Stephonovich
Headphoneus Supremus
- Joined
- Jan 6, 2003
- Posts
- 3,260
- Likes
- 11
Again, as in my other portable review, I don't claim to be an expert. Look at Duncan's überthread if you want 20 pages devoted to each player
Anyway, got this in perfect condition with original wallwart, earbuds, and tape adaptor for $40. Very nice condition. On with the review.
[size=small]Specs[/size]
Dual DACs (unknown make)
Headphone/Lineout shared jack
Analog rotary volume pot
Dynamic Bass Boost (On or Off)
Hold
Powered by 4AAs (more on that later) or 6v wallwart
Extremely basic LCD that displays current track
Shuffle, but no Pause.
~18x16x3 cm (7x6x1") HxWxD
~.7kg dry, .9kg w/ Alkaline batteries (1.5 and 2 lbs, respectively)
5mW@32 Ohms according to Duncan (couldn't find anything on the Internet)
Digital Servo Processing (more on this later)
[size=small]Sound[/size]
Bass: It doesn't quite have enough oomph unamped with HD280s, but it is very tight and un-bloated. With DBB on, it becomes even more horrific than Sony's Mega Bass, if that's possible. Seriously, it's like someone threw 100-250Hz up 12dB. Becomes overpowering and awful. Beyond muddy.
Midrange: Vocals are quite evenly produced and beautiful. Guitars sound smooth and yet detailed. And yes, heavy distortion is reproduced well. Metalheads rejoice.
Treble: The treble actually seems a bit harsh sometimes, much moreso when amped. However, when playing older CDs, (even as late as '91) I didn't notice this problem at all. So perhaps it's due to the hyper compression employed on modern CDs.
Soundstage: Instruments are very easy to place, and stereo seperation is excellent as well. Pink Floyd's Interstellar Overdrive is a lovely example of this. Swirling 'round and 'round your head... so beautiful.
Power: This is actually fairly wimpy for power output; I can somewhat comfortably listen at 10 with my HD280s (64 Ohm). I wouldn't recommend it for very long, but I'd imagine it's just at 90dB, if maybe a few decibels over.
[size=small]Design[/size]
Aesthetics: If you're a fan of all black, this is your player. Other than that, it's pretty much a square, with the front panel sloping slightly down and rounded. I like it, anyway.
Build Quality: Entirely built of plastic, as is usual for most, but it doesn't feel as cheap as my D-141. Everything has a fairly solid feel to it, although, as Duncan noted, the lid doesn't seal quite perfectly, so there's about a .5mm gap. Doesn't affect sound any, but some people might be bugged by this. Of note, I just managed to drop it onto a linoleum floor from about 1 meter, and it suffered no ill effects.
Skip Protection: No real skip protection to speak of, but there is the afore-mentioned Digital Servo Processing. I'm not exactly sure what this is or how it works, (Googling didn't turn up much) but it makes it much more resilient to skips than a 'normal' Discman with ESP or what-have-you turned off. It also recovers extremely quick from shocks that do manage to make it skip. I actually prefer this to my D-E551's ESP2, as 2 seconds isn't really enough to do much while walking, and it skips horribly, forcing you to get into a certain rhythm to keep your music playing. The AZ6832 didn't complain much at all, unless I started running or walking on really bumpy ground.
Battery Life: First, a word about the batteries. It takes 4 of 'em, and stores them in a nifty little magazine. When I first tried putting batteries in, my inital thought was that the engineers were sadists. It's extremely difficult to put batteries in with the magazine still in the player. However, once I discovered you pull up and out on the battery tray, it all became much easier. It's really a brilliant idea, and there's something satisfying about slamming home a 4 pack of batteries into a Discman with a lovely 'ca-chunk'
As for the actual life, I'm not sure, as I haven't run through a full set yet. Duncan says 8-10 hours. I'll trust his judgement.
[size=small]Overall[/size]
This is, without a doubt, an awesome PCDP. Screw the others, if you have to get one, this is it. Once amped, the sound is wonderful, (with the exception of the occasional harsh treble) As for travelling, well, it can be done if you cushion it well enough and don't mind bringing along an amp, or the relatively short battery life.
Notes on testing:
I used HD 280s and an AD823AN powered CMoy as my test bed. (no other cans or amp, sorry) Music used was Metallica's self-titled album (better known as The Black Album), Pink Floyd's Piper at The Gates of Dawn, Switchfoot's The Legend of Chin, Kevin Max's Stereotype Be, and Eisbrecher's self-titled album.
As always, mucho props to Duncan for his master of a review, and for a few specs I couldn't find.
(-:Stephonovich
Anyway, got this in perfect condition with original wallwart, earbuds, and tape adaptor for $40. Very nice condition. On with the review.
[size=small]Specs[/size]
Dual DACs (unknown make)
Headphone/Lineout shared jack
Analog rotary volume pot
Dynamic Bass Boost (On or Off)
Hold
Powered by 4AAs (more on that later) or 6v wallwart
Extremely basic LCD that displays current track
Shuffle, but no Pause.
~18x16x3 cm (7x6x1") HxWxD
~.7kg dry, .9kg w/ Alkaline batteries (1.5 and 2 lbs, respectively)
5mW@32 Ohms according to Duncan (couldn't find anything on the Internet)
Digital Servo Processing (more on this later)
[size=small]Sound[/size]
Bass: It doesn't quite have enough oomph unamped with HD280s, but it is very tight and un-bloated. With DBB on, it becomes even more horrific than Sony's Mega Bass, if that's possible. Seriously, it's like someone threw 100-250Hz up 12dB. Becomes overpowering and awful. Beyond muddy.
Midrange: Vocals are quite evenly produced and beautiful. Guitars sound smooth and yet detailed. And yes, heavy distortion is reproduced well. Metalheads rejoice.
Treble: The treble actually seems a bit harsh sometimes, much moreso when amped. However, when playing older CDs, (even as late as '91) I didn't notice this problem at all. So perhaps it's due to the hyper compression employed on modern CDs.
Soundstage: Instruments are very easy to place, and stereo seperation is excellent as well. Pink Floyd's Interstellar Overdrive is a lovely example of this. Swirling 'round and 'round your head... so beautiful.
Power: This is actually fairly wimpy for power output; I can somewhat comfortably listen at 10 with my HD280s (64 Ohm). I wouldn't recommend it for very long, but I'd imagine it's just at 90dB, if maybe a few decibels over.
[size=small]Design[/size]
Aesthetics: If you're a fan of all black, this is your player. Other than that, it's pretty much a square, with the front panel sloping slightly down and rounded. I like it, anyway.
Build Quality: Entirely built of plastic, as is usual for most, but it doesn't feel as cheap as my D-141. Everything has a fairly solid feel to it, although, as Duncan noted, the lid doesn't seal quite perfectly, so there's about a .5mm gap. Doesn't affect sound any, but some people might be bugged by this. Of note, I just managed to drop it onto a linoleum floor from about 1 meter, and it suffered no ill effects.
Skip Protection: No real skip protection to speak of, but there is the afore-mentioned Digital Servo Processing. I'm not exactly sure what this is or how it works, (Googling didn't turn up much) but it makes it much more resilient to skips than a 'normal' Discman with ESP or what-have-you turned off. It also recovers extremely quick from shocks that do manage to make it skip. I actually prefer this to my D-E551's ESP2, as 2 seconds isn't really enough to do much while walking, and it skips horribly, forcing you to get into a certain rhythm to keep your music playing. The AZ6832 didn't complain much at all, unless I started running or walking on really bumpy ground.
Battery Life: First, a word about the batteries. It takes 4 of 'em, and stores them in a nifty little magazine. When I first tried putting batteries in, my inital thought was that the engineers were sadists. It's extremely difficult to put batteries in with the magazine still in the player. However, once I discovered you pull up and out on the battery tray, it all became much easier. It's really a brilliant idea, and there's something satisfying about slamming home a 4 pack of batteries into a Discman with a lovely 'ca-chunk'
As for the actual life, I'm not sure, as I haven't run through a full set yet. Duncan says 8-10 hours. I'll trust his judgement.
[size=small]Overall[/size]
This is, without a doubt, an awesome PCDP. Screw the others, if you have to get one, this is it. Once amped, the sound is wonderful, (with the exception of the occasional harsh treble) As for travelling, well, it can be done if you cushion it well enough and don't mind bringing along an amp, or the relatively short battery life.
Notes on testing:
I used HD 280s and an AD823AN powered CMoy as my test bed. (no other cans or amp, sorry) Music used was Metallica's self-titled album (better known as The Black Album), Pink Floyd's Piper at The Gates of Dawn, Switchfoot's The Legend of Chin, Kevin Max's Stereotype Be, and Eisbrecher's self-titled album.
As always, mucho props to Duncan for his master of a review, and for a few specs I couldn't find.
(-:Stephonovich