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BRAINWAVZ HM5 Studio Monitor Headphones


Pros: Reference-esque SQ, Accessories, Comfort

Cons: Clamp, Size

Brainwavz has done it again! While there are several audio companies offering a nice budget-king-FOTW IEM here, a feature-packed portable amp there, I can't think of many that have put together the streak of high-quality products at affordable prices in the short time the way that the people at Brainwavz have done. Delta: Low Cost Champion. S5: Sub $100 Contender. S0: Budget All-Rounder. Even though it's not their newest, the closed back offering from Brainwavz is yet another strong entry.


Enter: The HM5.


The HM5 is a full-sized, closed-back headphone that performs quite well, regardless of price. It does everything well. It'd be dishonest to fling praises from the mountain tops about it's razor-sharp treble or to schedule a small town parade about the richness of it's sub-bass. However, I've been using it extensively for the last few days and I'm happy to report that not once have I 'wanted' anything else from it. The sound is balanced well with itself and anyone looking for a neutral-ish closed-back headphone for under $300 should seriously consider this guy.


Test Songs (all ALAC either 16/44 or 24/96):


Someone Like You - Adele - Live from Royal Albert Hall

Late in the Evening - Paul Simon - The Essential Paul Simon

Limit to Your Love - James Blake - 

What About Me - Snarky Puppy - We Like It Here

Hide and Seek - Imogen Heap - Speak for Yourself

Prelude from Cello Suite #4 - Yo Yo Ma

YYZ - Rush - Exit Stage Left



MacBook Pro > Fidelia > Pan Am Stack


The Sound



  • The low end of the HM5 is quite nice. I'm a fan of neutral sigs that might have a touch of warmth (HE500, RS1, HD600, etc.) and I've found the HM5 right in line with my palate. The low end is certainly present and almost linear. The ridiculous sub-bass in James Blake's version of "Limit to Your Love" is in full effect. The punch of the kick drum in the Snarky Puppy and Rush tunes is present and nicely textured. Stays in the bass region without bleeding into the mids which certainly is appreciated. I've found that with closed-backs, getting the bass right is tough. It's easy to produce a basshead can as the seal of a closed-back is quite conducive to this, however, achieving a more neutral bass without bloat, bleed, or blur is far less common. Props to Brainwavz for spending the extra time to get this one right.



  • Clean. They aren't super rich or forward, but they are nestled comfortably in between the extremes of the frequency range. Both Adele's and Simon's vocals are accurate and organic. Horns in the Snarky and Paul Simon tunes are crispy and lively. The crunch of the electric in the "YYZ" isn't as engaging as the Grado or Hifiman sound, but that's not to say it isn't enjoyable. These are a monitor-style headphone, and as such shouldn't emphasize any part of the signature way more than any other. 



  • The treble on the HM5 is polite yet detailed. It's not a detail retrieval monster, nor a haven for treble-heads, however, monitor-style headphones should have a revealing treble.The HM5 is no exception. It's not the most spacious I've heard, but it is very capable for a closed-back design. Like the midrange, the treble is clean and articulate. Intricate cymbal work and upper-range trumpet and sax is clean and detailed. Now the treble is a hair behind the lower frequencies to these ears, but not recessed. I imagine this tuning is meant to make them easy to listen to across genres. These headphones are certainly not going to cause any wincing or fatigue after lengthy listening sessions.



  • Slightly better than average. The sense of space is decent, but probably not anything to write home about. Decent height and width, but not a lot of depth. On some of my orchestral stuff, having come from the HE500, I knew that there was more in the recording to be offered. Left-to-right imaging is spot on. Nothing else to say on that. Instrument separation is also just fine. Nothing incredible or shortcoming to note. From the large live-in-studio recording of the Snarky Puppy tune to the digitally-enhanced sense of space in Imogen Heap's "Hide and Seek," picking out individual timbres, rhythms, and layers is very easy.



  • For me, aesthetics are only worth mentioning if they're very good or very bad. In this case, it's very good for most respects. Comfort? Almost excellent. The spacious pads that these have become known for are very light and plush. It's no wonder they show up in pad-rolling threads all the time. ***Stay tuned for my review on the new HM5 Velour Pads!!!*** The shape and padding of the headband is very ergonomic, however, the clamp is worth mentioning. It's a little clamp-tastic out of the box. This does help with the seal and stability on head, but is still a little vice-like. Luckily, this can be alleviated by periodically stretching the headband beyond normal wearing width. The mostly-plastic build ain't my first choice, but ya gotta save some production dough some how! The metal-faced cups are nice and clean which does lend a more premium feel to the HM5.



  • I can't not mention the accessories. Brainwavz has always impressed with the included accessories. From the slew of tips that come with IEMs to the hard case and multiple cables of the HM5, I've always pleasantly surprised. The HM5 comes with two removable cables, a spare pair of pads, probably the best hardside case I've seen for a full-sized can, and a little zip pouch for the hefty 1/4 adapter and extra cables inside the case. Nice!




Overall, the HM5 from Brainwavz is one of the best sub-$300 closed headphones I've heard. It bests its rebranded NVX XPT100 in every category. It offers an accessory kit that every other major headphone manufacturer should take note of. And, best of all, it offers exceptional value with regards to sound:price ratio. For anyone who enjoys a clean, mostly neutral sound signature for either personal listening, monitoring, or mixing, the HM5 form Brainwavz is an excellent choice!


***This review unit was provided free of charge. I'm in no way affiliated with Brainwavz or their distributors.***


Pros: Sound quality, comfort, build, balance, naturalness, clarity, isolation, price, replaceable cable, accessories, soundstage (for a closed can)

Cons: Pads can get hot/sweaty, bass can be a little hollow/honky


The Brainwavz HM5 is a closed dynamic circumaural head-phone which appears to be a clone of the Fischer Audio FA-003.  There is also another similar clone by Lindy.  OEM/ODM manufacturer appears to be Yoga Electronics. Response from owners at the moment suggest that the HM5 / FA-003 / Lindy sound similar/same.
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Pre-amble (about me)
I'm a 44 year old music lover.  I don't say audiophile - just love my music.  Over the last couple of years, I have slowly changed from cheaper listening set-ups to my current entry/mid-fi set-up.  I vary my listening from portable (i-devices + amp) to my desk-top's set-up (PC > coax > NFB-12 > HP).  My main headphones at the time of writing are the Sennheiser HD600s, HM5's, a modded set of Alessandro MS1i, and a set of B2 IEMs.  I previously owned Beyer DT880, Shure SRH840 and 940 + various other IEMs. I have auditioned quite a few entry and mid-tier cans, but have yet to hear any flagships (at current time of writing this review).  I have very eclectic music tastes listening to a variety - from classical and opera to grunge and hard-rock.   I listen to a lot of blues, jazz, folk music, classic rock, and alternative rock.  I am particularly fond of female vocals.  I tend toward cans that are relatively neutral/balanced - with a slight emphasis on the mid-range.  I prefer a little warmth in the overall signature.  I am neither a bass or treble head.  Current amps = NFB12, GoVibe PortaTube, Fiio E11.  Previous desktop set-up was a Fiio E7/E9 combo.
Gear used in this review
 - Brainwavz HM5
 - Sennheiser HD600
 - Alessandro MS1i FWJ
 - iPod4 + Fiio E11
 - Audiogd NFB-12
I chose the HD600 for a comparison, as in other reviews, the FA-003 was often compared sonically to the HD600.  This was in fact the main reason I bought it.
Packaging and Accessories
I purchased my HM5's from MP4nation.  They come with a nice and well padded canvas case (similar to the case that I had for my DT880's), spare pads, a long (3m) and short (1.3m) cable, airplane adpator, and a 3.5-6.3mm adapter.
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Technical Specifications :
Nominal impedance = 64Ω
Transducer = principle dynamic 42mm, closed
Ear coupling = circumaural
Frequency range = 10 - 26500 Hz
Sensitivity =  105 dB at 1 mW
Rated input power 100 mW
Weight w/o cable = 280 g
Weight w/1.3 cable = 323 g
Weight w/3.0 cable = 363 g
Jack plug = 3,5mm stereo with 6,3 mm screw-on adaptor
Frequency Response Graphs (+ others) - From InnerFidelity - FA-003 (none available currently for the HM5)
Build / Comfort / Isolation
At first glance, the HM5 look as though they should be quite heavy.  What is surprising is how light they are, and how light they feel once worn.
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The headband looks similar to the Beyer DDT880 Pro.  The head-band padding is adequate, and more importantly it is shaped to actually fit your head (Shure - this is how a headband should be).  The extenders are metal, seem very solid and are adjustable with a solid click.  The arms (to connect the cup) are a molded plastic - appears reasonably strong.  The cups can be easily disconnected - so as long as parts were available, it would be easy to replace anything broken.
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The cups are nicely shaped - and for my ears are completely circumaural.  The pads are very thick - almost exactly one inch - but also very soft.  This keeps the ear well away from the transducer.  The clamp is quite tight, but due to the softness of the pads, once they've been on for a while, I don't really notice them.  The pads are removed from the cup by a quarter twist, and are easily replaceable.  
The rear of the cups can be removed by undoing 4 micro screws.  This exposes the rear of the driver - but more importantly allows modding and also, should allow fitting of the Fischer wooden cups if so desired.
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Because of the clamp and the thickness of the pads, isolation is very good.  Not to the level of my B2 IEMs - but as good as I have had with a closed can.  When I next travel around the world (later this year) I am definitely taking these - as they seem to be ideal (especially with having the airline adaptor) for long-haul travel.
The cable is replaceable, and the plugs are reassuringly snug fitting.  To me they look like a standard 3.5mm mono plug - but it is the molding at the and which would have to be duplicated if you wanted to make a DIY cable.  Fortunately the cables appear extremely sturdy and you are supplied with one at 1.3m (which I find very good for portable), and a 3m length if you require more cable for a desktop / home system.
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Overall, these are very comfortable - with one small complaint - due to the thickness and softness of the pads, combined with the clamp, they can get quite warm after extended use. The good news is that the Fischer FA-003 velours should fit them.  The hard part may be finding them.  Comfort is slightly less than DT880 or Senn HD600 - but definitely in the same league.
Listening Set-up
My main set-up with the HM5 is PC > Coax > NFB-12 (low gain) >HM5.  For a portable rig, I use iPhone4 > HM5.  For the purposes of this exercise - to compare with the HD600 straight out of the iPod4, I'll also be using the Fiio E11 (via LOD).  Note - I initially was going to use my PortaTube for comparison with the HD600 - but the HM5 is so easy to drive that I ran the risk of channel imbalance because I was so low on the pot. 
Sound Quality
The HM5 for me are good for their price.  They are quite natural sounding - one of the most natural sounding closed headphone I have heard to date (with only issue being some hollowness in the bass - more on that later).  They seem reasonably well balanced across the spectrum - with good extension at both ends.  There is some sparkle at the top end - but it's not enough to overly exaggerate the highs.  A quick summary of the main sound quality headings:
Detail/Clarity - Detail is good - but quite not as detailed as the HD600 (or the DT880).  They are very clear though - and sound very good especially with acoustic instruments.  They do appear to be a little more forward than the HD600 - and do exhibit a little more reverb - which for me sits them below the HD600 in terms of overall refinement and clarity.  For the cost - the level of clarity is good.
Sound-stage - Seems reasonably good for a closed can - but not overly expansive or deep.  Instrument separation I found quite pleasing.  Listening to Julia Fischer playing Tchaikovsky's violin concertos definitely gives a sense of space at first - but when switching to the HD600 you suddenly realise that while they are good for a closed can - they are simply not in the HD600's league for staging, timbre or realism.  For a closed can though, they are have a better than average sound-stage.
Highs - Very good.  No trace of sibilance or harshness, with good detail.  They are slightly more emphasised than the HD600's and give surpisingly good presence.  I tend to use jazz now to look specifically for presence in the highs.  For this test I was using Diana Krall's "Black Crow" for the contrast between cymbals and piano - and The HM5 handle it very well.
Mids - The HM5 does mids well.  They are focussed with a slight hint of warmth - and give a feeling of intimacy - similar to the HD600.  For this test I'm listening to Alison Krauss (Paper Airplane).  I often use the song 'Dustbowl Children' for comparison - as the acoustics are wonderful.   I think the HM5's mids are ever so slightly more forward than the HD600 - but this could be the smaller sounstage.  Even with busier tracks, there is no sign of congestion.  
Bass - Here's where things get slightly interesting,  There is definitely nice extension n the HM5 (as there also is on the HD600).  The main difference here is in presentation with the bass on the HD600 being extremely well textured and defined.  The HM5 is almost there - but on really punchy tracks it can exhibit a very faint boominess/reverb.  Almost a hollow sound.  I have to admit that despite this I do like the HM5's bass.  It's there when you need it, and doesn't sound over or under-done.  Impact is very good while still retaining balance.
Power Requirements
The HM5 has 64 ohm nominal impedance - but what surprised me is how sensitive these are.  They are absolutely ridiculously easy to drive.  Straight out of my iPhone (unamped) my 32 ohm MS1is take almost exactly 50% volume for a nice listening volume.  The HM5 at 64 ohm use the same volume.  They do sound wonderful out of the NFB-12 - but I have to use low gain or they go too low on the pot.
Comparison HM5 vs MS1i and HD600
Hm5 doesn't have the top end of the MS1i - but is quite similar in the mid range, and has more impact in the bass.  Compared to the HD600, the HM5 has a little more sparkle up top, again similar mid range (maybe a touch more forward) and the bass is similar - but does not have same texture or refinement. In sound stage comparison, the MS1i is on-stage, the HM5 is front row, and the HD600 is perhaps 4 or 5 rows back.  For detail, all 3 headphones have good clarity - with the HD600 ultimately showing better micro detail and placement (as it should).  Comparing realism, the MS1i is what I bought it for - an incredibly edgy fun but coloured headphone - ideal for rock and blues - it's not realistic but I love it.  The HM5 is closer to the HD600 - but it does not match the naturalness of the HD600, nor the texture or sense of 'being there'.  For what it brings to the table in comfort, isolation, and value - that is a pretty good achievement.
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The HM5 was not designed to compete with the HD600 - and for the $100-$150 price bracket, it is great value.  Compare to other popular cans in it's price bracket - Shure SRH840, ATH M50 etc, I can see the HM5 being an excellent studio monitor, and also a very engaging headphone for private listening.  It does well with practically every genre I've tried it with (and that includes classical).  I have even used it for gaming - and it does well with both directional acuracy and fun factor.  They are quite good for portable use, and I think will be very durable long-term.  If I was to sum these up in four words - I would simply say - "Incredible value / great sound.  It's not a closed HD600 - but it does share some similar sonic qualities for audio lovers on a budget.  Definitely recommend the HM5 as a value proposition for an entry level to quality audio.


Pros: Sound Comfert Price

Cons: Build Quality

 I bought a pair of HM5s about 6 months ago. They give you absolutely great sound for under $150 but I ran into a big problem. Both sides where the slider connects to the headphones started to crack within a week of one another. A little later pieces of plastic started falling off altogether and now I can't take them off too fast without cutting my ear. Before you buy try searching about the HM5s build quality, lots of complaints. The best part is even though I'm still under warranty no one will return my emails.


Pros: Comfy, comes with lots of accessories

Cons: Not all that neutral, numerous cons in the sound outweigh the positives, build quality is meh

I liked these when I first got them but over time as I listened to more and better headphones realized they are not very good. They're not all bad but I think the cons outweigh the pros. There are already enough hyped up positive comments from tons of people, so I'm just going to list what the problems were for me.


Not really all that neutral. Perhaps more balanced relative to some of the wilder headphones out there and mostly non-offensive, but that's about it. Overall balance is actually a little bit on the dark side. I'm no treble head and hate any spikes in the higher frequencies, but even for me these sounded a little bit veiled and lacking clarity. The treble on its own is very smooth and had the most accurate tonality for cymbals I've heard, but the bass/lower mids are quite muddy and smeary and get in the way. There is a dip in the lower mids and then a hump in the upper bass which I think contributes to this. The muddiness sometimes creeps up into the mids as well unfortunately, because the mids are actually pretty nice. I noticed that frequency response graphs actually confirm the slightly dark balance.


The soundstage is wonky with a hollowed out center image. At first I mistook this for depth, but it's not, it's just shaped weird. Basically, things which are panned in the center sound farther away, while things which are panned in the left or right ears sound closer. Kind of like a "V-shape" where your head is staring down into the point of the V if you can imagine that. Other headphones with more evenly shaped soundstages do not do this so much. I also found these to lack punch and attack both in the bass and the mids/highs. I find too much punch to be fatiguing, but these just sounded kind of flat and boring.


The other thing about these headphones is the cup sound or echo as some have called it. If you take a look at the way the cups in combination with the pads are shaped, you'll notice they form a cylindrical or tube shape. Listening to music on these headphones sounds like that--listening to music through a tube. It sounds like there is some kind of reverb added on to the music, which makes you feel you are listening inside of a cave or a subway tunnel or something. I don't know exactly how to describe it, but frankly it is pretty strange. It is less noticeable on some recordings, but on others it is very obvious and weird if you have other headphones to compare to.


Also while they come with a bunch of neat accessories, the build quality is not all that great. It's not outright bad, but questionable. The sliders for adjusting the length of the headband are kind of loose and wobbly, the cups sometimes snap out of the hinges, and the headband is so rigid every time I stretched it to put these on my head it felt like it was going to snap.


If you can find some rebrands of these for less than $100 and you like a slightly dark and very laid back sound, these might be decent, but overall I don't think I'd recommend them to anybody, especially if you think you're going to get a "neutral champ."


Pros: Easy to EQ, comfortable for long sessions, price!

Cons: None yet.

I stumbled upon these headphones after numerous hours of research. To be quite honest, I'd never heard of this brand before so I was a bit hesitant before making the jump; especially after owning products from major brands such as Shure, Audio Technica and Beyerdynamic. You know what to expect from those brands, but from Brainwavz? Read on to find out more..



#Packaging: they come in a relatively small box (compared to the ATH-M50s), inside you'll find:


-A black and red hard shell carrying case that'll hold your headphones and accessories
-A carrying strap for your hard shell case
-The warranty card and instructions
-A spare pair of pleather ear pads
-The headphones themselves
-¼ audio jack
-Two removable cables (1.3m and 3m long)
-An airline adapter
-A pouch to store all the cables and audio jacks


#Design and Build Quality: and I thought my DT770s were big!

They're definitely not like any other set of cans you've seen before, as soon as you pick them up you'll notice how light and sturdy they are. Some parts are made out of plastic, but they don't feel cheaply made.

The ear pads seem to be of top notch quality, they're made out of pleather. If you do happen to break them, Brainwavz was kind enough to include a second pair; they both appear to be identical.

I was actually kind of surprised with the quality of the cables, they appear to be strong and both sets are removable and can be plugged in without any problems.

In my opinion the HM5s look super clean and modern, and I love the metal accents on the ear cups. You will like them wether you're 18 or 45.


#Sound Quality: after burning them in for 72 hours with lossless music and pink noise. Amped with a Fiio E12 Mont Blanc and iPod Classic w/Fiio LOD L9.

I like to buy different headphones because they all offer me different experiences; the ATH-M50s have a particular sound signature, as well as my Beyerdynamic DT770s and my Shure SE215. None of them sound alike, and that was one of the reasons I was in the market for a new set of closed back headphones. I also needed something less colored and more 'EQ friendly'. If you're a music fanatic like I am you will understand what I am saying.

Why do I have the Audio Technicas? Because sometimes I wanna feel the bass (and have my head rattle for a couple of hours with techno and industrial music)

Why do I have the Beyerdynamics? Because sometimes I wanna get that immersive experience without bothering those around me. Some people may disagree with me, but the soundstage on these puppies are outstanding, and not to mention little to no sound leaking.

Why do I have the Shure in ears? Because I also need something more portable and inexpensive but also have the best sound quality for the money.

The HM5s do not disappoint in terms of sound quality. Yes, they are flat, uncolored headphones. But that doesn't mean they're boring. It just means that you can pretty much EQ them in any way and direction you want to. If you're not a fan of EQing then leave them as they are, and you'll hear the music the way the artist intended.

If you've never heard a flat response headphone before then you're in for a treat. No, the bass will not rattle your head, but you will be able to hear the bass as opposed to feel the bass. The mids aren't overpowering and they give the vocals a nice presence. The highs are perfect and I did not experience any sort of sibilance (unlike the DT770s).

The soundstage is phenomenal; all the instruments are well separated.

You will not be bothering those around you either, the HM5s have great passive noise isolation, so there's almost no sound leakage.

I suggest listening to the following songs before you receive your headphones and then again after you burn them in.

Madness - Muse
Speed of Sound - Coldplay
Dreamers - Savoir Adore
Autumn's Monologue - From Autumn to Ashes
Strict Machine - Goldfrapp
House of Cards - Radiohead
Nature Trips - Eyedress

Also remember these are 64 Ohm headphones, so having something to power them is recommended.


#Final Thoughts: they're keepers!

Even if you hate these headphones you have to realize that you paid $129 for them. And not to mention all the great accessories that came with them (the case itself has to be worth at least $20 right?)

I, on the other hand, loved them. I couldn't be happier with them and in my opinion these are right 'up there' with the leaders in the hi-fi audio business.

They've earned a spot in my headphone collection, and I truly recommend them to you as long as you know what to expect.







Pros: Sound Quality, Build Quality, comfort, non-fatiguing, cables

Cons: Not really a con, but would be nice if additional velour pads were included instead of another pleather set.

These headphones are a pretty good value for the money.  


Simple clean design, don't look over the top, or tacky.


The build quality is pretty nice with good materials.  Plastic parts on the headphone cups have the "soft touch" feel. The pleather ear pads are really comfortable, and I'm glad they come with an extra set.  I would've liked an additional velour set for the hot summer season though where heat could become a comfort issue.  The headband is nicely padded for better comfort and uses metal for the extension area which should be more durable than plastic.


Comes with some nice accessories.  2 cables.. 1 short, 1 long.  The cables seem to be of good quality. Highly flexible, yet very durable.  The cable connectors look really nicely done as well.  They're color coded to the correct jacks in the headphones for left and right.  It's nice that they're detachable from the headphones.  Also comes with 2 adapters.  1 large jack adapter, and 1 airplane jack adapter.  Of course it's got an extra pair of pleather ear pads which are nice.  Luckily I got in on the pre-order so it came with a simple carrying case with foam inserts as well (not spectacular, but better than no case).


Sound Quality is pretty good to me.  I've been listening to a mix of acoustic, jazz, jazz/funk, rock, hip hop, you name it.  These headphones really do seem like they get better with burn-in.  During my first several hours I didn't really like how they sounded with rock.  I left it running for several days and came back to a pleasant surprise.  My rock sounds much better and clearer now.  Shortly afterwards, my FiiO e10 arrived in the mail.  Pairing these phones up with the FiiO e10 (I listened with bass boost off) sounds really nice.  Every genre sounds even better than when I had this plugged straight into my macbook air.


Pairing these up with the FiiO E10 is a winning combo to me!


Pros: Build quality, comfort, sound quality, removable dual entry cable, price

Cons: None





Pros: Build quality, comfort, sound quality, removable dual entry cable, price

Cons: None




I am unable to comment on the packaging of the HM5 as I have received a loaner model. I can comment on the accessories I've received though and Brainwavz has done a fantastic job here. Included with the HM5 I received were an extra pair of faux leather pads which are good quality here, soft yet firm. Also included was two cables, both being dual entry with a 3.5mm plug and an included 1/4 adaptor. The cables are thick and feel of the utmost quality, I'm thoroughly impressed with them, and the inclusion of a set for each plug rather than the cheaper way out of just giving an adaptor. 


Design and Build Quality




The first thing that I noticed about the HM5 was that the build quality was astounding. I picked them up from the soft foam padding they laid in and noticed a nice weight to them and very solid construction even under close inspection. The headphones themselves seem to be clones of the Fischer FA-003, at least aesthetically, and I think that's a great thing. The FA-003 have a very nice clean look to them and Brainwavz has done a great job keeping everything clean while adding it's own little touches.


Starting from the top, the faux leather and soft foam make for a minimal, yet clean looking headband. On the top "BRAINWAVZ" is in a glossy black to accent over the matte black of the faux leather. A little further down you reach the adjustors on the headphones, which is a slightly notches aluminum strip from the right and left that feels very solid when being adjusted in anyway. A click will let you know you've reached each notch and where the adjustor meets the lower half of the headphone there's some room for it to move laterally slightly allowing some flexibility. The adjustors meet with a black matte plastic which almost has a rubber feel to it allowing for better grip. At the top of it there's a red "R" and a blue "L" indicating left or right as well as color coding for the cables. The plastic wraps around the housing and locks in at the sides allowing the HM5 to swivel up and down up to 90 degrees allowing them to point down.


The housing itself has a brushed aluminum siding with a small circle cut out with the Brainwavz logo on either side, the grey brushed aluminum looks beautiful contrasting against the outside of the housing which is the same black matter rubberized plastic that gives the HM5 a sleek look. On the bottom back of each ear cup HM5 is stamped in a light grey. The cables enter from the bottom using a straight 3.5mm plug in each ear. The ear cups are big soft faux leather pads that are not only comfy, but provide good isolation for the HM5. They're also very easy to take off and put on for those who want to try different pads. 


The cables were a huge surprise to me, each side has a blue or a red ring around it to indicate which ear it belongs in and is not only thick, but feels surprisingly high quality. The cables are joined by a simple y-split and terminate with a thick, solid, straight plug.


Everything about the HM5 screams high quality. The build quality is easily comparable to any high end headphone. The aesthetics are extremely simple, but beautiful to boot. These headphones are well worth the asking price for this alone, they make my Ad900 feel like a cheap toy.


Sound Quality


These arrived from Dragon2Knight with a nice hand written letter explaining these had well over 250 hours of burn-in/use before being used. Therefore I simply listened, I can't speak for any burn-in and I am not noticing any changes throughout my listening.


The Brainwavz HM5 are being marketed as neutral for studio monitoring purposes and I couldn't disagree with this if I tried. The HM5 are almost perfectly neutral to my ears allowing me to pick apart problems with the mix and mastering unlike any other headphone I've used before. That isn't to say the HM5 are the most detailed headphone I've ever used, there's some grain even, but these are the flattest headphones I've used with excellent extension on both sides of the spectrum while having good detail and clarity.


The HM5 are not for bass heads, if you're expecting the bass to rattle your head then look elsewhere. The HM5 have a very flat response across the bass with only the slightest mid bass hump and great extension, there was never a point where I felt I was missing anything in the lows. The mid bass has decent impact, enough to let you know a kick drum is being hit, but it's not bloated or overdone, it's more of a rounded hit rather than a sharp jab. Even on songs with incredible bass the HM5 handle them well. I don't particularly feel the bass but I hear it no matter how low it goes with good detail to boot. The mids are the weakest of everything here, but that's only because I'm used to my Ad900. The mids here are clean and serve as a perfect link between the lows and highs. The mids are polite as to not push out the mids and highs, but are assertive enough to give the vocals good presence and electric guitars a good crunch. The upper mids or low highs do have a slight edge to them, but just like the mid bass it's only the slightest. There's a very slight sense of sibilance, but only on the most sibilant heavy songs. There's a slight grain as well in the highs, but they're well extended without being overly bright.


As I said before the HM5 have good detail, but they're certainly not to be considered analytical, at least in comparison to the likes of the AKG K701 or HiFi Man RE272. I don't feel as if I'm missing anything when listening to these, but they don't have the typical cold analytical presentation. The soundstage on these is decent, there's actually a light air to it. There's good separation throughout and I feel as if I'm at an intimate outdoor concert, if I were to describe it at all. Perhaps yes described as if the stage were enclosed from all except the front, giving a slight air, but still an intimate presentation. As for amping, I definitely recommend something to power these, but they sound rather good even from an iPod or straight from my MacBook Pro.


Onto the music!


The Antlers - Kettering

In this song there's an incredible ambiance and emotion conveyed through the music with a great build up and dynamics. Right away the hushed piano plays the repeating melody sounding very cold and subdued as the vocals take on a very similar tone, sounding hushed and cold while sounding very intimate, as if he were singing a few feet in front of me in a small coffee house. The synth noise rolls in as a precursor to the soon to be change in dynamics. The vocals stop, the piano goes a little higher, then the drums come in with the synth noises vibrating at a high frequency. The song continues to build up giving me the chills. Everything is beautifully conveyed through the HM5 in such a perfect, delicate manner. Very clean with excellent presentation. 


Sufjan Stevens - Impossible Soul

This is a really hard song to do well as it is essentially 5 songs, each with different sounds to them, combined into one. I'm going to just take the first movement and talk about the HM5 for it as it's a 30 minute song. I have to say, I don't think I've heard this song as good before as I am now. The synth is polite, soft, and clean as Sufjan's voice matches with good panning and the echoes of his voice being heard perfectly below in the mix. The harp that rolls along pans beautifully back and forth as the drums do as well. Hearing certain hits in the left and the proceeding one in the right keeps my ears open and paying attention, Sufjan knows how to keep a listener entertained in such small ways. There's simply so much going on here that the HM5 replicate so well. The harshly toned guitar solo comes in like a jagged knife, which is definitely intended and the HM5 do a great job giving it the edge Sufjan intended, all the while the harps and drums panning, not once does it feel confused or congested. I could go on, but this song is beautiful through these. It's not easy to have a song with such hectic parts and combinations of electronic, pop and classical sound good. The HM5 are fantastic though!


Radiohead - Idioteque

This song is a perfect example of how good the HM5's bass is. The electronic kick drum thumps enough to be present, while being polite enough to allow the mechanical sounding hi-hat and snare to tick away as the synth sweeps along and the various noises make their appearances. Thom's voice comes in and the kick drum still thumps, but it's clear that the vocals were mixed to be slightly higher here as they wanted them to be the focus. The vocals come in clear and slightly higher than anything else while the backing vocals are panned to the right and hushed behind the rest in the mix, which is a nice contrast going on here having vocals essentially surround the instruments. Everything sounds clean here and I'm enjoying it, just the right amount of thump.


Porcupine Tree - Trains

This song is a great progressive rock song with a good sound. Right away the acoustic guitar shines, clean and detailed, I can pick apart each string loud and clearly. The vocals are perfectly balanced with the guitar and equally clean. The drums and bass come in and are punchy and easily heard, in-fact I don't think I've ever noticed the bass line in this song before. Even the acoustic guitar is still easily heard in conjunction with the punchy drums and bass. As the song continues I really don't have much to say than everything simply sounds clean, there's no grain at all, every instrument has it's own space. I'm enjoying the clarity of the HM5 for this song, especially for the well recorded acoustic guitar.


Sara Bareilles - Bottle It Up

This song is a sibilant heavy song. The sibilance that made this unenjoyable on my q-JAYS is still there, but it's a recording issue more than a headphone issue. The HM5 do show signs of sibilance here, but again this is a recording issue and the HM5 do a great job of making the song listenable still. It's clear though that this song is mastered loudly with a emphasis on the vocals. It's clear that this album is a victim of the loudness wars and the HM5 have no problem revealing this.






You'll see I have no listed cons for the HM5, and deservedly so. For the $120 or so you can pre-order the HM5 for you can't ask for more. The build quality is absolutely top notch from top to bottom, from cable to ear cups. The included accessories is just a huge bonus, Brainwavz didn't need to include two cables, but they did, as well as an adaptor. I think that simply goes above and beyond what they had to. The sound is something that won't immediately please you, it's good out of the box, but it's when you realize the subtleties that make it so good you'll appreciate it. The delicate balance it gives songs that sometimes sound congested on other headphones, the polite yet present presentation is just fantastic.


The HM5 are for the person who wants a musical, neutral, clean and detailed sound. Are these as detailed as the K701 or RE272? No, but never once did I feel like I was missing anything in the music, while enjoying it far more than on either of those headphones that were simply too cold and analytical for me. These are one of the best values in the headphone world.


Come see the rest of the pictures here!


Pros: comfort, tonality, soundstage, neutrality, isolation

Cons: the included case is useless to me, but that is really it.

I need to start by thanking Brainwavz for the HM5 to review. They had sent me their S5 IEM a couple months back to review, and afterwards had asked me if I was interested in reviewing any other headphones of theirs, and I asked for the HM5. I had always wanted to try one, but had never gotten around to it. I am now wishing that I had gotten one when they first came out. I like it a whole lot. 


Packaging - accessories:


The packaging is sufficient and includes two different length cables, an extra set of pads, and a semi-rigid carrying case. My only complaint here is the case. In order to use the case, you have to unhook the cables from the headphone and set the headband to the smallest position. I have another case that I had bought years ago that I use with them when I leave the house, so no big deal really. I just don't like the fact that the cables have to be undone to fit the headphone in the supplied case. 


Comfort - fit - isolation:


I find the comfort and fit of these to be great. Others have mentioned a tight clamp, but I have a small head. For example my full face motorcycle helmet is a size small, so I do have a small head. So I find the fit of these to be just fine. The pads are nice and soft and deep and seal very well to my head. The headband has good padding where it touches my head as well. No issues with comfort at all after hours and hours of use. They could get a bit hot I'd imagine, but It's fall here, now so I've not had the chance to use them in any temps over 70 yet. Isolation is above average as well. They seal to my head perfectly and block out a good amount of background noise. Not like IEM's, but very good for a full size headphone. I've experienced better isolation, but have also experienced worse. 


Build  quality - durability:


Seems average or better than average to me. I don't see them failing on me. I have never broken a headphone, and I don't see these being that changing. The construction seems to be all plastic, but they don't feel weak or flimsy or fragile.


Soundstage - imaging:



I'd call them better than average for a sealed headphone when it comes to soundstage depth and width. They do not sound congested like closed back headphones often do. My other full size headphone is an AKG Q701 that I use with the speaker taps of an Emotiva A-100 Mini-X, if that helps to put it in perspective. I'm not saying they are as open sounding as a Q701, but going back and forth the difference isn't disappointing considering the HM5 is closed and isolates very well. Imaging and instrument separation is very good as well for something in this price bracket. 


Onto the tonality:


Very close to neutral, but still natural and fun. Nothing seems exaggerated or missing.


The bass is clean and smooth. It is well extended and pretty quick. They are not bass heavy or bass light. It does what the music tells it to do. I have seen people pull the cups apart and do various mods to supposedly "clean up" the bass. I think the bass is fine as it is, and I do not plan to pull th cups apart and mod them.  


The mids are right there, not recessed or overly in your face either. Everything in the mid-range gets represented like it should.


Top end is also smooth and present. It can be sparkly and splashy when the music calls for it, but I have yet to hear any sibilance or harshness. 


Detail is very good across the whole range. I listen to rock, metal, jazz, and a little bit of electronic music and it does them all very well just like a neutral headphone should. 


Other details: 


They are very sensitive and easy to drive to good levels. They do not require a dedicated headphone amp. All of my listening to these was and is done on a Verizon wireless Samsung Galaxy S4 smartphone using the Neutron music player app. I have all the good audiophile settings enabled on the Neutron app, but I am not using any EQ on them at all. They sound just the way I like with no EQ. I do not actually even own a headphone amp that I can try them on to compare. For my Q701 I use the speaker taps on an Emotiva Mini-X A-100. To use the HM5 on this amp would require me to make a custom cable/ modify one of the two supplied cables, or make some kind of adaptor. I see no reason to bother at all. These do just fine with the volume at the halfway mark on my S4. The S4 puts out clean power, and has a low output impedance, so it makes a very decent music player. This review would have been done earlier, but I was having some issues with the phone randomly rebooting after a software update which made it hard to listen to and test the headphones when the phone kept rebooting randomly, but quite often. That has been straightened out, so I was finally able to get some good listening done. 


I am very very impressed with these. Are they the best sealed headphone out there? I'm sure they are not, but I'm also not sure they can be beat for the price if this is the type of sound signature that you prefer. I do wish I had gotten an HM5 when they first came out. They make a nice sealed headphone that I can use out of the house with a smartphone to go along with my Q701. They sound close enough to the Q701 that I am perfectly happy with them.


Music tested with: 


Lots of different rock, metal, and jazz, and a little bit of electronic music. I have never really put together a list of prefered test tracks, I just listen to what I like and enjoy it. 


Another big thanks to Brainwavz for the headphone to review. I like these quite a bit and will continue to enjoy them. 


Pros: Hyper Comfortable , Smooth throughout the board , Very distant for being a closed , great for smooth listening , PRICE !!

Cons: Withdrawn Sub-Bass , Detail not up there for critical listening , clamping , clarity , flimsy headband adjustment


2nd Review lets do this 


Instead of talking about the stuff that I have talked about in the video below , will focus here on sound 


The day I got them I remember the first session with it was listening to "Live in Paris" by Diana Krall , I was stunned my the smoothness it had , just a very smooth and enjoyable tone , the bass in tracks like 'Lets Fall in Love" and "The look of Love" just sounded exceptional and very well extended , the bass reminded me of my 650s just a bit withdrawn in the Sub-Bass 


To be really honest , its one of the best if you are primarily a Jazz listener , I can't justify using it as my go-to HiFi headphone for every genre , the perceived detail just seems to be absent but that is just by a thread , minuscule as a matter of fact but noticeable and worth mentioning if you have other HiFi cans 







For me the HM5 is the headphone I would love to listen to some Grant Green or Wes Montgomery maybe some Jimmy Smith too , just the overall smooth timbre makes it a perfect headphone for any Jazz lover (Which I am one) 

There are zero discernible spikes , undoubtedly a "Neutral Champ" cannot stress that enough 

In terms of overall separation I found it to be quite good , for a closed headphone this might be the best for the price , did play some Binaural , out of all I had , found Ottmar LiebertUp Close to be the best , this is a great album BTW if you haven't heard it already 

The bass was very good , the overall texture was quite discernible with this song by "The Roots" - http://www.youtube.com/watch?v=_qzacv8dtb4&feature=kp , not over inflated just a good presentation in general if not the rolled of sub-bass made it a bit thin sounding 

So , yeah this is a good headphone , one of the best purchases at least in my book , must have for any enthusiast 


This is my Review I did on YouTube - 



Pros: The travel pack is beautiful, decent, and useful. The headset itself is comfortable with acoustical space and naturalness signature

Cons: none so far


BRAINWAVZ HM5 Studio Monitor Headphones

Best bang of the bucks in five years!!

Got mine today.  Takes two days directly from Hongkong.  Yes, the waiting is hard for me.  A little back story.  I was planning getting myself a pair HD 598 from Sennheiser as my Christmas gift.  However, the cost of HD 598 just doesn’t cut it.  After extensive online study, I found out this nonexpansive headphone (compare to HD 598) has the potential to outperform many $300 grade headphones(I told myself that).  Since this headphone is a replication of the famous FA-003.  Moreover, my friend Waiting told me that HM5 is having a pre-order sale right now.  I am so glad I pull the trigger at that moment.

Enough of the chit-chat, let’s take a quick look on the package.  All I can say is amazing, the protector/carry box is a mini hard shell box.  The color and build quality of the box itself is top notch.  Better than my 270 dollar Revo sunglass protect box.  I meant come on it even comes with a shoulder strap.  The box itself can well worth 40 dollar.  I bet I can take this box to the mall and sell it for 50 without much effort.  The accessories include the shoulder strap, 1/4" adapter, extra set earpads, airplane adapter, 1.3m detachable cable, 3.0m detachable cable, Instruction manual, and Warranty card.  ALL copper plated connectors!!  I have not seen they do that on Monster Turbine and klipsch X10.  That basically says it all.  You are getting something that’s way more than $100 can give you in today’s real world.  However, at this point I was thinking if it sound like poopoo maybe I can still give it to my brother or something and it would still looks like an awesome piece of headwear for Christmas gift.

Needless to say, I run to my desktop and plug this bad boy to my Fiio E7 and start checking it out.  And oh my holy cow, I finally understand why some people love these and some people hate it.  As for me, I am on the love side.  If you listen to metal rock or punk, you have a high chance you gonna love this pair of cans.  I don’t have the professional testing knowledge or instruments to do a wave compare or display.  I do have oscilloscope in school’s lab and other instruments for doing the test.  However, since I am a slacker and I will just review it from the feeling of my human ear.  For me the most significant stand out on HM5 are the “acoustical space” and “naturalness”.  Pair HM5 with fiio E7 and start playing Hinder “Lips of An Angel” and though I was in front of the stage.  I can listen to any instrument effortlessly.  Personally, I play guitar so normally this would be the first instrument I listen to.  Trust me with HM5 is so easy to listen to certain instrument without even focusing.  The space between each instrument is just enormous in a good way for me.  About the “naturalness” is actually pretty funny.  So I was listen to some music with HM5 on the first day I received it.  I was thrilled with the headset that day and played with it till 2 O’clock something in the morning.  No big deal, I start to look for websites that offer headset test file.  I found the website “http://www.audiocheck.net/soundtests_headphones.php” and start listening to the provided tracks.  Boy oh boy, I play through each track till “Binaural Test” and I almost crap my pants, since it was 2 something in the middle of the night and someone is knocking on my door pretty hard.  I took off the headphone and went to see who is behind the door.  As soon as I took off the headphone I just realize the ambient noise in my room and outside my apartment are quite loud(desktop computer fan noise and bugs singing outside the window).  I was still thinking that if someone knocked the door it would be hard for me to heard it so clearly.  Apparently there is only one possibility, I put on HM5 again and play the track again.  Yes, I have to take the headset off and make sure there is no one knocking on my door again!!  I was sweat at the moment.  This is ridiculously incredible.

Because the positioning is so well defined, I also used it for my gaming sessions.  Payday the heist, the accurateness is pin point, I can reload my gun with proper distance from my enemy and catch them at the corner every time.  Overall, HM5 is way better than I expected.  For 100 dollar I can get this awesome headphone which worth every penny.  What I hate about it is that I should have bought it sooner!

BRAINWAVZ HM5 Studio Monitor Headphones

The Brainwavz HM5 studio monitor headphones provide for exceptionally accurate sound reproduction, their neutral sound signature replicate audio as it was intended to be heard. The HM5 feature an over the ear design which sits comfortably, providing an adequate seal that limits leakage. These closed dynamic monitor headphones are designed to give astounding sound for almost any genre of music and like all Brainwavz the headphones have a simple but stylish look to them. Included in the package are two detachable cables, a short 1.3 meter cable that is intended to be used with a portable rig and a larger 3 meter cable for use in a home environment. The large 42mm CCAW drivers are surprisingly easy to drive, but they do benefit with amping if used with a portable rig. Features: Neutral sound signature 1.2m and 3m detachable cables included, use with your portable rig or home rig Large, comfortable over the ear cups Specifications: Transducers/Drivers: Closed dynamic, 42mm Rated Impedance: 64ohms Sensitivity: 105dB at 1mW Frequency range: 10~ 26.5KHz Rated input power: 100mW Plug: 3.5 mm gold plated Cable length: 1.3 meters & 3 meter detachable cables 1 year warranty *Included Accessories: 1 x 1/4" adapter 1 x extra set earpads 1 x airplane adapter 1 x 1.3m detachable cable 1 x 3.0m detachable cable 1 x Instruction manual 1 x Warranty card *The included accessories with the BRAINWAVZ HM5 can change at any time, as can the outer packaging design. The photographs of the packaging, and the list of included accessories, may not necessarily reflect what your package will look like or the accessories you will receive if the manufacturer decide to make a change. We will, however, do our best to keep this page up to date.

FeatureLarge, comfortable over the ear cups
List Price$189.50
Product GroupCE
Product Type NameHEADPHONES
TitleBRAINWAVZ HM5 Studio Monitor Headphones
Model Name/TypeMPNEAN/UPC
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