hmm... i think i should issue a warning to people who have not been previously exposed much to anime and/or asian filmmaking. if u approach the film with an extremely open mind, much like the mentality of a child, u will be blown away. however, if u hold any previous expectations of the film or try to think too much about it from a western standpoint, u will be disappointed. asian cinematography is quite different from the west: plot structure, pacing, and themes (especially in a movie like "spirited away" which is steeped in japanese culture) are all very different from western conventions. i have several friends whocould not fully enjoy "spirited away" because the plot was not in the typical 3-part exposition-conflict-climax/resolution structure that has been engrained in many western movie-goers. miyazaki's style is also extremely creative and attentive to detail, so much so that some of my friends found it to be too much... in conclusion, watch the film as a blank slate, and u will be very, very impressed.
i'm surprised that noone's mentioned "kaze no tani no naushikaa" (nausicaa of the valley of wind), the first film miyazaki directed. it was only after the 3rd or 4th time watching it that i was finally able to resist the tears that had always welled up whenever i watched that movie. personally, despite (or perhaps due to) the fact that this was his first film, i feel that he was at the top of his form. it was a magnificient film, not quite as epic in scope or as artfully paced as mononoke no hime but much more accessible and immensely moving. it has all of his signature elements: environmentalist themes, a strong female protagonist, exhilirating flying scenes... if u guys have never seen it, U ABSOLUTELY MUST!! this film is the grado rs1's of the anime world...
although "hotaru no haka" (grave of the fireflies) was directed by Isao Takahata, Takahata and Miyazaki had long been close friends and collaborators (much like kurosawa akira and uekusa keinosuke), and u can tell that the style of animation was clearly influenced by miyazaki even tho the meditative pace is signature takahata. personally, i think this is a must for anybody even remotely interested in WWII from the japanese perspective to watch. u learn so much about the japanese attitude towards the war before and after their defeat, japanese culture itself, and most poignantly, universal lessons about the darkness as well as the brilliiance that can lie in the depths of humanity. excellent film...
man... i have too many comments on too many miyazaki/studio ghibli films, and to me, most of them are absolute musts, including takahata's "heisei tanuki gassen ponpoko" and his "omohide poro poro" as well as kondou's "mimi wo sumaseba" (which was written by miyazaki). what u guys should try to do is find an anthology of some sort... hehe...
and while we're on the topic of japanese film, definitely check out kurosawa akira's works... and ozu yasujiro... and yamamoto kajiro...
aaarrgghh... japanese film... a bottomless can of worms for me, why did i click on this thread?? i must... shut... up......