Chord
This is the updated, complete, write-up for DAVE. I've added it to the original "Chord" post as well, but figure that update is more likely to get missed than just posting the my thoughts, in isolation, inline with the rest of the thread:
DAVE (+)
Without wanting to beat about the bush, DAVE is the best reproduction of digital music that I have ever heard. In other words, it’s the best sounding DAC I’ve experienced to date.
On every individual measure it pulls ahead of Yggdrasil. In some areas more than others, but I didn’t find any point of my evaluation where the check-mark went in the Schiit DAC’s column. To be sure, some of the differences were about my own subjective preferences and others might prefer Yggdrasil’s performance in that area. And certainly some of the differences were, even then, very small. But they were something I found consistent.
DAVE plays beautiful, detailed, nuanced, textured, flowing, sonorous, engaging, emotive music.
I did not want to stop listening, and wound up listening to quite a bit more than my normal audition play list (I really need to get that posted). Exploring everything from acapella vocals, and being enchanted not just by the tone but the incredible sense of air and space in the presentation, to complex, layered, orchestral work and being able to pick
seemingly any individual instrument (not just section, or row) and follow it. Yggdrasil actually gets pretty close on this last point as well, so do the Linn units oddly enough, but it’s a little harder to focus on the individual.
Timbre was, as far as I can tell, as close to perfect as I could ever evaluate. This is the only DAC I’ve heard that renders piano (a focus for me) as well as Yggdrasil. I wouldn’t say it does the tone better, but it isn’t giving anything up there either.
Sound-stage/imaging was out of this world, both with headphones and, especially, with speakers.
With Yggdrasil, and the right recording, I’ve gotten quite accustomed to being able to hear the change in location of a note played on the piano based on where it emanates from in the soundstage. In other words, you can very easily perceive the left-to-right transition as an ascending passage is played across the keyboard.
DAVE actually managed this even more vividly, which surprised me. This certainly wasn’t as apparent with any of the other Chord units, and it was something I didn’t really get from any other DAC.
Transparency and detail are extremely impressive, without seeming bright at all. There was no sense of exaggeration or artificiality to the detail, just oodles of information presented in a natural and un-emphasized fashion. I had the sense that more detail was being rendered than with Yggdrasil. Not much more. And not in everything. But, for example, the bounce and taughtness of a drum-skin, and the decaying oscillation of a Timpani, were more subtle and nuanced than anything else I’ve heard – and it was possible to easily detect the sticks hitting different areas of that skin.
This is particularly evident when listening directly through the headphone output. It sounds
fantastic. This would be my preferred way to listen to DAVE with most headphones. I’d make exceptions for the LCD-4 and the Abyss … I preferred those via an external amplifier – even though that path results in a minor, but noticeable, loss in transparency.
Transients, attack, decay … are all magnificent. Yggdrasil does those things incredibly well and this is one area in which DAVE is really only just creeping ahead. And that might be a different thing I’m hearing, perhaps the transparency is affecting my perception, but either way it’s exceptional.
I could go on, item, by item, drawing comparisons, but I don’t feel the need to. DAVE was ahead, by more, or less, in every area and, most importantly, it grabbed me, engaged me and involved me, in the music in a way that I found addictive, emotive, and nourishing. And that’s about as much as I can ask of any component.
Yggdrasil does this too … to be sure, and better than almost everything else … and it’s less that DAVE plays
music, as such, meaningfully better than it just exhibits slight improvements on a technical/evaluative level while STILL having that musical and emotive capacity. So, really, the best of both worlds …
It’s an amazing piece.
Rob is, I hope, as justifiably proud of his accomplishments here as, I would also hope, Mike is of his. In fact I think Mike should be prouder … as his creation is much cheaper and only just slightly behind, overall, what I find with DAVE!
So … on sound/music reproduction … for me … this is the high-point so far.
But … as I mentioned, there are things about this DAC that rub me entirely the wrong way. Actually, truth be told, they’re applicable pretty much across the Chord line, and particularly, something I ran into with the Hugo TT …
I consider the appearance, or aesthetics, of DAVE to be something of a “
Marmite” thing. And, in my case, I don’t care for the look of the unit at all. It seems to aim for “futuristic” but, for me, winds up falling somewhere between fussy and really rather ugly.
DAVE doesn’t sit well in the rack, either. If it’s not the top-most unit then the controls and display are not exactly easy to get at/read. I could space the shelves further apart, but that causes me other issues. And you could buy the stand, which tilts things forward some and makes it easier to interact with, but that’s almost as expensive as the DAC I’m comparing this too and is very off-putting on that basis.
It’s almost as if the thing was designed this way to promote sales of that stand. That’s how it feels to me, at least. And I don’t like that. I’d be less irritated by if the stand wasn’t so expensive (and I’m not buying that it makes any sonic difference … I’ve yet to hear, a benefit to such things with purely solid-state gear).
The remote would, ideally, fix these issues … and display-aside it largely does. But it’s a very cheap feeling affair compared to the solidity and quality of the rest of the build. This doesn’t help my aesthetic perceptions of the unit at all.
Getting support on a DSD-dropout issue proved to be fruitless. This wasn’t specifically with DAVE, though it seems to affect that unit too. But it left a very poor impression of Chord’s support (directly, or via their dealers), the issue was never resolved – and for the most part even once I was connected with someone, they just never responded to the results of the questions they asked or the information I provided.
As it happens, I’ve since decided not to bother with DSD this isn’t a technical issue and doesn’t affect my evaluation of DAVE. However, I do consider such poor support to be an issue with a purchase at this level and it taints my view of the company and its commitment to its customers.
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So sonically, this easily hits the mark. I find it better, pretty much across the board, than Yggdrasil and, for that matter, every other DAC I’ve heard to this point. How it fares against the DACs I still have to audition is impossible to predict, but given how hard it has been just to meet, let alone beat, Yggdrasil so far – it seems like a tall order to elevate things even further.
On that, only time, and listening, will tell.
Acknowledging that
this is the best DAC I’ve heard is easy. Convincing myself to actually
buy one is going to be a
lot harder. This thing is nearly six times the price of Yggdrasil, and between two and four times the price of the other units currently on my shortlist. That’s a big jump and the law of diminishing returns is in very full force here … the gains might be across the board but individually they’re mostly relatively small. Apparent, but small.
I also have to get past the aesthetics which are very polarizing for me. This would be in my main listening room, which is a very visually coherent space … and DAVE is distinctive enough that it’s going to stick out like a sore thumb (or wind up being less than ideal to actually use).
But, so far, this is the front-runner … and convincingly so.