Jul 7, 2013 at 2:27 PM Post #1,261 of 7,021
Dont Know about you birds and monkeys but bats hear the best we find your hearing spectrum laughable we can hear up to 300KHz...and we even heard the old sparrow fart a moment ago...or was that the 3003 being pluged into an amp?
 
Jul 7, 2013 at 2:37 PM Post #1,262 of 7,021
Quote:
Dont Know about you birds and monkeys but bats hear the best we find your hearing spectrum laughable we can hear up to 300KHz...and we even heard the old sparrow fart a moment ago...or was that the 3003 being pluged into an amp?

 
That was the ASG-2 playing a 32/384 file. 
 
Jul 7, 2013 at 2:39 PM Post #1,264 of 7,021
Quote:
Dont Know about you birds and monkeys but bats hear the best we find your hearing spectrum laughable we can hear up to 300KHz...and we even heard the old sparrow fart a moment ago...or was that the 3003 being pluged into an amp?

 
You fail to understand that it's not about the actual capabilities of hearing, but about the quality of said hearing. In that sense humans and monkeys' quality of hearing—let alone listening—is rather poor, to put it mildly. Bats might be able to hear even the inaudible, but they do not understand a thing about music — the sounds of birds and bats are quite different indeed...
 
Jul 7, 2013 at 2:42 PM Post #1,265 of 7,021
Quote:
 
You fail to understand that it's not about the actual capabilities of hearing, but about the quality of said hearing. In that sense humans and monkeys' quality of hearing—let alone listening—is rather poor, to put it mildly. Bats might be able to hear even the inaudible, but they do not understand a thing about music — the sounds of birds and bats are quite different indeed...

oh we do care about quality , you think we use poorly made sound to echolocate our prey ? we enjoy music all the time you just cant hear it. those screeches you hear is actually the symphony of frequencies that is purely for our enjoyment.
 
Jul 7, 2013 at 11:04 PM Post #1,267 of 7,021
I just got back from my trip, and I've been doing a bit of listening to the G2 with both the stock cable and Translucent silver/gold cable. I made sure not to bring any music on my trip so that I'd have fresh ears when I got back.
 
still hear the differences in cables.
 
The silver/gold cable is almost like an auditory corset for the ASG-2, tightening up the sound sig in key places, and getting rid of those slightly protruding love handles.
 
It's really uncanny.
 
Jul 7, 2013 at 11:37 PM Post #1,268 of 7,021
Quote:
I just got back from my trip, and I've been doing a bit of listening to the G2 with both the stock cable and Translucent silver/gold cable. I made sure not to bring any music on my trip so that I'd have fresh ears when I got back.
 
still hear the differences in cables.
 
The silver/gold cable is almost like an auditory corset for the ASG-2, tightening up the sound sig in key places, and getting rid of those slightly protruding love handles.
 
It's really uncanny.

Do you mean the drug induced trip where you thought the ASG-2 surpassed the 1Plus2 ? (I am kidding as always)
 
Jul 8, 2013 at 11:10 PM Post #1,270 of 7,021
Stage Driver 3 incoming! I'll compare it to the ASG-2 (of course) and the 1Plus2 (for Gintaras' benefit 
tongue.gif
).
 
Jul 8, 2013 at 11:51 PM Post #1,271 of 7,021
Stage Driver 3 incoming! I'll compare it to the ASG-2 (of course) and the 1Plus2 (for Gintaras' benefit 
tongue.gif
).


Looking forward to it eke!
 
Jul 9, 2013 at 2:37 AM Post #1,272 of 7,021
This thread needs some eye candy.  I've already posted a pic of my AS-2, but here it is again.  I've never been a big aesthetics guy when it comes to IEM faceplates (I've always gone with the standard issue stuff for the most part), but considering how nice the rhodium plates look on my AS-2, I might be changing my tune on future customs.. 
 

 
Since my AS-2 arrived (over a month ago), I've exclusively used a PlusSound Audio (pure) silver cable with it (pictured).  About a week ago, I switched to using the stock cable.  The last few days, I've been A/Bing them.. and I was a little surprised with what I ended up preferring as far as sound.
 
In terms usability, the stock cable is simply terrific.  It's thin, extremely flexible, and has no microphonics.  What I also like is that while it's very light, it still has some weight to it.. so it contours to whatever it's laid across.  The silver cable I have is quite usable, as well.. and while it was somewhat stiff when I received it.. with repeated use, it's softened up and become more flexible.  It's ergonomics aren't on par with the stock cable, but the PlusSound silver cable is better than most other silver cables I've owned.
 
Without getting long-winded about the sonic differences.. I found the the silver cable to offer better bass control (this was surprisingly apparent, actually), instrument separation, and more aggressive detailing of the leading edges of notes.. as well as a crisper, more present, balanced treble response.  The stock cable offered as decidedly smoother sound:  comparatively looser bass (with more midbass presence), an extremely smooth midrange, and a laid back treble response that was detailed, but softer in character.
 
Being that I'm a bit of a detail & resolution junkie.. you'd think I'd take the silver cable all day, everyday.. right?  Well, not quite.  I feel the stock cable (which I'm pretty sure is copper) has a certain synergy with the AS-2's signature.  The AS-2's smooth, slightly warm, slightly dry midrange seems to get a very welcome dash of liquidity with the stock cable.  I don't get the pinpoint imaging, (comparatively more accurate) tonal quality, clarity, and all the other technicalities that the silver cable offers.. but I've come to realize I prefer sonic synergy over technical purity with the AS-2.  I don't consider the AS-2 a detail/resolution "beast".. at least in the way many do with the HD800 or JH13.  The AS-2 certainly doesn't disappoint on these counts, but I don't consider detail retrieval and/or resolution ability as the AS-2's main forte (or purpose).
 
With a lot of slower vocal, acoustic & organic instrumental music, I prefer to use the stock (copper?) cable.. with faster, more dynamic, bass heavy music, I like the speed, detail, and control the silver cable seems to offer.  I don't have a PC-OCC cable at the moment, but perhaps, it might offer a balance between the things I like from the silver and (presumably OFC) copper cable?
 
BTW.. yes, I'm discussing cables.. and the last thing HeadFi (and the "high end" audio world, in general) needs is an internet "pillow fight" over the sonic validity and impact of various cable/materials.. so, for the sake of keeping this thread active and civil, please keep the responses and discussion candid.  If you're interested in Sound Science, there's a subforum for that.
 
Jul 9, 2013 at 3:51 AM Post #1,273 of 7,021
Quote:
Stage Driver 3 incoming! I'll compare it to the ASG-2 (of course) and the 1Plus2 (for Gintaras' benefit 
tongue.gif
).

Nice! Really looking forward to that.
The two IEMs I have been debating between for far too long now...
 
Jul 9, 2013 at 1:21 PM Post #1,274 of 7,021
Quote:
Stage Driver 3 incoming! I'll compare it to the ASG-2 (of course) and the 1Plus2 (for Gintaras' benefit 
tongue.gif
).

Awesome !!! cant wait !!!
 
Jul 9, 2013 at 1:35 PM Post #1,275 of 7,021
Quote:

 
That's a really pretty setup you've got going on.
 
I completely agree with your cable assessments, as the silver/gold cable affects the ASG-2 in the same fashion. It "improves" it technically, but it loses part of what makes the ASG-2 appealing. I imagine 334 owners would feel the same way about a similar change.
 
 
Btw, here's how most of my nights have been spent after work...
 

 
 
 
 
Nice! Really looking forward to that.
The two IEMs I have been debating between for far too long now...

 
I'm looking forward to hearing it myself. The way I've heard it described lines up with how I'd describe the ASG-2.
 

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