rgs9200m
Headphoneus Supremus
- Joined
- May 15, 2006
- Posts
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- 882
Thanks for that evolvist and xrelicx once again. Nice impressions.
I have a question which may sound silly,
but I like to be in the dark when listening to music,
so I never bought any of the Hugo, Hugo TT, etc. because of these lights that turn on.
It would irritate me terribly and deprive me from any pleasure.
So now my question:
does the Dave have any such of these lights
or any bright LED which would emit a lot of light (e.g. could be a nuisance in a dark room)?
As per the manual you can choose display option 4 which turns the display off after a brief time with no interaction with the unit. This is the setting I typically use.
I have a question which may sound silly,
but I like to be in the dark when listening to music,
so I never bought any of the Hugo, Hugo TT, etc. because of these lights that turn on.
It would irritate me terribly and deprive me from any pleasure.
So now my question:
does the Dave have any such of these lights
or any bright LED which would emit a lot of light (e.g. could be a nuisance in a dark room)?
Thank you.
I downloaded the manual,
it mentions a single headphone output (jack), do you connect the Utopia there?
Can you use the 2 XLR-3 outputs, which according to the manual are specific for headphones, for connecting a headphone?
It seems a pity that for such a price it does not have a XLR-4 headfphone output,
if we are not supposed to connect it to a headphone amp.
I don't have my DAVE yet, but I've auditioned one, twice, before purchasing. Have you auditioned one with your headphones plugged right into the DAVE?
I'm a solid state kind of guy, and I have my favorite headphone amp: the SPL Auditor. I've tried many, many HP amps, but I keep coming back to the Auditor. It is hands down the best solid state amp I have ever heard.
Then I auditioned the DAVE and plugged right into the headphone jack with my HD800s. I was amazed at how wide and deep the sound was, having my single-ended HD800s, sound as if I were running my cans with balanced 3-pin XLRs. The effect was simply stunning. I have read, somewhere in these 299 pgs, that the way the headphone section is implemented in the DAVE is very sophisticated, unlike any other headphone amp, which will actually optimize the DAVE to the fullest. No digital glare that I heard...in fact, quite the opposite.
Maybe somebody in here knows a bit more about what I was reading about DAVE's headphone output?
Anyway, when I wanted to see how the DAVE sounded with my Auditor, after listening to the DAVE alone, I found the sound coming through my Auditor to be very odd. Not quite "flat," but not near as lively and realistic as it was plugging right into the DAVE. Now, this is an HP amp that I have auditioned scores of DACs with, to great effect The Auditor usually brings out the best in a DAC, from a strict solid state standpoint. Not so with the DAVE, though. I wonder why that is? It's not a rhetorical question. No, I really wonder why that is.
I have not heard the headphone section on the Hugo TT, so I wouldn't know...but I thought the headphone section in the Hugo sounded a bit pinched, when it came to what I was used to with the Auditor.
Just my experience. Take it with a grain of salt.
Hugo is the most 'airy' of the Chord DACs in its tuning.
Thank you.
I downloaded the manual,
it mentions a single headphone output (jack), do you connect the Utopia there?
Can you use the 2 XLR-3 outputs, which according to the manual are specific for headphones, for connecting a headphone?
It seems a pity that for such a price it does not have a XLR-4 headfphone output,
if we are not supposed to connect it to a headphone amp.
Component count is very important for transparency. Doubling the number of parts in the direct signal path does degrade depth perception and detail resolution.
But there is another problem with balanced operation. Imagine a balanced differential in, differential out amplifier. The input stage is normally a differential pair (maybe cascoded) with a constant current source. Now the input stage is free to move up and down to accommodate the common mode voltage - but the input stage common mode impedance is non linear, and if the common mode voltage has a signal component (it always will have due to component tolerances) then this will create a signal dependent error current, thereby generating distortion. Unfortunately, the negative feedback loop of the amplifier can't correct for this distortion as it can't see the error on the summing nodes. So there will always be a limit to the performance. With SE operation, this problem does not occur, as the differential input stage is clamped to ground.
Now DAC designers are well aware of this - that's why all high performance DAC's use two single ended I to V converters from the current OP of the DAC's, then use a differential to SE converter to create the voltage OP. There are other reasons for doing this as well, as the DAC requires a very low impedance virtual ground for low distortion, and you can only get this using dual SE amps - another problem is RF and its much easier to decouple SE than differentially - this in turn creates a lot more noise floor modulation, making it sound less smooth.
But for me the most important is transparency. I had an amp that had two modes - differential or SE - listening in balanced mode flattened the sound stage depth dramatically,and it sounded harder, less smooth. That said, there are circumstances when balanced operation can be better than SE, for example when you are looking at connecting a pre-amp to a power amp, and what is best depends upon particular circumstances. In short, if SE operation is noisy, try balanced.
Rob
Categorically do not do this. The balanced drive has insufficient current drive and is intended to drive power amps only.
Dave can drive the HE1000 with ease - they are rated at 90 dB 1mW 33 ohms. Dave will give 1.4W into 33 ohms that translates to ear damaging 121 dB SPL with the HE1000.
Moreover distortion is virtually identical with a 33 ohm load - that is hundreds or thousands of times smaller than the best headphone amps. Unless you like the sound of distortion, and prefer reduced transparency, and no depth, don't use an external amp.
Rob
I am not listening....
Actually, production Dave now has short circuit protection resistors installed on the balanced XLR, so it absolutely won't drive headphones! It didn't have the current drive either for headphones too.
As to cross-feed - I prefer 3, its closer to loudspeaker perspective.
Rob
I guess my broader question was, are the DAVE fans basically Chord-all-the-way, or do they feel the Chord DAC technology is the main point of genius here and in the Hugo series?
I use USB (AQ Diamond after a lot of experiments with other USBs). I also fussed a lot with interconnects and the amp power cable to get the sound I like [Stealth and Shunyata]. Thanks for the kind advice. [The source is a Windows PC using JRiver + Tidal.]
I do play with Jriver EQ sometimes (I have lots of curves stored), always to deal with glare, so I dip the upper mids to highs sometimes, just subtly, and tailored to each headphone. No EQ with Tidal though.
Right, but have you tried adding say an Audioquest Jitterbug to filter the noisy USB output from your PC before connecting your AQ Diamond? If you did, did the Jitterbug remove the digital glare you didn't like? If I play from my laptop, it's not plugged in to reduce noise and optimize the galvanic isolation. My "desktop" is a CAPSv3 Carbon which has a SOTM USB card that has noise filtering for the USB output and I use a separate linear power supply to power the USB port.
Hmmmm...but either galvanic isolation is galvanic isolation, or it isn't...and if it is, it is there is supposed to be no worry outside interference, yes? At least that's what I've always believed.
I don't have my DAVE yet, and in auditioning I didn't have my iUSB 3.0 with me, but in theory I wouldn't need it for a galvanically isolated DAC if the science is all what it's cracked up to me; so, why the jitterbug, or a Uptone Regen, or the iUSB 3.0?
Or maybe I'm totally missing something (which is well within the realm of possibilities).
I don't have my DAVE yet, but I've auditioned one, twice, before purchasing. Have you auditioned one with your headphones plugged right into the DAVE?
I'm a solid state kind of guy, and I have my favorite headphone amp: the SPL Auditor. I've tried many, many HP amps, but I keep coming back to the Auditor. It is hands down the best solid state amp I have ever heard.
Then I auditioned the DAVE and plugged right into the headphone jack with my HD800s. I was amazed at how wide and deep the sound was, having my single-ended HD800s, sound as if I were running my cans with balanced 3-pin XLRs. The effect was simply stunning. I have read, somewhere in these 299 pgs, that the way the headphone section is implemented in the DAVE is very sophisticated, unlike any other headphone amp, which will actually optimize the DAVE to the fullest. No digital glare that I heard...in fact, quite the opposite.
Maybe somebody in here knows a bit more about what I was reading about DAVE's headphone output?
Anyway, when I wanted to see how the DAVE sounded with my Auditor, after listening to the DAVE alone, I found the sound coming through my Auditor to be very odd. Not quite "flat," but not near as lively and realistic as it was plugging right into the DAVE. Now, this is an HP amp that I have auditioned scores of DACs with, to great effect The Auditor usually brings out the best in a DAC, from a strict solid state standpoint. Not so with the DAVE, though. I wonder why that is? It's not a rhetorical question. No, I really wonder why that is.
I have not heard the headphone section on the Hugo TT, so I wouldn't know...but I thought the headphone section in the Hugo sounded a bit pinched, when it came to what I was used to with the Auditor.
Just my experience. Take it with a grain of salt.
Point well made. However I would like to add that the number of active working transistors within Dave is quite possibly several billion more than in some typically flamboyantly componented but possibly rather dated alternative designs.I would like to add another argument regarding "parts porn". First, it is the result that matters, and the Dave delivers (I own Hugo and Mojo, but cannot afford the Dave, but listened to it and compared it to Mojo). Second, the more parts and soldering points, the more parameters need to be kept in check. It is inevitable, that variation of such equipment is much larger within a production series, and that they age faster compared to smart designs with fewer components and more integrated design.