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Fischer Audio FA-003

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Fischer Audio FA-003

Fischer Audio FA-003 Stereo Headphones for Home and Professional Use

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User Reviews: Fischer Audio FA-003

Ranked #14 in the category Headphones
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May 13, 2010 at 8:18 am
LFF
Reviewed by LFF
Pros: Sound quality, neutral & balanced sound, soundstage, comfortable, carrying case, extra ear pads, PRICE!!!
Cons: No velour pads

Fischer Audio’s FA-003

 

SPEC’S:

  • › Frequency range: 10-26500 Hz
  • › Sensitivity: 105 dB
  • › Impedance: 64 Om
  • › Input power: 120 mW
  • › Length of a cable: 3.0 M
  • › Color: bronze/black
  • › Etc: additional cushions, 6.3mm screw-on jack adapter.

 

EQUIPMENT USED ON THIS REVIEW:

  • Portable set-up: Sansa Clip+ (Rockboxed) ->UE Mini2Mini ->RSA Shadow
  • Portable set-up: Ipod 5.5G -> ALO Cotton Dock -> RSA Shadow
  • Home Rig 1: Sony D-25S -> UE Mini2Mini from Line out-> Heed CanAmp
  • Home Rig 2: Denon DCD 1560 CD Player – RCA -> Heed CanAmp
  • My mastering rig

 

BACKGROUND & FIRST IMPRESSIONS:

 

When I received this new package the rush of fear set in. I started to sweat at the thought that my box might be empty and someone may have stolen the headphones that were destined to be reviewed by me. Luckily that wasn’t the case.

 

DSC_0282.JPG

 

When I opened the box I was greeted with the FA-003 among other headphones. The FA-003 came packaged in a cool black carrying case. On opening the case you find the FA-003, the cable, warranty and some replacement cushions. How awesome is it to get replacement cushions along with your initial purchase?!?!?! Kudos to Fischer Audio for that added generosity!

 

003_0.jpg

 

The feel of the FA-003 surprised me. No wonder I thought I had been robbed! These headphones weigh nearly nothing! They look heavy and well built but are surprisingly light. The cushions are soft and the metal coverings look really nice. Just for prep work, I hooked up the FA-003’s on one of my rigs along with my custom test disc and let it be for 48 hours.

 

003_1.jpg

 

THE MUSIC & THOUGHTS ON SOUND:

 

1. Paul Simon – You Can Call Me Al from the album “Graceland” 

The sound is just awesome. Detail is there. Air is there. No sibilance. No boomy bass. VERY NICE!

 

2. Paul Simon – Homeless from the album “Graceland” 

The voices sound natural, as natural as my HD-600’s.

 

3. Nat King Cole – Stardust from the DCC release of “Love Is The Thing” 

Nat’s voice  sounds natural, the strings are as airy as they should be but they aren’t bright or suppressed. The sound is very natural. 

 

4. Danny Elfman – This is Halloween from the soundtrack “Nightmare Before Christmas”

The voices are all distinct. Bass is very tight. The soundstage and imaging on this track is better than most and is quite impressive considering they are closed headphones.

 

5. Absolute Silence – custom demo track made by myself.

Except for a slight pop the Clip+ added when the track finished, it was completely dead silent for the entire duration of the track.

6. Bach – Solo Cello Suites from the Mercury Living Presence release feat. Janos Starker
The cello sounds as natural as could be. On par with my HD-600’s. Ambiance and detail are fantastic.


7. Ella Fitzgerald – Sweet & Lovely from the album “Sings Sweet Songs For Swingers”
Nice. Ella comes across very natural. The bass is really tight and extends very naturally.  The dynamics and transients are quick. Imaging is superb. Listened to entire album!


8. Red Hot Chili Peppers – Californication & Scar Tissue from the album “Californication”
The bass is nice and tight. The distortion and clicks can be heard quite clearly. Very impressive.


9. Lady Gaga – Poker Face from the album “The Fame”
The bass is awesome without being over-powering or bloated. Once again, the bass is very tight with nice extension. Vocals are also very nice. The detail is all there. Nice imaging for such a monoraul sounding track.

 

OVERALL IMPRESSIONS

 

Where to start!? I wish I could shake someone’s hand over at Fischer Audio and congratulate them for having such great sounding headphones and IEM’s. Much like the DBA-02, I found myself listening to track after track and album after album. The sound is very neutral while maintaining a touch of fun. I gotta be honest and say that I am rather enamored with the FA-003’s. They are light, comfy and sound fantastic. These are mastering grade headphones and I wouldn’t hesitate for one second to recommend them for such critical sound applications. The sonic picture the FA-003’s painted time after time never failed to impress me. By the way…Ella Fitzgerald on the FA-003’s is like a fine wine at the end of the day – just awesome.

 

The actual FA-003 case is very cool. I hope Fischer Audio decides to keep this packaging as it is very attractive. It’s not only attractive, but it also helps protect your investment and to carry your headphones to Head-Fi meets! I hope to see them keep this packaging with their more expensive headphones and leave the boxes for other models.

 

The actual sound of the FA-003 is very open and sounds like an open headphone design. However, the isolation is very good. I was able to listen to music while my wife was asleep without even a single track waking her up from three feet away. This is truly the best of both worlds. If you have heard an HD-600, then you know for the most part what to expect from the FA-003. It has a very balanced, neutral sound without ever being sibilant or boomy.

 

While waiting for these headphones I was informed that they are often compared to the HD-650’s and that the quality was not considered to be that good because Fischer Audio did not design the actual headphone casing. This would lead to poor bass and a veiled sound. This did bring some concern to me but upon handling them and most importantly, hearing them, I can say that these concerns have no basis whatsoever. They sound nothing like the HD-650’s and are built very well as far as I can tell.

 

The mids are beautifully positioned, front and center right where they should be. Positioning isn’t an issue either as it presents a very accurate soundstage. Soundstage depth is very good as is soundstage width. This in turn makes the FA-003 a very holographic sounding headphone – as good as the HP-1000 in terms of positioning. The treble is smooth and moderately extended without being bright or sibilant. The bass is extended but very tight and controlled. The only time the bass was boomy was when a recording had boomy sounding bass.

 

What about that veiled sound? My response: What about it? It’s none existent in the FA-003. I hate a veiled sound and I am happy to say that there is no veil here.

 

Although the FA-003’s do not require an amp, I would highly recommend you listen to them with an amp. While the volume may be sufficient coming straight out of the Clip+ or an iPod, the authority and presence of the FA-003 only increase when an amp is added in the mix. I felt the FA-003’s had particular synergy with the Heed CanAmp.

 

Another cool thing are the actual headphone cables. They are removable and user replaceable. I can already see a ton of people making custom cables for the FA-003's. They connect at the base of the headphone cups using a mono jack for each side. The cable is soft, provides no microphonics and is held securely in place. A cool design IMHO.

 

THE VERDICT:

 

It will now be harder to pick a favorite headphone: HD-600, HP-1000, FA-003, RS-1, CD-3000, R-10 or others. Yes, this headphone is now one my favorites. Is it the end all, be all? No, but it is worthy of being considered along with other great headphones.

 

It will also be much harder to recommend only one Fischer Audio headphone or IEM to you guys and gals. I was having a hard time before but now, it’s just become harder still. Fischer Audio is really on their game and the products show it. I have no doubt that if these products were better known, they would have no hard time usurping the throne of many famous or popular headphones. Yes…they are that good!

 

The killer as always is the price/performance value of the FA-003’s. MSRP is under $200! If someone told me they paid $600 for the FA-003, I wouldn’t call them liars nor would I call them stupid if they were indeed worth such an amount. Considering the price, the sound and the build quality, everyone here should have a pair of these.

 

The only recommendations I would have for Fischer Audio is to keep the carrying case and maybe include some velour pads along with the attached leather pads instead of a second set of leather pads. Extremely minor quibbles for what I feel are some amazing headphones at an unbelievable price. Now…GO GET A PAIR!

 

HIGHLY RECOMMENDED!!!

10 people found this review useful
March 5, 2011 at 6:07 pm
Hayang
Reviewed by Hayang
Pros: Neutral sound signature, incredible value, high detail, good soundstage, no sound leak, good isolation!
Cons: If you are a +20dB basshead, look elsewhere.

These are probably the best value for under $200 if you are looking for neutral, balanced sound.

 

I have just a little bit of experience with headphones; I have owned the M50 and the HD555 and 558, and then I got the Sunrise SW-Xcape and the FA-003.

 

I can confidently say the FA-003 is the epitome of what I've been searching for all this time: a neutral headphone that sounds RIGHT no matter what I throw at it.  But the FA-003 is more than just neutral; it has the most detail among the headphones I've owned, and a great soundstage.

 

It is somewhat hard to gauge neutrality quantitatively, but I can say this: when I listen to music on the FA-003, I just sense that the frequency balance is just right.  Instruments and vocals sound very realistic, and I sense that if I were the mixer, this would be the exact way I would mix the song so that all the parts of the song (the vocals, guitars, drum kit, electronic beat, synth sounds, bass) complement each other without overpowering each other.  And as a result, the whole song just shines.

 

This might be obvious to you, but for me, coming from the HD558 and the M50, which had very different ways of coloring the balance (with some songs this was good), I feel very relieved to hear a headphone that makes anything mastered well sound *right*.  In retrospect, the HD558 was clearly a little too warm in the lower mids to be neutral, and the M50 (which I had the chance to A/B with these) had too much bass emphasis to be neutral.  And I have heard my share of piercing treble in many other headphones.  But I can't find any obvious emphases in the FA003.

 

As for the soundstage presentation, it is excellent.  It sounds like an open can and is MUCH better than many closed cans I've heard, but it's not like the best of the open cans.  The isolation is also very good.  The comfort is also superb.  Some have issues with clamping force... I have not had any since I stretched them on some books.  They feel 90% as comfortable as Bose headphones to me.

 

Overall a superb headphone, the first I've had no small, nagging reservations about recommending.

4 people found this review useful
March 12, 2012 at 5:54 pm
nothing4me
Reviewed by nothing4me

 

Fit:
The FA-003 is one of the more comfortable headphones I have worn. They look and feel big, but once they are on they melt away.
 
Comfort:
They were amazingly comfortable sans a bit of pinch that I knew could be relieved with some stretching over a tissue box for a week. The headband is really comfortable, but the strength of the hinges feels a bit weaker than the M50.
 
Design:
The earphones appear to be well made from synthetic materials. The ear cups are plastic with some nice looking metallic veneer. The headband adjusts easily and the cable is detachable which is a huge plus in my book.
 
Sound:
The sound is definitely dark with an audible midrange attenuation. I heard this easily while listening to John Williams' Double Trouble. It sounded clear and neutral until I switched to my AH-D2000's and realized the a big dip in the midrange of the FA-003. The soundstage is wider than the Creative Aurvana Live and the highs were crisp, be it slightly rolled off.
 
Bass:
The bass was deep and not as boomy as other dynamic driver earphones. It extends quite well but using Collective Soul's "Forgiveness" gave me a sense of attenuation in the deep end. There was some audible roll off in the bass. The bass was no where near as deep or impactful as the AH-D2000 or M50.
 
Mids:
The mids were fun. They were airy and extremely fun with percussion. The slight echo that is common in many drums was easily heard and enjoyed. Due to some dips in the midrange many tracks were not as wide was the AH-D2000. I especially heard this on Yoshida Brothers' Aiya.
 
Highs:
Much like the midrange the highs suffered from some extreme dipping and roll off. Coleman Hawkins & Duke Ellington' Wanderlust was lifeless sans the saxophone. I will admit that the sax and trumpet sound very pleasing through the FA-003.
 
Imaging:
The image was big, but not very. Using Buddy Miller & Julie Miller' Long Time, which is my favorite test track for imaging and soundstage, sounded too laid back and muffled.
 
The HM5 are for the person who wants a musical, neutral, clean and detailed sound. Are these as detailed as some higher quality headphones? No, but never once did I feel like it wasn't worth the value. I enjoy these far more than on either of those headphones that were simply too cold and analytical for me.

 

February 20, 2012 at 5:08 pm
Griffith
Reviewed by Griffith
Pros: Amazing value for the sound quality you get
Cons: Availability

When I unpackaged these headphones today I was expecting find a nice closed-headphone alternative for my Grado SR125i, but I got more than I bargained for.

 

From percussions, to strings to vocals, it seems that almost every single music track I listen to has a new breath of life. This is similar to the experience I felt when I bought my first Sennheiser earbuds, back when I had a Minidisk, and is something I haven't felt for years. Rather than feeling like I got a small sound upgrade, I feel like I've broken into a new sound-quality threshold that will be hard to match or surpass, unless I invest a considerably larger amount of money.

 

These headphones come with two replaceable ear cushions, one pair being faux-leather and the other being almost velvet-like (feel free to correct me on the type of materials), a HUGE carrying case that I highly doubt I'll ever use (almost as big as a shoe box in terms of dimensions).

 

After I discovered the Koss PortaPro I thought I would never discover another pair of headphones that would offer as great value as they did in terms of sound quality, but I was completely wrong. If these headphones had cost me twice or thrice as much I would still have felt very happy with them. Unless you already own a high-end headphone, I highly highly recommend these.

See All 11 User Reviews


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