly appreciate it!
Thanks!
Mathew
Before anyone suggests that mixing on headphones isn't the right way to go, I already have Yamaha HS-5 monitors and they've done their job beautifully for my film score work and my Progressive Rock work as well.
I've been using a cheap pair of AKG240s that I bought a while back when mixing on headphones, and although they've done their job so far, I'm upgrading a lot of my studio gear and decided it's time to invest in better headphones as well.
I usually alternate between mixing on my monitors and headphones and also use my headphones a lot late night when I'm working. So far, for my budget, I've narrowed it down to between AKG702 or Q701 (Quincy Jones edition) and the Sennheiser HD650.
Please note this will be mostly for mixing my film scores, as well as my progressive rock project, but mostly for my scores, so basically a lot of orchestras. Which of these have a more neutral and flat response, with clear / defined mids and highs, without lacking or having too much bass?
Would appreciate any other recommendations you could vouch for. But I've also read a lot of contradicting reviews about the ones I mentioned, so if you could also compare them from personal experience if you've had them or tried them, I would highly appreciate it!
Thanks!
Mathew