doobooloo
Headphoneus Supremus
- Joined
- Nov 3, 2002
- Posts
- 2,544
- Likes
- 11
Hello everyone!
So I am extremely bored over summer, and I was reminded of my old TPA6120-based balanced headamp project. I was excited as I found something to kill time with, but I realized that when I reformatted my computer a while back all my Eagle files and libraries that I had built up had perished.
But guess what. That just gave me another reason to design the same amp from scratch, just much better this time.
So after a few days of playing around, here is my design on a 2.5" by 4" board (fits in the smallest Lansing case):
Everything:
Just pads and traces:
Top layer:
Bottom layer:
Click here for higher-resolution pictures.
So what makes this amp exciting? To list a few features that I really wanted when I was designing this amp...
1. It is a fully balanced amp
2. It is extremely high-performance (TPA6120)
3. But, it takes single-ended inputs, allowing the use of numerous (read: simple, cheap, small, proven, good) sources
4. Outputs are in the form of two 1/4" jacks - one inverted and the other non-inverted - which allows the use of conventional headphones and balanced headphones with the use of a simple adapter cable
5. It employs the DS1802 digital potentiometer coupled with a rotary pulse switch allowing for easy and precise volume adjustment as well as a higher sound quality, better channel matching, and long-term durability compared to analog pots
6. All necessary jacks can be mounted onboard - at the same time standard 0.10" pads are provided for external wiring and the use of 3-pin Molex KK connectors if desired
7. A desired sound signature can be achieved by opamp selection (since it's SMD, no easy opamp rolling, though)
I used Eagle Light to design this board, so no groundplane fill function is available. Also, board space is limited by the Light version, and the only reasonable board size within these limitations with a widely available case was 2.5" x 4" using Lansing MicroPak cases.
Anyway... I have a breadboard prototype amp employing a very similar amp circuitry running and it sounds damn good. With a more optimized board design the amp section can only sound better... and this is very exciting.
The part that I am a bit nervous about is the DS1802 digital pot section which I took a lot of hints from Armond Chen's design and the accompanying Headwize thread. I replaced the LM336Z-2.5 with an LM4040 since the latter has higher accuracy and is available in a smaller surface-mount package. Other than that, I am pretty much following Armond's design for this board.
Anyway... any comments?
So I am extremely bored over summer, and I was reminded of my old TPA6120-based balanced headamp project. I was excited as I found something to kill time with, but I realized that when I reformatted my computer a while back all my Eagle files and libraries that I had built up had perished.
But guess what. That just gave me another reason to design the same amp from scratch, just much better this time.

So after a few days of playing around, here is my design on a 2.5" by 4" board (fits in the smallest Lansing case):
Everything:

Just pads and traces:

Top layer:

Bottom layer:

Click here for higher-resolution pictures.
So what makes this amp exciting? To list a few features that I really wanted when I was designing this amp...
1. It is a fully balanced amp
2. It is extremely high-performance (TPA6120)
3. But, it takes single-ended inputs, allowing the use of numerous (read: simple, cheap, small, proven, good) sources
4. Outputs are in the form of two 1/4" jacks - one inverted and the other non-inverted - which allows the use of conventional headphones and balanced headphones with the use of a simple adapter cable
5. It employs the DS1802 digital potentiometer coupled with a rotary pulse switch allowing for easy and precise volume adjustment as well as a higher sound quality, better channel matching, and long-term durability compared to analog pots
6. All necessary jacks can be mounted onboard - at the same time standard 0.10" pads are provided for external wiring and the use of 3-pin Molex KK connectors if desired
7. A desired sound signature can be achieved by opamp selection (since it's SMD, no easy opamp rolling, though)
I used Eagle Light to design this board, so no groundplane fill function is available. Also, board space is limited by the Light version, and the only reasonable board size within these limitations with a widely available case was 2.5" x 4" using Lansing MicroPak cases.
Anyway... I have a breadboard prototype amp employing a very similar amp circuitry running and it sounds damn good. With a more optimized board design the amp section can only sound better... and this is very exciting.
The part that I am a bit nervous about is the DS1802 digital pot section which I took a lot of hints from Armond Chen's design and the accompanying Headwize thread. I replaced the LM336Z-2.5 with an LM4040 since the latter has higher accuracy and is available in a smaller surface-mount package. Other than that, I am pretty much following Armond's design for this board.
Anyway... any comments?
