Schiit Audio Yggdrasil

Hi Guys,

Today we are talking about the Schiit Audio Yggdrasil “OG”/A2/Unison DAC. There are three different versions of the Yggdrasil currently available, and various permutations over time with different USB solutions and analog boards etc…The three current versions are the “Less is more” “More is less” and “OG.” The “OG” is the original DAC chip configuration, with the second generation (A2) analog boards, and also includes Schiits proprietary USB solution, which is called “Unison.” I have not heard either the “Less is more” or “More is less” versions of the Yggdrasil, but I have actually heard the Yggdrasil with the original “A1” analog board, and Gen 3 USB. Schiit has very recently released the Yggdrasil +, which is simply a new, more streamlined chassis, with a remote control and a non oversampling mode. Everything else remains the same in terms of sound differences across the three available models, as far as I understand. I should note, Schiit has mentioned that the “More is less” version will likely be unavailable sooner rather than later, so if you want a Yggdrasil that is more measurement focused, now would be the time to pick one up. It does appear that the “OG” and “Less is more” will continue to be available.

For the rest of this review, I’ll just refer to the Yggdrasil as the Yggy, as its colloquially known, and all my comments are pertaining to the “OG” A2/Unison version, unless otherwise stated. I did most of my listening for this review with my Boulder 866 with the Yggy acting as the DAC, and also my DIYT2 for use with electrostatic headphones.

The Yggy does benefit from being left on continuously, which has to do with the DAC chips reaching their optimal operating temperature. Over time I do think this aspect has perhaps been slightly overblown, with people saying it takes months of being left on to reach thermal stability. From my experience a few hours seemed to do it, and then maybe some slight changes over the next day or two. With that being said, I’ve ended up just leaving it on, as then you don’t have to worry about it.


The first thing I noticed about the Yggy was its bass response. Being my first long term experience with a Schiit DAC, perhaps this is the “Moffat bass” that people speak about (Mike Moffat being Schiits digital designer, and a pioneer in the field of digital audio conversion.) It came across as being perhaps the most bass, in terms of level, I’ve ever heard a DAC provide. Definitely north of neutral. Big, fat bass. Yet, although it was big and fat, it did retain quite a bit of speed and delicacy when called for. Its not the fastest, most incisive bass I have heard, but I didn’t find myself wanting for more in that area for most types of music. I could definitely see some DACs sounding a bit lean in the low end if you are coming from the Yggy to something more neutral in the low end. One thing I should note is that I didn’t find the low end of the Yggy sounding bloated and overly mushy. This can sometimes happen with the low end being prominent, but the Yggy didn’t go that far or have troubles with that, to my ears.

The mid range, in terms of level, seemed mostly neutral to me. There was a slight sense of harmonic sweetness in the mids, especially the lower mid range. It never really struck me as a very warm sounding DAC, and seemed to have more emphasis on the lows and highs, than the mid range. The slight sense of harmonic sweetness I mentioned in the mids did help with perceived timbre overall, and worked well with jazz and classical music in particular. It helped give a certain sense of “realness” in particular with acoustic instruments across the board.

The highs of the Yggy were also slightly elevated. Less so than the low end, but a very slight increase over neutral. I also found they had a really nice air and somewhat sparkly nature. Although I felt the lows and highs were elevated, I don’t want to give the impression that this is a V-Shaped DAC. It never went that far in my opinion, perhaps the low end does, but the highs are not north of neutral enough to say that the overall signature is V shaped. L shaped perhaps? I’m not sure if that is even a thing. I did feel the upper treble was slightly more emphasized than the lower treble, which is probably why I felt there was a nice sense of air and spaciousness to the treble response.


In terms of technical performance, the Yggy fared incredibly well for a DAC that costs $2699USD. There is a serious amount of value for money with this DAC. The overall detail levels were superb, especially for the cost of the DAC, both micro and macro detail. Though this is fairly hard to describe, it has a good amount of punch and slam, maybe this is also to do with that “Moffat bass” I mentioned earlier. Dynamic swings were handled very capably, though I felt it was much better at the Macro Dynamic side of things, with the tiny micro dynamics side of things being done better by some other DACs. The soundstage of the Yggy was quite wide, and expanded more left and and right, than out in front in terms of how I perceived its staging with headphones.

Schiit Audio’s proprietary USB solution, “Unison” was what I used for most of this review. I did also try the AES, Coax, and optical inputs from a D/D converter. I found the Unison USB to sound best to my ears out of all those options, but at the same time, if you have a particularly good source that you like, it might be better than the Unison USB. For someone like me, using a Laptop as their source, the Unison input is a bit of a no brainer, its a one and done, plug and play solution, that actually sounds better than most AES/Coax sources. With that being said, maybe you have some super CD spinner or similar that sounds awesome through its AES outpit, or similar, and in that case I would use the input that sounds best from your source. For me, and my uses, Unison was the winner. You, and your specific source, may end up having different results.

The build quality of the Yggy seemed great to me. Though the very recently released “+” version does have a slightly more streamlined looking chassis, the original chassis still works very well. Its a fairly heavy and solid feeling piece of gear, and I haven’t had any problems with it at all thus far. It just feels well put together, and like it will last a long time. In terms of build quality, the Yggy gets a thumbs up from me. I also like that Schiit has made black more commonly available across its line up as I do prefer black gear to silver gear. Obviously, it doesn’t effect the sound, and is entirely a cosmetic preference, but the fact it is a more readily available option than it used to be is neat.

In terms of comparisons, I can compare it to the Yggy A1/Gen 3 USB from memory, and also the built in DAC of my Boulder 866, which is an AD1855 based solution, and incredibly capable for a built in DAC.

Compared to the A1/Gen3 Yggy, the A2/Unison seemed slightly warmer, with more bass and more highs. The A1 seemed some what colder sounding, a bit more clinical in nature, though not highly clinical in an overall sense. Detail and resolution seemed quite similar between the two, but perhaps slightly more perceptible on the A1/Gen3 due to its slightly more clinical sound. Dynamics were better on the A2/Unison to my ears. If you find an A1/Gen3 Yggy at a really good price, that might actually be one of the better DAC bargains out there currently, especially if you use a cheap D/D converter to bypass the Gen3 USB by using AES or Coax. The Unison USB does sound much better than the Gen 3 USB did.

Compared to my Boulder 866’s built in DAC, which I did a lot of direct A/B comparisons with. The 866’s DAC is much more neutral. Less bass, and less highs. More even keeled sounding overall. The 866 does outdo the Yggdrasil in terms of overall detail levels, but the Yggdrasil seemed better at Dynamic swings and was also more “fun” to listen to. There was also the slight harmonic sweetness in the midrange that the Yggdrasil has that the Boulder did not have, which was nice with acoustic instruments in particular.

Another DAC that is in a similar price range to the Yggy is the iFi Audio Pro iDSD Signature. Though it has all sorts of features the Yggy doesn’t (Headphone Amp, Tube section etc..) I think I prefer the Yggy in terms of DAC performance. The Yggy is slightly more detailed, slightly less warm, and also better dynamically. If you want the other features like a headphone amp, tube section, etc…that the iDSD Signature has built in, then it is a very good choice, but if you want a pure DAC only option, I would save a few hundred dollars and go for the Yggy.


Overall, the Schiit Yggdrasil A2/Unison “OG” is probably the best DAC for the money at MSRP I have heard. At $2699USD, there are other options on the market, but I think the Yggy really makes a case for itself in terms of how enjoyable it is to listen to. I really loved its bass response, and its technical performance was great for how much it costs. There are better, more technically capable DACs out there, but the ones that I have heard all cost a lot more money, which complicates matters. The Yggy is very, very competent in its overall performance, it is fun to listen to, it doesn’t cost as much as a house, and it is really well built. I would definitely recommend the Yggdrasil if you are looking for a DAC. If you want to save a few hundred dollars, definitely do some reading about the “Less is more” version also, as some people do actually prefer it to the “OG” I have written about in this review. That will be up to you and your ears, but from what I understand it’s pretty hard to go wrong with either version. Good Job Schiit!

This beautiful beast of a product is one that I was rather surprised to be humbled with an opportunity to review. You see, while trying to get some interest and vendors to attend or show interest in the audio meet I was putting together I reached out to Schiit on just a pure whim and hope. And my goodness am I glad I did for they were such an incredible pleasure to work with. The representative I spoke to was full of energy and had a very splendid attitude and sense of humor (quite befitting of a company called Schiit). Anywho’s, she mentioned that they would be glad to send us their Schiit Kit once it was finished with another audio meet being held just prior to mine and even offered to send us their flagship products with the Yggdrasil of course being the dac, what more is that they’ve just upgraded it to the newest specs (gen. 5 usb as Analog 2 board). So to say I was overjoyed and honored would be a vast understatement. But with the introductions aside, please allow me to now give my thoughts and impressions on the dac that has taken root in a many of totl end game setups.




-Sources

-LG V20/HP Pavilion

-Playing Pandora, YouTube, and various format personal music

-Windows Pro Tablet

-Various other gear that may’ve been used at the Carolina CanFest 6 audio meet




The Opening Experience




*Now, to disclaim, the box that I received was that of a plain box and was a loaner unit for the purposes of the Carolina CanFest 6 audio meet. A purchased unit may have some minute differences but from viewing pictures of others unboxing the product as well as reading through the forums, I believe the difference would be nil.*


It’s rare that I find myself really impressed by the unboxing of amps or dacs. More often than not they’re delivered in a fairly plain *insert color* box with nothing on it. Usually I like this setup for to me it tell the listener to just experience the product vs letting it brag what it claims it can do. Well, that’s where the buildup ends unfortunately. Once you open the box, there’s the Yggdrasil, inside of very protective foam and a power cord (at least they included a power cord with their products unlike a certain equally priced combi unit I purchased), a buyer would also get a user's manual and warranty guide but my loaner unit did not come with this. However a user manual can easily be found here.

So nothing to really write home about with its initial experience other than being just impressed by the sheer size and weight of the unit. But Schiit does take very good care in the delivery of their products to ensure they arrive in perfect condition to their customers and that is something most admirable. And honestly, though I wasn’t overly impressed with the unboxing, I can’t really think of a way to improve it because it’s not like imma be carrying it around in a carrying case.


Construction




The build quality of the Schiit Yggdrasil is second to NONE. The entire thing is aluminum and solidly built in terms of both strudyness and weight. At the top of the unit you’ll find the Schiit logo and passive vent to let some of the heat the Yggy produces escape. Looking at the front of the behemoth of a dac you’ll find the (starting from the left) Phase Invert button and indicator light (I’ll explain what that is in the features section), Sample rate indicators and the multiple (44.1K, 48K. 1x, 2x, 4x, & 8x [will explain what these are in the features section]), Input selector button and indicator lights, then lastly the VCO/VCXO (or the “get better gear”) light.

Moving to the back you’ll find 2 sets of RCA outputs (unbalanced), a single set of XLR outputs (balanced). Sliding over a bit, you’ve the USB, Optical, Coax, BNC (here’s a link to what that is [I’ve never heard of it till the Yggy]) and the AES/EBU inputs. The lastly you’ve the power switch and port. So you’ve a plethera of input options for you so it shouldn’t matter if you’re a professional or enthusiast, connecting your equipment to the Yggdrasil shouldn’t be any issue.

There’s so much to the Schiit Yggdrasil that it’s no wonder this beast is so massive. And it’s accomplished something that I thought was all but gone in today’s market. They made this beautiful piece of art in AMERICA, and yes, I take personal pride in that. But my final thoughts on the Yggdrasil’s build is that I personally couldn’t have asked for any better. I have ZERO thoughts that those who are fortunate enough to be able to own one of these will be happy with in indefinitely. Rather it be mechanically or physically I don’t foresee any issues (other than general wear and tear) happening with the Yggdrasil. And heck, even if something does, if purchased through Schiit, you’ve a 5 year warranty as a nice backup.



Specification (Copied straight from the Schiit website)



Features



The flagship dac of Schiit offers some pretty nice features. I’m not referring to something like bluetooth but instead features that are usually only seen in professional gear costing multiples more. The first is actually the various levels of inputs that range from traditional inputs all the way up to a BNC and AES connections that are mainly used for recording equipment. Will the mainstream user need these? Likely not, but what’s stopping you from it?

Next the Schiit includes a Phase Invert button that I admittedly had NO idea what it even did, so courtesy of Mike Moffet himself;


“The Phase inverter is an absolute phase switch. This means it inverts the phase of both channels simultaneously. This is of use primarily for non-headphone systems that are simple two mic stereo recordings (such as many classical ones). It is also of lesser use for more "engineered recordings". The stereo image will be enhanced when the correct absolute phase is selected. Another way of viewing the switch would be in a dc system, the speakers would blow or suck air, according to the position of the switch and the absolute phase of the original recording.”

Something that I’ve seen posted in the forums, I can’t seen to find it again, is that people comment why it takes a little while for the Yggy to register when they switch inputs. And Jason, I believe it was, mention that, and I’m paraphrasing, there’s a lot more than just a simple switch going on inside the Yggdrasil. The Yggdrasil is reading the incoming signal and deciding on which dac function will reproduce it the best, so it takes a moment or two for the sound to continue. This is something I think is a very impressive addition that, at least myself, hasn’t been mentioned in other high end dacs. Rather than focusing on immediate playback Schiit takes a second to ensure the most accurate signal is being rendered to the listener.

The final feature that the Yggdrasil has, and admittedly it isn’t exclusive to the Yggy for other do something similar as well, is it indicates what the input signal is coming through. As admittedly straightforward as that sounds the only labels are “44K, 48K, (for sample rate) and 1x, 2x, 4x, 8x (for the multiple). When playing various formated music, 16/44, 24/48, 24/98, 24/192, and DSD 64 that vary from .flac to .wav, the indicator light, never once changed from the 48K with a 1x multiple. I even sprinkled in a few free MP3 formatted songs in addition to YouTube but to the same result. So I’m personally unsure what input signal rate it’s referring to but the response I got asking about it was;

“The sample rate multiplier lights illuminate according to the sample rate of the input signal - from the owner's manual:

3 Sample Rate Indicators.

These indicate what format is coming in to

Yggy—44.1K or 48K, plus the multiple

(1, 2, 4, or 8X.)”

I know I said the final feature was the input light but I also gotta mention the VCO/VCXO indicator light, or as Schiit calls it, the “buy better gear” light. And from the manual it means;

“Also known as the “buy better gear” light. If this is illuminated, the Yggdrasil’s input clock regeneration (Adapticlock) is in VCO mode. This means your source does not provide a good center frequency, or jitter is too high for the VCXO mode to operate.” From my entire time with it I tried to get this light to come on, and I played some HORRIBLE formated/recorded MP3’s (or so I thought). So for those of you worried about this light coming on, don’t. Because you have to have some ridiculously poor quality files that I strongly doubt those lucky enough to be able to have this dac will have a problem with.



Sound



It seems like no matter what forum I search, what YouTube video, what review I read that doesn’t mention either have the Schiit Yggdrasil or in the very least mention it as being on of the best dacs one can have in their setup. And after having the honor of spending a couple weeks with the unit I can absolutely understand why it’s become a staple in the endgame TOTL setups.

When I first plugged in and turned on the Yggdrasil (being played through the Rag) I was quite impressed with how it sounded most certainly but I was admittedly not blown away, in fact, I was kinda disappointed. It sounded better than my PS Audio DL3 yeah but not by much, at all. So I went and read a few reviews and each one of them mentioned that for the Yggdrasil to really open up and perform it needs to be fully warmed up, which takes *pause for dramatic effect* days. So fast forward about 4 days of it being plugged in and turned on (2 days for the meet, then on shift and then able to listen to it again) I give it another serious listening spell and oh boy does this beast open up (at the time of writing this review it’s been plugged in and turned on continuously for over a week). The Yggdrasil just completely disappears in the setup and only leaves behind pure, unadulterated audio in its entirety. Any possible spec of detail that’s present in the audio data will be recreated and improved upon with the Yggdrasil. Even listening to music on YouTube I find myself hearing new nuances in songs that I’ve heard (not exaggerating) hundreds of times. And it’s not the headphones giving me this new detail either. My main headphone to review this setup has been my personal Sennheiser HD800 S that I’ve full understanding of its capabilities and sound and when new details are revealed to this headphone, you’ve definitely found yourself a system upgrade.

But getting back on track, the Yggdrasil presents the music completely true and uncolored, more so than I’ve ever heard before. I need not link any videos from YouTube because just listen to anything, at any format, on any amp. (preferably one of equal caliber to bring out the max effect). This is definitely a purist dac. I find it difficult to bring into words the realness of the music when played through this dac. I mentioned I am also using the Ragnarok dac but God gave me good fortune by allowing me to also have the iFi iCAN Pro at the same time as this unit which I’ve reviewed previously on a Bifrost 4490 dac, and I’ve also my personal HDVD800 using either it’s own or my personal PS Audio DL3 dac just so I can have many of references to compare my experience with. The Yggdrasil, appropriately so, beats out each dac used and made the iCAN Pro REALLY breath its musical sound into my, well, music.

A negative that I have found with the Schiit Yggdrasil, other than needing a few days to warm up, is that it narrows the soundstage. I first noticed this at the CanFest 6 meet when a friend of mine plugged his Blue Hawaii amp into it FROM his Schiit Mjolnir Gen. 1. There was an immediately apparent narrowing of the soundstage when we A/B’d both his Mjolnir and the Mimby unit Schiit sent me for the meet. Now, it’s not a drastic narrowing by any means but both of us as well as a couple other attendees noticed it. Now, Fast forward to just recently and he was able to stop by my place and we were able to A/B the Yggy (that’s been on for over a week now) and his Mjolnir on his Stax SR-009/Blue Hawaii setup. The narrowing of the soundstage remained the same BUT we both, or rather more impressively he (seeing it’s songs he’s most familiar with), was hearing the smallest and most minute details that has never been noticed before. I wish I would’ve taken note of the songs we listen to but one that I do remember (for I think it was one of the last we listened to) was “Stellar” by Incubus. Though I personally don’t enjoy this song for, to me, is sounds so darned cluttered and claustrophobic and being played on the Mjolnir was no difference, however, when we switched over to the Yggdrasil the level of separation it gave the music made it, tolerable (and my personal opinion for the song aside, that coming from me is a BIG upgrade). I know I listed the narrowing of the sound stage as a negative, and I will leave it there for I can’t prove/disprove my theory, but it may also be very well just making the soundstage sound more true to the original.

I guess I’ve made my opinion on the sound pretty clear but it’s phenomenal. Music passing through the Yggdrasil is sent straight through, the Yggy just completely disappears. I really find it hard to imagine music, or rather let me rephrase, audio, sounding more realistic and true than what the Schiit Yggdrasil accomplishes.



Conclusion




I really, like, really enjoyed my time with the Schiit Yggdrasil. To me, it embodies what a flagship product should be. It’s built amazingly well, there’s inputs and outputs for whatever you’d likely need, it sexy to look at, and my goodness does it make your audio sound true to real life. For those lucky to be at a place where you can have this behemoth in your setup, rest assured that you’ve a true end game piece of equipment.






Also, make sure to check out my unboxing and review videos. They’re pretty awesome AND you getta put a face to the Army-Firedawg name. If this review helped you out at all please hit that thumbs up button for it really helps me out a lot. Till next time my friends, stay safe.

Background

My journey with DAC units has been rather tied to Schiit Audio. I started with the original Modi in 2013, my first DAC ever and one which I used with the Schiit Asgard 2. I used it all the way up to January 2016, when I upgraded to the Modi 2 Uber. A few months later, I grabbed a Delta-Sigma Gungnir – which I then upgraded in January of 2017 to a Gungnir Multibit. I’ve been quite happy with the price-to-performance ratio that I’ve attained at each step – but several demos with the Chord Dave at my local audio store gave me a sense of where there was left to go in terms of upgrades. Indeed, it was also my time listening to the Dave that originally convinced me to upgrade from the DS Gungnir to the Multibit version. It made it very apparent that the stock Gungnir had some treble hardness, a kind of “digital” nature to the presentation that was hard to overlook. The Dave, by comparison, laid out better detail while having a remarkably natural sound.

The Gungnir Multibit, which I’ll just refer to as Gumby from now on, introduced me to the R2R sound – slightly warm and euphonic while retaining great detail. Most importantly was its tonal property, it obliterated the treble hardness/harshness I had become accustomed to and replaced it with a natural and “organic” sound. This was no subtle change, as my previous reference of the Cavalli Liquid Carbon and DS Gungnir was preferable (due to the Carbon’s softening and warming of the sound) to the same amp with the Gumby. Suddenly, the pairing was overkill – the Gumby had a softer sound to it. It possessed more bloom as well, making the Liquid Carbon sound a bit stuffy on some headphones such as the LCD-2 or even the Focal Utopia I bought later. With upgrades to my amp section, specifically the likes of the IHA-1, I felt like I was set. The audio chain sounded incredible, but my earlier demos of the Yggdrasil at the London Headroom show in February 2017 and Can Jam London in July had left me with a sense of what to expect from the Schiit flagship – and it was a sound that I was finding my preferences shift towards as I grew to appreciate genres such as jazz.

Therefore, this review will contain a lot of references to the Gungnir Multibit. I would like to think this write-up is most useful for someone who is trying to choose between Schiit’s two highest-end DAC offerings. I apologize in advance if this format is hard to navigate and glean from for the reader.

Specifications (From the Schiit Website)

Inputs: AES/EBU XLR, RCA SPDIF, BNC SPDIF, Optical SPDIF, USB

Input Capability: up to 24/192 for all inputs

Input Receiver, SPDIF: AKM AK4113

Input Receiver, USB: C-Media CM6631A

Clock Management: Bitperfect clock management at all native sample rates via Adapticlock analysis and VCXO/VCO regeneration, plus asynchronous USB Gen 5 module

Digital Filter: proprietary Schiit bitperfect closed-form digital filter implemented on Analog Devices SHARC DSP processor

D/A Conversion IC: Analog Devices AD5791BRUZ x 4 (2 per channel, hardware balanced configuration)

Analog Stages: Fully discrete JFET buffers for balanced output and discrete JFET summing stages for single-ended output, direct coupled throughout

Output: One pair XLR balanced and two pairs RCA single-ended

Output Impedance: 75 ohms

Frequency Response, Analog Stage: 20Hz-20Khz, +/-0.1dB, 0.5Hz-200KHz, -1dB

Maximum Output: 4.0V RMS (balanced), 2.0V RMS (single-ended)

THD: Less than 0.006%, 20Hz-20KHz, at full output

IMD: <0.007%, CCIF, at full output

SNR: > 117dB, referenced to 2V RMS

Power Supply: two transformers (one for digital supplies, one for analog supplies) plus one input choke for discrete, dual mono, shunt-regulated analog +/-24V supply, plus 12 separate local regulated supplies for DACs and digital sections, including high-precision, low-noise LM723 regulation in critical areas.

Upgradability: Fully modular architecture. Separate digital input board, USB input board, DSP engine board, and DAC/analog output boards.

Power Consumption: 35W

Size: 16 x 12” x 3.875”

Weight: 25 lbs

Build Quality & Features

The size of the Yggdrasil is one reason that I was hesitant to purchase it sooner. My previous belief that the Gungnir chassis was so large for a DAC was rendered silly by the scale of the Yggdrasil – which dwarves it. Indeed, the fellow I purchased the Schiit flagship from took one look at the Gumby and said “oh that’s cute, it’s so small.” Damn. The chassis itself is a big lump of aluminium and a hefty 25 lbs. Schiit do limited runs of a black powder coat finish of their gear too, if that’s more your thing. The front of the unit has several input selectors, but not on/off switch as that is located on the back – as is the case with all Schiit gear it seems. You won’t really be wanting to turn this off often anyway, but more on that below.

The inputs and outputs in the back are near-identical to the Gumby, with a noticeable addition being the AES input. I, sadly, have not been able to test this out as I lack anything that is compatible. Two RCA outputs along with a balanced XLR output round off the options.

One thing to take note of is this DAC’s inability to play DSD files unless they’re converted in the player. Schiit are quite dismissive of DSD in their site’s FAQ section, essentially saying that it isn’t a widespread enough format for them to design around:

Let's say Sony suddenly opens their vaults and offers 30,000 DSD albums with guaranteed direct-from-DSD provenance at $5.99 each, or if Apple and Spotify and Amazon start streaming only MQA for free (yes, we know, stop laughing) then hey, Yggy is fully upgradable.

That does seem to be a major selling point for the Schiit DACs besides the Modi 2 – they have upgrades released every now and then. The most recent of which, for the Gumby and Yggdrasil, was the USB version 5 upgrade. However, even if the audio formats took off further, I really doubt Schiit will release an upgrade. This may be a deal breaker for some, and another one might be when you turn it on for the first time.

Warm-Up Times

Full admission: I had heard of this aspect of the two higher-end Schiit multibit DACs for a while now, and had experienced it (albeit slightly) with the Gumby. If you want to draw the conclusion that this might have somehow biased me into fully believing it to be true, I can’t stop you but I can say that I am very sceptical by nature but like to retain a certain open mindedness – the combination of both of these aspects drives me in this hobby.

The case with the warm-up time is as follows: the Yggdrasil will sound quite horrible out of the box and will need a large amount of time to sound like it was designed to. This is what I’d been told and this is also what I’ve determined to be the case myself. The previous owner, however, didn’t give a thought to this and would turn it off every night. He sold the Yggdrasil to me saying that he found it too bright and harsh, and wanted to get the Metrum Pavane instead. He commented on the YouTube component of this review, saying that he didn’t regret the decision and that the Pavane sounded better to his ears.

I, personally, can’t imagine turning this off every night. My first night listening to it was a mix of me being impressed with me feeling sharp stabs of pain – especially using my Focal Utopia. The treble glare was somewhat intense, and the sound didn’t seem very cohesive overall. It was like the DS Gungnir that I had, except turned up to eleven in both treble harshness and detail retrieval. I was impressed, but ouch.

Dramatic descriptions aside, I can honestly say that you should not turn this off. By day five I was experiencing a more cohesive sound, not necessarily warmer but not so tilted towards grating treble. After a week, all seemed right in the world and I was able to compare it to my (already warmed) Gumby.

Sound

I would characterize the Yggdrasil as being a very revealing and focused DAC that pulls no punches. While not having a pitch black background on the level of the Chord Dave, it sounds a lot cleaner than its younger brother – the Gumby, which has a slight haziness to the sound that is especially noticeable when I compared the two. What this means is that the entrance and exit of sound is very dramatic – imagine something appearing and retreating into an abyss. The attack and decay of the Yggdrasil is the most dynamic I have had yet in my home audio chain. Listening to a mere recording of a drummer playing is enough to detail its advantage in this regard, as kick drums hit with a good amount of punch and do not linger when compared to the Gumby.

That lingering aspect of the Gumby is due to the bass on the Yggdrasil being both harder hitting (I would actually say that there is a little elevation in the bass region, a choice that I know isn’t to everyone’s taste) and fast in decay – especially compared to its younger brother. The Gumby’s bass, while quite full sounding, is softer and bloomier than the Yggdrasil’s powerful precision. Double-bass drum patterns are reproduced effortlessly, with no evident (to my ears) bleed between notes that would lag presentation. And although I do hear a bit of a bass boost in the Yggdrasil, it is nowhere near the level that Audio-GD chose to have in my NFB-28 ESS Sabre DAC. The tightness of the bass reproduction in the Yggdrasil, along with the above stated speed, makes the low end of music sound very precise. Luckily this trait doesn’t stop there.

The strength of the Gumby, compared to the Yggdrasil, is that it’s almost euphonicsounding. I can honestly see some preferring this, it has a softness and bloom that is very easy on the ears. I wonder if I would prefer it too, if I still had a Sennheiser HD800. The Yggdrasil is quite different in that, compared to the Gumby, it can even sound lean at times. I wouldn’t say that the midrange is too recessed, but there is a definite lack of warmth that many might construe to it sounding colder and thinner than the Gumby. In my early days of ownership, I wondered if I wouldn’t end up preferring the Gumby because I still preferred its tonal characteristics to the yet not fully warmed Yggdrasil – even though the detail retrieval of the flagship was addictive.

Once the Yggdrasil came into its own, I learned that what I was hearing wasn’t a sort of strong recession in the midrange, or even a distinct lack of warmth (although it still is leaner than the Gumby), but rather the DAC’s ability to separate tracks in a manner that could be compared to well-oiled machinery – or an impressive display of division-of-labour. Sunday at the Village Vanguard by the Bill Evans Trio is an album I’d like to use to highlight what I mean here.

The live recording utilizes a lot of drum-work, what sounds like upright bass and piano playing. While I did not at all dislike how it sounded on the Gumby, the Yggdrasil was able to handle the separation between the drums and bass in a much cleaner manner – especially when the piano was joining them in the lower frequency of notes. The Gumby had a slight blending of tracks going on while the Yggdrasil was able to separate them quite well, leading to a feeling that each instrument was distinct and on its own island of importance without fear of foreign invasion. This separation prowess is especially needed due to the Yggdrasil having quite a narrow soundstage

The staging of the Yggdrasil is another aspect that I would probably consider to be a deal-breaker for some. It is decisively intimate, especially compared to the Gumby which has the advantage in width. I would say that the Yggdrasil has excellent depth, however, and would consider it the DAC equivalent of the Focal Utopia – a headphone with narrow stage width but stellar depth and separation. Both the Yggdrasil and Utopia make good use of the space afforded to them, and are both very resolving. Due to the separation and depth benefits of the Yggdrasil, I would like to use the analogy of it being a medium-sized painting of intricate brushwork – while the Gumby is a larger painting with less fine details.

The bloom of the Gumby definitely added a bit to it being perceived as a very organic and natural-sounding DAC, but the Yggdrasil manages to take a bit of a different approach to accurately-reproduced audio. Indeed, I found the lack of the Gumby’s slight smear on the Yggdrasil to serve it very well for instrument timbre. The best example I can state of this is a grand piano, which I believe to be quite a difficult instrument to reproduce accurately through audio gear.

My testing was done through the dual-inputs of my Dragon Inspire IHA-1 into my Focal Utopia – using Sylvania Bad Boy 6SN7s and a Philips Metal Base GZ34/5AR4. Switching from the Gumby to the Yggdrasil made piano work seem more alive, with more body without it sounding bloated. Most importantly, the notes were given adequate space to resonate properly – which is an aspect of the instrument that can sometimes be chopped off in gear that doesn’t cater to its needs. A grand piano’s decay should not be snipped, nor should it just linger forever (although I can’t say I’ve heard this happen in gear I’ve tried to date) and the Yggdrasil, somehow, manages to find the sweet spot.

However, I can definitely see the presentation of the Yggdrasil as being too steely or metallic for some. While it is natural, it is less veered towards a sweet vinyl sound and is more towards what I’d call an efficient digital sound. No, this isn’t suffering from the digititis in the treble that the DS Gungnir did, but it isn’t a mellow sound like the Chord Dave - which is sooner to remind you of analogue equipment than the Yggdrasil. Instruments indeed sound natural, but the presentation is so turned up to eleven that I could see a complaint people have being that it is a DAC that is trying too hard. The same people might be of the opinion that the Focal Utopia is simply too dynamic for their tastes, and they would prefer something along the likes of the Audeze LCD-4 instead. The Yggdrasil has very little room for a romantic sound, and is more focused with presenting clarity, detail and accurate timbre. It took me a while to get used to having all the tracks sharing equal priority in the mix due to how the DAC brought them out. Heck, I could see someone viewing how the Yggdrasil reproduces music as an accurately executed formula no matter what they’re listening to.

I am not one of those people. While I can hear and recognize that possible shortcoming, I am also someone who is really into a dynamic sound laden with detail retrieval these days. Simply put, the Yggdrasil is brighter than the Gumby and does away with the smooth organic tone that some might prefer in its younger brother. I don’t find it fatiguing myself but, as stated above, it’s very much to taste. It’s also a bit unforgiving with poor recordings, exposing flaws as trite as the production team not fading out a track properly (the clipping is quite noticeable).

Brief Comparison to the Chord Dave

Chord and Schiit seem to have very different philosophies when it comes to their flagship DACs – also vastly different price points. The Dave seems to be trying to bridge a vinyl sound to a digital presentation - without skimping on detail retrieval or introducing any haziness to the mix. It took me a while to understand this about the Dave, while I understood the strength of the Yggdrasil immediately on first listen.

The Chord Dave has a wide soundstage, on par with the Gumby at least, and a mellower tone than the Yggdrasil. It also has a blacker background, which isn’t a strong suit with either Schiit flagship DAC. While it doesn’t hit as hard as the Yggdrasil, it is less frantic in presentation and this well appeal to those whom I spoke of above who will argue that such traits lead to an ultimate organic and natural sound.

Why I prefer the Yggdrasil, especially for the price, is due to it being so high-energy compared to the Dave. The Dave also has a slight dampening on guitar distortion, leading to there being less bite and more warmth to metal music.

I’d like to add that these impressions of the Dave are not utilizing its own ¼ output, which I find to be quite dull. It’s better used as a pure DAC into a capable amplifier, in my opinion.

Conclusion

I hope that the framing of this review as a comparison to the Schiit Gungnir Multibit/Gumby aids anyone looking to choose between the two. The Gumby is still my favourite DAC that I’ve tried which is under the price of a Yggdrasil – with there being over a thousand dollars difference between the two. I am now not surprised that Jason Stoddard from Schiit Audio prefers using a Gumby to the Yggdrasil – the flagship does not coddle the listener. I, personally, think that I prefer a DAC such as this and then being able to fine-tune sound with a tube amplifier further down the chain.

For anyone looking for a supremely resolving and focused experience, the Schiit Yggdrasil has that in spades.