Rock Jaw Alfa Genus V2 Earphones with In-Line Mic & 3x Tuning Filters

suman134

Headphoneus Supremus
Pros: Bass!! Tuning filters that can bring you some control over bass!! Solid build quality.
Cons: Bassy signature overall. Could have been a bit more detailed.

Intro:-
 Yo yo… Back again with Rockjaw Audio Alfa genus V2. Rockjaw is not an unknown brand by any means, famous for their value for money earphones and are one of the few British brands in this business.
 
 Alfa Venus has been one of their best selling earphones and it has its own specialty. Itcomes with 3 changeable tuning nozzles, really easy to remove and install. Silver color nozzles boost bass, Brass color has natural presentation and black ones are for comparatively more pronounced high end sparkle.
 
 Alfa Genus V2 is targeted towards youth and enthusiasts looking for different type of tuning for their varying  music preferences ( someone like me, who dose enjoy bass every now and then but is not a fan most of the time) or for those who like listening to verity of genres. And the good part is that its priced nicely around 44 Euros and 4999 inr here in India making it one of the most exciting offerings around $75 and for those who want MIC there is a MIC version too for just 1 more euro.
 
 You can grab one for yourself from these links.
 https://rockjawaudio.com/products/brand-new-alfa-genus-v2
 https://www.headphonezone.in/products/rock-jaw-audio-alfa-genus-v2
 https://www.amazon.co.uk/Genus-Earphones-Line-Tuning-Filters/dp/B015N95BAQ
 
 I have never came across an Alfa Genus V1, so I really cant say how it compares against the first version but what I have with me are some of the heavy weights to compare, those who are the ones to beat in this price range and in my possession, IM-70, VSD5 and the all new Hisound HA2!! ( HA2 is slightly over priced at $100)
 
 P.S. I would like to thank Joe From Rockjaw for this review unit. (and Clarito inbound!!)

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WHATS IN THE BOX and Miscellaneous:-
 Alfa Genus V2 ( will call it V2 onwards) comes in a nice looking small black with blue accent cardboard box. You can see the earphone from the transparent windows on both sides of the package. What we have here are plenty of ear tips, two pairs of foam tips, three pair of red core silicone tips in S/M/L sizes and a pair of biflange tips. There is a cable clip and yes yes!! Two pair of tuning nozzles are stuffed on the foam. Sliver one being pre installed. There is a carry pouch, draw string carry pouch, I would have liked a hard carry case but yeah.. It's just fine.
 
 Its build is all metal, lightweight aluminum to be precise, black body with silvery accent at back and front, a air vent on the back completes the body. Nicely stress relieved with metal support at the earpiece end and good rubbery one at the jack end. Stress relievers on the earpiece end have clear L/R marking.
 
 Ergonomics is as good as any other straight barrel earphone, you can wear these over your ears too. Isolation is really nice with foam tips and good with silicon tips, I will recommend foam tips as they don’t slip out.
 
 This cable is one of the best I have seen on an earphone, not heavy at all, low on Microphonics, not bouncy, really thick for an earphone and look really strong, one need not to worry about tangling either. The Y splitter is low profile too. And 90 degree jack just makes things even sweeter. Happy happy!!
 
 To sum things up. it’s a nicely built earphone, some thoughts went in for this for sure. It's not a looker but looks classy and strong for sure.
 
Remote:- (
redface.gif
might be over doing things!!)
 Now this one does comes with a MIC version too, but mine doesn’t have one. But being a single button remote leads me to believe that it’s a typical single button with usual functions.
 The single button should pick calls, end calls, play and stops music when not in call, skip ahead with a double tap and should go back with 3 clicks.

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Sound Quality:-
 V2 is on the warmer side for sure, doesn’t matter what nozzle you are using. Things rarely change for mid range. All in all the signature is mostly bass and slightly dark.
 V2 is burned for more than 80 hrs and I am using foam tips out of the box.
 
 Here are some tracks that I sued for this review.
  James blunt – 1973(my fav track),
  Adele - set fire to the rain,
  Paul lindford and Chris vrenna – most wanted mash up.
  Plan-B – playing with fire.
  Coldplay – Another’s arms,
  Jessie J- sweet talker,
  Raury- all we need (feat. adia)
 The Avener – Castle in the snow (feat. Kadebostany)
 Tinie Tempah- wonderman feat Ellie Goulding,
 George Barnett- super hero in a ball and Down on me (this guy knows what he is doing).
 Breaking Benjamin- Who wants to live forever (Queens Cover, new mix).
 Lupe Fiasco- Adoration of the magi Feat. Crystal Torres
 John Newman and Calvin Harris – blame.
Imagine dragons – Roots, Amsterdam.

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General sound assessment:frowning2:Filter wise!!)
 We will start with..
 
 Bass/Silver filter:-
 V2 as I said earlier is on the bassier side but it doesn’t over do things by much. Decay is not exactly fast with silver nozzle but it’s the one which releases the full potential of V2's bass prowess, bass goes deep, full bodied with good extension, goes booommm whenever it can and moves plenty of air. It does give me that 30-40hz vibration effect that some bassy headphones have. Now I must make it clear that with silver/bass filter/nozzles bass takes over as the main driving force. Its slightly mid bassy but just slightly. Moves really good amount of air and has a nice thump, it doesn't hit like a HA-fx40, which hits like a brick at times, V2 has a slightly softer slam. Silver filter does picks up most of the details but gives up accuracy and precision.
 
 Mids are not exactly leveled but vocals does get up to some respectable levels, some instruments does feel less emphasized. Male and female vocals sound really organic and thick, let it be Adele Jessie j or James blunt they all sound slightly thicker and closer to real than HA2 which makes them sound bit sharper and more concentrated. Now I have to admit that vocals on V2 are as enjoyable as any other earphone in this price range, I don’t find them exactly detailed with instruments as they don’t bloom, revel themselves or cut like they do with VSD5 or HA2. It's still a nice showing though and you will find most of the instruments doing their bit if you pay attention.
 
 Highs are not exactly deep into the spectrum but they are okay, tuned down to make things smooth and fatigue free i guess, nothing that puts me off but its not the type that excites me. Instruments are there but they won't bite, they won't show their true color.
 
 Separation is a bit less defined compared to VSD5 and HA2, layering is okay.
 
 Sound stage is really tall with average depth and acceptable width.
 
To sum up the bass/silver filter, It's about low end grunt and a bass head will like this for sure. Mixed with good sub bass and mid bass rumble it’s a nice little bass power house.
 
P.S. Here on we will talk about changes brought by other filters.
 
Brass/natural Filter:-
These filter takes a good step in keeping the bass in check. Still the decay is not as good as something like VSD5. Still there is good amount of air, boom and slam, not as big as silver filter but the slam is harder with similar extension. Shows better control and details. Oh and another thing is it doesn't gave the vibration effect anymore.
 
 sadly the harder slam makes things a bit difficult for me as it induces fatigue.
 
 Mid range gets some of their details back too, vocals sound more natural with marginally lesser thickness, instruments does show up with a little less efort from listener. Layering and separation are marginally better too.
 
 Highs are a bit more present, I still cant say that they extend further but they are more pronounced this time with good presence.
 
 Stage loses some of its height, everything else is same.
 
 This filter is about middling things out.
 
 Black/Treble Filter:-
 I prefer this filter, no prizes for guessing ( maybe in future I might give away some earphones, lets see, not now). Bass is nicely controlled as it loses most of its rumble and boominess which leads to better decay, it still hits with decent slam, moves good amount of air but don’t raise its head higher than required. Exhibits good amount of control and precision with better details.
 
 Mid range rules with this filter. Females vocals sounds really nice and male vocals sounds more focused with better depth. Still sounds more organic and full bodied compared to VSD5 and HA2. Instruments does revel themselves easily and takes least amount of effort for the listener to pick up these details. Still lacks some micro detailing but its far better than other filters. In other words it sounds clearer.
 
 Now with this filter I can say that highs are slightly extended and shows really nice sharpness for a change, they pounce and bite for a change, not as good as Titan-1 but its acceptable. Separation and layering is considerably better thanks to the increase in clarity.
 
 Stage is nicely rounded, it doesn't get much taller but depth is better.
 
 Still not close to the sharpness of VSD5 of HA2, And for details seekers things doesn’t get better than this with V2.
 
 This filter is about giving the mids and highs a better projection.

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Conclusion:-
 Now now V2 cannot be taken lightly, specially with its variable tuning attributes it can be a bass head's delight and a more detailed and controlled camper with just a few twists of filter.
 This earphone is targeted towards the bass loving youth who loves the bass pounding, vocals doing their bit with a fatigue free signature that they can enjoy for extended period of time.
 
 Now the looks is nothing one should fault but it's not as fleshy or as showy as some other earphones but it’s a nicely put classy looking one, with really good build and nicely accessorized too.
 All in all the tuning is bass biased, it never loses its slam and air.
 
 And I will recommend it to anyone who enjoys some bass with their music(black filters) and occasionally enjoy some pounding too.
 That’s it from me on this Beautiful earphone from Rockjaw audio.
 
 Enjoy!! have a nice day!! Cheers!!

Rock Jaw Audio
Rock Jaw Audio

Cinder

Formerly known as Res-Reviews
Pros: Swapable tuning filters, good cable, lots of eartips to choose from
Cons: Microphonics still an issue
[color=rgba(0, 0, 0, 0.8)]IMG_0177.jpg[/color]
 
[color=rgba(0, 0, 0, 0.8)]Rock Jaw is an audio hardware company based in Britain. Owing true to the legacy of their fore-bearers, Rock Jaw continues to engineer great audio hardware. The Alfa Genus V2 is no exception. You can find the official Rock Jaw store page here.[/color]
[color=rgba(0, 0, 0, 0.8)]Disclaimer: This review is based upon a sample unit provided to me by a manufacturer in exchange for my honest opinion and un-edited words. I do not profit in any way from the writing of the review. I would like to thank Joe at Rock Jaw for providing me with a review unit of the Alfa Genus V2.[/color]
[color=rgba(0, 0, 0, 0.8)]Preference and Bias: Before reading a review, it is worth mentioning that there is no way for a reviewer to objectively pass judgment on the enjoy-ability of a product: such a thing is inherently subjective. Therefore, I find it necessary for you to read and understand what I take a natural liking to and how that might affect my rating of a product.[/color]
[color=rgba(0, 0, 0, 0.8)]My ideal sound signature would be an extended sub-bass with a leveled, but textured, bass. The mids should be slightly less pronounced than the treble, but still ahead of the bass. I prefer a more smoothed upper range.[/color]
[color=rgba(0, 0, 0, 0.8)]Source: The Alfa Genus V2 was powered off of a Nexus 6P -> Creative Sound Blaster E3. All music was served as FLAC or as 320Kbps Mp3. I found the standard DAC/Amp inside my phone and PC to be inadequate to drive the Alfa Genus V2 at its peak levels of performance.[/color]
[color=rgba(0, 0, 0, 0.8)]IMG_0178.jpg[/color]

[color=rgba(0, 0, 0, 0.439216)]Sound Signature[/color]

[color=rgba(0, 0, 0, 0.8)]The Alfa Genus V2 utilizes tuning filters. There are three available:[/color]
[color=rgba(0, 0, 0, 0.8)]Black: Treble boost[/color]
[color=rgba(0, 0, 0, 0.8)]Gold: Neutral[/color]
[color=rgba(0, 0, 0, 0.8)]Silver: Bass boost[/color]
[color=rgba(0, 0, 0, 0.8)]I’ll break down each part of the sound signature into three sub-categories: one for each filter.[/color]
[color=rgba(0, 0, 0, 0.8)]Highs: Songs used: Supermassive Black HoleAriseFade Into Darkness[/color]
[color=rgba(0, 0, 0, 0.8)]Black filter: The highs were definitely the main focus here. The mids were pushed back, and the bass was dampened. The sub-bass was essentially cut in half. This made it so that high-hats, synths, and certain digital sound effects within songs took control of the song, something making it difficult to discern certain lyrics. However, in songs such as Muse’s Supermassive Black Hole, the boosted highs were a welcomed change. The vocals became in command of the song instead of equals to the dark synth.[/color]
[color=rgba(0, 0, 0, 0.8)]Gold filter: I found the treble to be very appropriately placed. While I still hear a very slight “U” shape, I don’t think that the slight recession of the mids was harmful to the overall sound signature. The guitars in Arise were aggressive as ever, and the vocals did not suffer what so ever. Supermassive Black Hole got much of its mid-range punch back.[/color]
[color=rgba(0, 0, 0, 0.8)]Silver filter: I found the silver filters, while not perfect, to be the most fun to listen to. They didn’t blow out the bass and mid-range over the highs, despite the slight recession. Put simply, the silver filter reduced the focus of the highs without compromising them as a whole.[/color]
[color=rgba(0, 0, 0, 0.8)]Mids: Songs used: The DriftJarsIn Bloom[/color]
[color=rgba(0, 0, 0, 0.8)]Black filter: The black filters helped flesh out some of the higher mids that may have otherwise been blended into the background of the song. The Drift’s violins resonated within the song for longer, the piano became more focused and clear, and the trumpets in the back became more stoic. However, the trade off was less focus on the lower mids. Any treble-head won’t mind the sacrifice though.[/color]
[color=rgba(0, 0, 0, 0.8)]Gold filter: I found the gold filters to provide very well toned mids. The violins of The Drift remained textured, and the drums pounded with a satisfying thud. The guitars of Jars were full of life, but lacked individual separation and detail. I find that a 2dB increase to the middle frequencies helped give the guitars back their edge. In Bloom remained clear and detailed. The strumming and plucking of the guitar strings were definitely audible, and helped provide cohesion and texture to the song as a whole. Overall, I wish that the gold filters placed more emphasis on the mids, as I still found the sound signature to be too V-shaped.[/color]
[color=rgba(0, 0, 0, 0.8)]Silver filter: The silver filters provided much more impact to songs when I listened to them, and filled out otherwise thin-sounding bass lines and background effects. I really like the effect the silver filters had on the mids, as they complemented, rather than overwhelmed, many of the musical features I had wished the silver filters had paid more attention to. The guitars of Jars, which are on Drop-D tuning, felt more satisfying, and slightly more crisp.[/color]
[color=rgba(0, 0, 0, 0.8)]Bass: Songs used: LightsBangarang99 Problems (Hugo Cover)[/color]
[color=rgba(0, 0, 0, 0.8)]Black filter: While dampened, I found the bass to not be rolled off too severely. All three of my bass-testing songs remained a pleasure to listen to, despite a change in their overall tone. I found that Bangarang lost some of it’s cohesion and texture to the aggressive bass-smoothing of the black filters.[/color]
[color=rgba(0, 0, 0, 0.8)]Gold filter: Bass is well balanced. I find it to be satisfying, with the right amount of sub-bass, even if it’s not particularly tight. Bass is textured well, but could be a little warmer. The knee-slapping rhythm of 99 Problems is a joy to listen to, and is dynamic in its simplicity. Bangarang’s insane barrage of sub-bass is well defined, and, to a degree, shaped. Definition could be better, but is satisfactory for a $60 pair of earphones.[/color]
[color=rgba(0, 0, 0, 0.8)]Silver filter: The silver filters provide my favorite rendition of bass for the Alfa Genus V2. The kick-drums thud, the sub-bass rumbles throughout Ellie Goulding’s Lights. The extra bass doesn’t overwhelm the vocals, but becomes fairly loose. I actually prefer the Rock Jaw implementation of the bass-boost to that of Accutone’s Gemini HD — a product double the price of the Alfa Genus V2.[/color]
[color=rgba(0, 0, 0, 0.8)]Clarity: Songs used: ThroneMap of The ProblimatiqueI’m Not Alright[/color]
[color=rgba(0, 0, 0, 0.8)]Clarity is good in Map of The Problimatique and I’m Not Alright, but suffer in Throne (which is a notoriously difficult song for my earphones to reproduce clearly). I wouldn’t pass any judgment though, as even my ATH-M50x ($120) and Thinksound Rain2 ($90) struggle to maintain a clear sound in Throne.[/color]
[color=rgba(0, 0, 0, 0.8)]Male Vocals: Song used: Hotel CaliforniaAshes of EdenSunday Bloody Sunday[/color]
[color=rgba(0, 0, 0, 0.8)]I found the black filter to accentuate the upper extensions and higher mids of male voices. It did add a little bit of shrillness to the mix that I had not previously heard, but wasn’t bad enough to make me want to stop listening. Meanwhile, the gold filters returned the vocals to a neutral and reasonably full state. I had no complaints throughout the sonorous escapades of Ashes of Eden or the mournful reckoning of Sunday Bloody Sunday with either the gold or the silver filters.[/color]
[color=rgba(0, 0, 0, 0.8)]Female Vocals: Songs used: Stupid GirlSweet EscapeNeed Your Heart[/color]
[color=rgba(0, 0, 0, 0.8)]While testing, I expected the black filter to create a veiled sound over female vocals, but I was pleasantly surprised. Not only did the vocals remain in the fore-front, I noticed a bit more detail in the upper-register of Sweet Escape and Need Your Hearts’ vocals. The gold filters produced a neutral sound, filling in the vocals appropriately, and without color. However, the silver filters tended to overbear, and soften up the lyrics of Stupid Girl and Sweet Escape.[/color]
[color=rgba(0, 0, 0, 0.8)]Sound Stage[/color]
[color=rgba(0, 0, 0, 0.8)]Sound staging is decent, but not exceptional. I found there to be a fair amount of width, but almost no depth. Most instruments were dead-center. However, Postal Services’ Great Heights was nice to listen to, and had a couple of defined positions. The same goes for No One Knows by Queens of The Stone Age — I was mildly impressed with the 3D space the Alfa Genus was able to create.[/color]

[color=rgba(0, 0, 0, 0.439216)]Packaging and Unboxing[/color]

[color=rgba(0, 0, 0, 0.8)]The packaging isn’t super premium feeling, but certainly isn’t cheap. I feel as if it reflected the price-range of the Alfa Genus V2 appropriately. I wasn’t able to picture the unboxing, but it is a rather simple package. I was slightly miffed at how difficult it was to get the filters out of their cushy slots in the foam backing.[/color]
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[color=rgba(0, 0, 0, 0.439216)]Build[/color]

[color=rgba(0, 0, 0, 0.8)]Construction Quality[/color]
[color=rgba(0, 0, 0, 0.8)]The Alfa Genus V2 is constructed from a light metal. I found the cable to be very well insulated, and to have a good thickness to it. Unfortunately, microphonics are still an issue, but won’t ruin your day to day listening. I would not advise running with these headphones.[/color]
[color=rgba(0, 0, 0, 0.8)]Comfort:[/color]
[color=rgba(0, 0, 0, 0.8)]The Alfa Genus V2 is decently comfortable. I had no issues during my three hour listening session, and found the included Comply to be very comfortable. The casing is light, and doesn’t cause any noticeable downwards pull.[/color]
[color=rgba(0, 0, 0, 0.8)]Sound Isolation[/color]
[color=rgba(0, 0, 0, 0.8)]Sound isolation is on-par with many of the more expensive pairs of IEMs on the market today. The included Comply eartips definitely do help, and the light construction of the driver housing prevents the Comply from being unsealed from your inner-ear.[/color]
[color=rgba(0, 0, 0, 0.8)]Inline Controls / Mic[/color]
[color=rgba(0, 0, 0, 0.8)]The Alfa Genus V2 features universal mono-button inline-controls, and a mic. The inline controls are built from plastic, but don’t feel cheap. The matte finish helps grip, and I find it appropriately spaced along the cord. Recording quality of the mic is good, but not exceptional.[/color]
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[color=rgba(0, 0, 0, 0.8)]Accessories[/color]
[color=rgba(0, 0, 0, 0.8)]The Alfa Genus V2 comes well stocked with extra earbuds. Including the ones already on the drivers when you open the package, there are seven different ones to choose from, two of which are Comply. The lighting wasn’t in my favor during my photo-shoot, so it may be hard to tell: the right-most earbuds are bi-flange.[/color]
[color=rgba(0, 0, 0, 0.8)]Rock Jaw also included a shirt clip and soft carrying pouch. I wish the pouch was slightly larger, but other than that, I find it to be perfectly fine for keeping dirt and other particulates away from the Alfa Genus V2.[/color]

[color=rgba(0, 0, 0, 0.439216)]Summary[/color]

[color=rgba(0, 0, 0, 0.8)]The Alfa Genus V2 is a strong contender in the crowded $60 earphone market. It is durable, stylish, and versatile. Lacking any major flaws, it would be wise to consider it for your next pair of entry level IEMs.[/color]
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Rock Jaw Audio
Rock Jaw Audio
Great review Cinder! Really nice photos and appreciate our honest feedback, look forward to see more reviews of our products in the future! 
farisq
farisq
How does it compare to Havi B3 Pro, ostry KC06A
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