I have owned two pairs of DT770 Pro’s in my life. The first pair was from when I was a teenager, and the second pair was from last year, in my 30’s.
I didn’t like my DT770’s as a teen. Perhaps I was feeding them the wrong kind of music back then- I was looking for the grandeur of Beethoven symphonies at that age, and those closed headphones certainly couldn’t compete with other headphones I had at the time, such as AKG K701, Stax SR-003, and eventually Sony SA-5000 in my 20’s. Afterwards I got into the planar thing and have owned a couple of Hifimans. You’d think they would totally spoil my ears, but no, I actually really like my second pair of DT770’s.
I noticed the material inside the earcups has changed from this annoying, itchy foam material to some nice fabric. My ears are quite large and do touch that material, so it was a relief to find that it does not irritate my earlobes. I didn’t open them up to inspect the internal mechanics; it’s been over a decade since I heard my last pair of DT770’s, therefore I can’t really comment on whether they sound the same. I also don’t really use them as a pair of headphones for listening to music, but rather a workhorse for on-location recordings.
On a remote location recording kind of scenario, all of the pros of the DT770 really shine through. They are built like a tank (there was a photo of the earcup under a car’s wheel floating around on the internet), and because of the mechanics of the headband, the earcups press against each other when not worn, and this gives me a lot of confidence to just throw them in my gear bag and not have to worry about drivers getting damaged. The comfort is great thanks to the valour earpads, and the clamping force strong enough to make me feel secure during a recording session. This is probably a very personal thing, because I know I like a good clamping force, but some people can’t take even a little force, so please take my words with a grain of salt. The isolation is okay, not as great as Sennheiser HD280 Pro’s, but those Senns don’t sound nearly as good or as neutral as these Beyers.
In terms of sound, there isn’t much to write about. They are neutral enough for location use, sound unoffensive under any situation, has enough resolution for me to make decisions on-location, and generally are a pleasure to work with. I have sampled the contenders at this price range (Senn HD280 Pro, Audio Technica M50x, Beyer DT770) and these are clearly the keeper for me. Large-scale classical music can sound congested on these, but anything from solo to chamber music sound lovely.
I don’t usually listen to music with them (except for commuting, occasionally). Sometimes if I wanted to watch a movie at home, they provide just enough isolation from my cats to provide a good, immersive experience.
About the cable design- I don’t have any issues with this single-entry, non-detachable design. I do have six cats, and I do see some teeth marks on the cable. So far I haven’t had any sonic issues, but perhaps a detachable design (like on the M50x) can be a nice addition, just in case something happens. If I didn't have those naughty companions, I can't imagine anything would really happen to the cable.
I do have other, more expensive closed-back headphones at home, and have tried bringing them to location recordings. However I reach for the DT770’s most often because they are hassle-free, and at this kind of price point, I don’t feel bad to abuse them a bit. 9/10 very satisfied.