RockStar2005
Headphoneus Supremus
howard and all,
For the life of me, I now can't find anything that says that the 1ABTs actually HAS ClearAudio+ baked into it. I don't know where I'd seen it originally, but now nothing. I don't know if Sony had edited their Sony Store product page for it, but there's nothing there on it at all now about that. The UK Sony Store page for the 1ABTs doesn't mention it either. Ughh!
However, DSEE HX still IS listed as a feature, and no clear way to disable it is listed either. There is a chance that it only can be enabled if you have a Sony player controlling it, but I don't know. If that was the case, the description on their product page would say "Must have Sony player to activate". One factor to consider is that DSEE HX is ONLY enabled even on the A17 Walkman when the content being played is BELOW Hi-Res (which means the content is BELOW 24-bit/44.1kHz, or CD-Quality or lower). So when playing Hi-Res content, even if DSEE HX is on, it won't be used b/c it's not needed.
Of course, I am not a believer that you can hear ANY audible difference as long as your content is above mp3, but that the only reason for a difference in sound quality is that Hi-Res albums are made by producers or engineers who take greater care or put more attention into the finished master/remaster. I've done my own ABX blind tests and even though I went into it thinking the resolution does matter, I was proven very much incorrect. Publications such as this article also further allude to this fact:
"But Montgomery counters that even a properly encoded MP3 can satisfy most listeners. And while other audio experts we talked to wouldn’t go as far as Montgomery, many are dubious about the added quality of high-resolution audio.
Nevertheless, there could still be value to high-resolution audio, and the Boston Audio Society study offers a clue as to why. Toward the end of the paper, the authors suggest that sound engineers often put more care and attention into higher-resolution recordings than they do to mass market CD releases.
Dr. Sean Olive, President of the Audio Engineering Society and Director of Acoustic Research for Harman International, agrees. “I’ve heard some wonderful CDs, but I’ve also heard some wonderful 24/96 files,” Olive said. “I really think the difference is how well they’re recorded and mastered.”
These are still great headphones in that the 1As I own are fantastic and very well-rated, and they have LDAC (triple the bandwidth of regular Bluetooth so less chance of compression and data loss) too which is great as well. I guess if you're JUST playing Hi-Res content, you have nothing to worry about. lol You can simply downsample any Hi-Res you have to 24-bit/44.1kHz, and it will still be recognized as Hi-Res. This Hi-Res U2 album I own further proves this point of what stands for the lowest resolution in existence that's still considered Hi-Res.
For the life of me, I now can't find anything that says that the 1ABTs actually HAS ClearAudio+ baked into it. I don't know where I'd seen it originally, but now nothing. I don't know if Sony had edited their Sony Store product page for it, but there's nothing there on it at all now about that. The UK Sony Store page for the 1ABTs doesn't mention it either. Ughh!
However, DSEE HX still IS listed as a feature, and no clear way to disable it is listed either. There is a chance that it only can be enabled if you have a Sony player controlling it, but I don't know. If that was the case, the description on their product page would say "Must have Sony player to activate". One factor to consider is that DSEE HX is ONLY enabled even on the A17 Walkman when the content being played is BELOW Hi-Res (which means the content is BELOW 24-bit/44.1kHz, or CD-Quality or lower). So when playing Hi-Res content, even if DSEE HX is on, it won't be used b/c it's not needed.
Of course, I am not a believer that you can hear ANY audible difference as long as your content is above mp3, but that the only reason for a difference in sound quality is that Hi-Res albums are made by producers or engineers who take greater care or put more attention into the finished master/remaster. I've done my own ABX blind tests and even though I went into it thinking the resolution does matter, I was proven very much incorrect. Publications such as this article also further allude to this fact:
"But Montgomery counters that even a properly encoded MP3 can satisfy most listeners. And while other audio experts we talked to wouldn’t go as far as Montgomery, many are dubious about the added quality of high-resolution audio.
Nevertheless, there could still be value to high-resolution audio, and the Boston Audio Society study offers a clue as to why. Toward the end of the paper, the authors suggest that sound engineers often put more care and attention into higher-resolution recordings than they do to mass market CD releases.
Dr. Sean Olive, President of the Audio Engineering Society and Director of Acoustic Research for Harman International, agrees. “I’ve heard some wonderful CDs, but I’ve also heard some wonderful 24/96 files,” Olive said. “I really think the difference is how well they’re recorded and mastered.”
These are still great headphones in that the 1As I own are fantastic and very well-rated, and they have LDAC (triple the bandwidth of regular Bluetooth so less chance of compression and data loss) too which is great as well. I guess if you're JUST playing Hi-Res content, you have nothing to worry about. lol You can simply downsample any Hi-Res you have to 24-bit/44.1kHz, and it will still be recognized as Hi-Res. This Hi-Res U2 album I own further proves this point of what stands for the lowest resolution in existence that's still considered Hi-Res.