Garraty
100+ Head-Fier
- Joined
- Jan 3, 2014
- Posts
- 369
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- 41
Once the bands are loosened (you can do this by hand, gently) they are extremely comfortable. Not when new. The PVC leather on the Sony were giving some folks rashes. That was really bad.
In terms of sound, that is where things get interesting in discussion. I would consider the DT1350 a "modern sounding" headphones. The Sony were so "outdated" but many studio guys still love them to bits, so it is up to you to make that decision as you audition them. Sound is so subjective and personal. I don't think the DT1350 is accurate, but neutral. I like how they work for me in my studio. I wouldn't mix with them though they make great reference cans against your studio monitor loudspeakers. The low mids are a little scooped so they clean up the muddiness. I think that really works well for tracking. At least in my workflow.
Nothing beats going to a retailer that you are familiar with and ask them to allow you to audition a set in your own studio. "Rent" their demo for an evening and that would probably be the best way to judge if they are the ones that would work for you.
I am also looking for more new cans to add to the studio and believe it or not, I am going to audition the Oppo PM-3s against the DT1350 to hear the difference. Just curious on how the PM-3s sound. Might end up sticking with the DT1350s instead. The new "CC" models seems to have some improvements for comfort as they are using the larger ear pads. I only hope the sonic signature does not change.
Nevertheless the DT1350s are really enjoyable and provide an alternative voicing for the studio to check the mixes. You should like them. They reference closely to the more modern sound equipment out there.
Thanks for answering my questions. I think I'm going to definitely get the DT1350 CC's if it sounds the same as the regular 1350's. I really appreciate your advice since I was initially unsure about some possible issues with the 1350's. Thanks again!